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Borg Brother Wants to Profile You

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bm towering at nightSo, linking tickets to IDs was too hard, because that would restrict farmers gifting.  However, if you want to buy tickets for Burning Man, you need to create a “Burner Profile“. Which means, if they don’t like you, they can shut you out forever. The World’s Biggest Guest List has now been taken to the ultimate extreme – no doubt a power trip for whoever fills the implied slot of The World’s Biggest Door Bitch.

Q: What’s a Burner Profile?

A: The Burner Profile stores information about you and your activities as a member of the Burning Man community, so that it can be used to streamline processes that require us to collect information from you as you do things and create projects for Burning Man.”

…or – “as you gift things to our party at your own expense, we want to remind you that you’re in our service and creating for our benefit, and we want to keep our eyes on you as much as we can. We have a lot of bureaucracy that you will need to engage with”. We’ll see if this new data structure facilitates interactions with the BMOrg’s endless string of questionnaires, surveys, censuses (censi?), forms, licenses, tickets and other inventions of the centralized governing apparatus in any way. Or if it’s just another bunch of red tape getting between us and our party in the desert. ‘Scuse me for being skeptical, but no-one has ever tried this before as far as I know. The answer to 1984 is 1776, nothing good comes from secrecy…

Is this truly the solution to the Lottery horrors of 2012? In the face of declining population numbers, does implementing a more detailed profiling of the community, lead to growth and education of our community, and the easing of red tape and rules? Does this really need to happen behind “black box” computer systems that don’t have a great track record of performance, but get to decide if the Burners ends up being allowed in to buy a ticket or rejected by a computer error?

I am reminded of Machiavelli’s strategy of the Black Prince:

the suit[spoiler alert!]

….where the king sends in a prince who is just terrible, all the people hate him, when the king kicks him out he’s seen as a hero and the new prince is welcomed as a savior, he gets to implement the original agenda of the king with the full support of the people. “Sure it’s bad, but it’s not as bad as what we had before, so we’re better off”.

“A: If you want to participate in one of our ticket sales, you must have a Burner Profile.”

Pretty goddamn clear. Rave-cial profiling?

“Over time, as we add more functionality to the system, you’ll be offered the opportunity to provide more information that will help facilitate your Burning Man activities that require you to provide us with information (project registration questionnaires and the like). The more you put into your profile, the more you’ll get out of the system, and the more we’ll know how to connect with you

Corporate speak. What does that even mean? “In the future, you will get more out of this, we don’t know what but we promise it will be something, just give us as much data as possible now”. The data will not be available to the Burner community, only the BMOrg and whoever they decide is on their team.

Burning Man has had clashes with the Electronic Frontier Foundation and the Burner community before, over their overly onerous legal stances on intellectual property and other intangible goods they claim to own: that is, your information, photos, videos, observations, and more. In this case, any data you put on the Burner profile, although it is not searchable on the Internet, can be published anywhere on the Burning Man site at their absolute discretion. I see nothing to suggest that it wouldn’t then be searchable there. Here’s the clause:

“whenever you submit expressive content to the Image Gallery, Playa Artifacts, Tales from the Playa, or ePlaya, you understand that the submission will be made public on the web site, and that such submission may contain personal information. We are not responsible for the personal information that you or others choose to post in this manner. You may be identified as the author of any posted expressive content unless you tell us otherwise.”

You should be aware of their recently updated privacy policy. I want to highlight two particular clauses in it:

We use the personal information that we receive to operate the web site, produce the Burning Man event, and for Burning Man-related projects. Your personal information may be stored on our system and shared among Burning Man affiliates, including but not limited to the Burning Man Project, Black Rock City, LLC, and Black Rock Arts Foundation. We do not rent, sell, or share your personal information with any other entity, except when:

  • We have your permission; or
  • We respond to subpoenas, court orders, or other legal process; or when we must exercise our legal rights, protect our property, defend against legal claims, or otherwise comply with the law; or
  • We believe it is appropriate in order to investigate, prevent, or take action regarding suspected illegal activities, fraud, threats to personal safety, or violation of this web site’s terms of use.

the definition of who is an “affiliate” or “what is a related project” of Burning Man is unclear, and unlimited. And in agreeing to this privacy policy, anyone in the BMOrg, or “affiliated” with them – presumably including volunteers – can look up any of your information and history, at any time. That’s a heck of a lot of trust we’re putting into them; why can’t they give us the trust back, and make Burner profiles available on the Internet to the whole community. If people don’t want to be associated with Burning Man, let them use their Burner Names, don’t force them to use real names when you’re saying you can’t link tickets to IDs.

Not only that, if ANYONE affiliated with the BMOrg suspects you of doing anything that is either a) illegal or b) against their web site policies, they can sell your data to anyone they want. That’s what this clause says.

The other clause that concerns me is this:

If Burning Man is acquired or transferred, or changes entity status, the personal information maintained on the Burning Man system will be among the transferred assets but will remain subject to any existing privacy policy.”

The definition of “who might take over Burning Man one day” is completely up in the air. “Changes entity status” is not exactly a crystal-clear legal expression, there is a lot of wiggle room in there. The government, the IRS, the ATF in a RICO investigation, Pershing County officials as part of a law suit settlement, Mexican cartels, Microsoft, religious freaks. It could be ANYONE. And “any” existing policies suggests that whoever ends up in control, if they have an existing privacy policy, your information will also be subject to that.

homer_jump_the_shark1If you’ve already registered for their ticket sales when they announced it, you’re SOL because you can’t create a Burner Profile and it’s not easy to change:

Q: Can I change my Username in my profile?
A: No. Your username is permanent. If you need to change your username, you will need to delete your account and create a new one with your desired username.

Q: Can I change my First Name, Last Name and/or Email Address in my profile?
A: These are very difficult to change, but it can be done if necessary … and we have to do it for you. If you absolutely must change your first name, last name or email address, use theContact Us form to request the change. (Legitimate reasons for changing your name include: you misspelled your name when you created your account, you got married, or you legallychanged your name to DJ SparklePants.)

Q: If I’m pre-registered for a ticket sale, then I delete my account and create a new one, will that kill my pre-registration for that ticket sale?
A: Yes. So if you’re currently pre-registered for a particular ticket sale, don’t do that. If you did it by accident, and you now realize you’re screwed, use the Contact Us form to let us know your plight as soon as possible.

At least whoever wrote this is honest to acknowledge that in implementing this policy change the way they have, they’re already led to many Burners being screwed. At the time of writing this post, it’s only 3 weeks old! This was announced on January 11 [sorry for the delay on this story - I blame the beaches of Los Cabos: ed]. Was this part of the game theory they spent so much time and effort on?


Filed under: Dark Path - Complaints Department Tagged: 2013, bmorg, city, complaints, cops, drugs, rules, scandal, tickets

Help us Alpha Test New Site

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Burning Man have changed their privacy policy, and are asking Burners to create Burner Profiles in order to apply for tickets. The data is owned by the multi-entity hydra which is the various Burning Man for-profit and non-profit organizations, and it is shared amongst any of their “affiliates”; if they suspect you of violating any of their many legal contracts or other things, they can sell your information to anyone they like. Oh, and if someone takes over Burning Man, the policy could be changed at any time.  At least that’s how I read the contract – I call on any legal eagles out there to correct me.

this infographic is from 2009

this infographic is from 2009

Although this news is a couple of weeks old now, I missed it while on vacation at the beach. I think they’re going in the wrong direction – this is a 1990′s Internet approach, not a 2013 one. A quarter of the world are on Facebook now, more than a third on the Internet: 2.4 billion people, up 566% since the year 2000; 4 billion email clients. 634 million websites, increasing at 51 million per year. More than 5 billion people with mobile phones, more than 1.1 billion on the Internet with smart phones; more than a billion people a month using Facebook. Facebook processes 2.7 billion Likes per day. People are sharing data, not trying to own the content created by others.

Think about this.

Burners.Me is just one of 60 million WordPress blogs. A few times, we’ve made the Top 100 WordPress sites in the world.  Right now, our Alexa ranking is consistently in the top million websites in the world – ie the top 0.15%. Here’s how we stack up versus the official sites, funded from the $24 million a year at the gate, the $12 million a year non-party budget, etc.:

  • Burners.Me – # 145, 865 in the US; #924,682 in the world; 87 sites linking in – we’re top million, have been almost top half million at our peak
  • Burningman.com #15,665 in the US; #59,555 in the world; 5,552 sites linking in
  • Burningmanproject.org too small for US data; #3,455,512 in the world; 60 sites linking in 
  • Blackrockarts.org too small for US data; #1,431,325 in the world; 293 sites linking in

And we’re not doing anything to make money from this. Just sharing our opinions, about a culture we love, and feel like we’ve been a part of for many years. You don’t have to agree with us, we welcome for you to comment here and disagree and share your own thoughts. We respect freedom of speech more than anything, definitely more than Burning Man’s 10 Principles.

I would really love for any readers of this blog to be able to post their own videos, photos, and stories. Some of the more adventurous Burners have been doing this anyway, and have been rewarded by the promotion of their project to tens of thousands of people per week. We promoted at least a dozen kickstarter projects last year, for example.

I use wordpress.com and I haven’t found an easy way to integrate the ability for anyone to upload their own photos and videos yet.

So today I’m trying a new additional platform where you can start your own discussion topics and share your own content, burners.ning.com. It’s rough and it looks like crap right now – that’s why we need Alpha Testers. Help us with ideas about how it can look and work better. Do you have any photos or music mixes from your times at Burning Man, that you’d like to share? Burning Man related stuff you’ve posted to YouTube? Post ‘em, tag ‘em. The ones on Flickr are too hard to find and discuss, in my opinion. Tribe had a moment of blossoming but died some years ago. Anything on ePlaya is clearly owned by BMOrg. And Reddit – who served 37 billion page views in 201injury infographic2 – has now seemingly been Tar’get’d by the Cop-y-Right Wing.

Let’s make this an online community for Burner content, that is more in line with the free and open spirit of the Internet. We ask anyone who is interested to please help us out, create yourself a free profile at burners.ning.com. Share as little or as much data as you want, hell make up a fake name, we don’t care – it’s the Interwebz! Upload some of your Burning Man photos, share some of your stories and music.  We will use the Creative Commons Attribution License – the content you choose as shareable can be used by other Burners for whatever they want, as long as they’re not profiting from it without acknowledging your ownership. The license does not erode your copyright ownership over your own digital information, it just describes a way that others can share your stuff on the Internet if they like it – without everything being red tape and a huge pain in the ass.

Whether this idea works or not is up to you, Burners. There’s nothing in this for us, in fact it’s only going to take more precious time and effort to administer; but it seems to me like the right thing to do. Or at least, to try…”there is no try, only do” – Yoda.

Information wants to be free! The world has benefitted so much from Open Source licenses and the philosophy of sharing and mutual benefit that underpins it. Not so much so from the Patent Trolls, suppressing brain-children because they want to own everything. These digital robber barons want to retain exclusive use of the invention, and restrict others from using it; this is the philosophy that led the world’s greatest scientist Nikola Tesla to die penniless, and is the opposite from that espoused by the Pirate Party about our obligation to share our culture heritage with others (for example).

Bruce Sterling? Now that’s a Burner from WAAAAAAY back. Is it a coincidence that Burning Man has eerie similarities to the sorts of things going on in the second video above – while it is being discussed as one of the similar events to the Davos World Economic Forum?

this infographic is from Russia...not sure what it all means!

this infographic is from Russia…not sure what it all means!

We search images.google.com for photos related to “Burning Man”, we share them under the Fair Use provisions of the Digital Millenium Copyright Act. We’re allowed to do this, because we’re discussing an event in popular culture. Wherever possible, I attribute photos, and always if we get requested to by the photographer. Sometimes we have taken photos down – being polite will get you further than threats for this one. But that’s for this blog, burners.me – me and some of my friends commenting and sharing our opinions about Burning Man.

burners.ning.com is for everyone – please post everything, share everything, let’s have a Burner repository independent of the BMOrg…because we all have no idea who is going to be running the BMOrg in 5 years. Criticize us all you want, open dialog with a view to progressing to better solutions is what’s going to make this community better – but don’t be hurt if we defend ourselves from your barbs.

If any Burners have graphic skills and an inclination to make this easier for the whole community to use, please help us make it look nicer. And anyone with Burning Man related mixes, please post it in Music, let us know what year and camp it’s from as well as the DJ name if possible.

If it’s meant to fizzle and fails, then it fails… no skin off our nose, at least we tried something; but if you can help all of us by using your graphics, Internet and Social media skills to help build the global community of Burners: join our free alpha trial and share your ideas about how we can make the Burner world a better place. And please post all your Kickstarter projects there.


Filed under: Dark Path - Complaints Department, Light Path - Positive Thinking, Ideas, News Tagged: 2013, alternatives, bmorg, city, commerce, complaints, dancetronauts, disorient, distrikt, environment, fashion, future, glow, ideas, music, news, opulent temple, playa love, press, scandal, sound, space, stories, tickets, videos, virgin

Burning Man Makes Further Inroads on Mainstream Consciousness

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Bob Wiseman’s New Album Includes a Call for Change, Burner-Style

by Whatsblem the Pro

Bob Wiseman is a Canadian musician and filmmaker who is sometimes referred to as “the Canadian Tom Waits.” Don’t ask me why, and don’t ask him why either; neither of us thinks he sounds anything like the Pride of Pomona. Maybe it’s the genre-jumping eclecticism?

Wiseman himself discounts the comparisons with Waits. He has his own thing going on. . . and as a founding member of major-label artists BLUE RODEO with five albums under his belt with the band and thirteen solo albums on the Atlantic Records and Warner Music labels, Wiseman has paid his dues and made his mark.

ImageImage

Wiseman’s latest solo effort, GIULIETTA MASINA AT THE OSCARS CRYING, was released four days ago to critical acclaim both in Canada and here in the States. Musically, the album is all over the map, bopping around between slow piano ballads, folk-rock, and quirky, nervier numbers. . . and as is Wiseman’s habit, the lyrics are marked by the unambiguous political content that sometimes irritates his record company handlers; his second solo album, 1988′s BOB WISEMAN SINGS WRENCH TUTTLE, contained a song called Rock and Tree whose potentially libelous lyrics so alarmed Warner Music that they destroyed the first thousand copies pressed. On this new album, the song Robert Dzienkanski at the Vancouver Airport leaves no room for doubt: the song is written in plain language, and taken from the true story of a Polish immigrant who was tasered to death by the RCMP in 2007.

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Most interesting of all is the fact that Wiseman’s new album also contains a song entitled The Reform Party at Burning Man:

They passed a law last week scientists cannot speak

Gag order they want every tape-recorder

They want to control the blues restrict access to news

Shamelessly they grin there will be no facts without spin

They’re tough on crime that’s right

They own a patent on that sound-bite

Their grand plan unveiled: build more jails

They want to control the blues restrict access to news

Shamelessly they grin there will be no facts without spin

It is in vogue to spin in the era we are in

But once upon a time people had a dime

Nobody would think it was a crime when a poor person dared

To ask you to share because life is unfair

But the era we are in it is in vogue to spin

Put the truth in a box and do not let it talk

And expand the wars and the military bets

And limit the questions the media gets

How many lies can you bake in this pie

And pretend that you are friends with the little big guy

It is a mystery book the way you look

knight to queens rook

They are ok with foul play every little G20 cop got paid

But what’s especially perverse is that this all feels rehearsed

They want to control the blues restrict access to news

Shamelessly they grin there will be no facts without spin

We didn’t vote so

You could make a joke out

Of people that are broke

Interesting that while the title explicitly mentions our annual festival, Wiseman apparently feels no need to make any explanation to people who might ask “what’s Burning Man?” Has TTITD penetrated the public consciousness to the point that the question is now rare, and even a little silly?

It wasn’t long ago that Burning Man was a fairly obscure thing; even now, many who have heard about it have some strange and terribly inaccurate ideas about what we do out there on the playa, mostly mixed up with visions of filthy Rainbow Gathering hippies wallowing in mud and exchanging drugs and social diseases. Bob Wiseman’s casual name-dropping of the Man with no accompanying explanation tells us that this might be changing; Wiseman wants to send Canada’s staunchest Conservatives to Burning Man for a political makeover, and he assumes that his audience gets it.

They’re onto us. Maybe someone should talk to Larry about changing the name of the event to something unpronounceable.

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Filed under: Art, Dark Path - Complaints Department, Funny, General, News Tagged: 2013, activism, art projects, arts, Blue Rodeo, burn, burning man, Canada, complaints, festival, funny, Giulietta, Masina, music, Party, playa, political, politics, press, protest, Reform, sound, stories, Waits, Wiseman

Who the Fuck Are All Us Burners, Anyway?

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statistics cartoonIt’s a good question. Someone you’d think who might know, is the BMOrg. I mean, we give them $22 million+ a year, and they’ve been profiling us in ever increasing ways for over a decade. It went from surveys at center camp, to surveys when entering the ticket lottery, to surveys in the line to get in. And no real sense that this data gets collated in one central database, from which meaningful reports are run…instead of silo’ed into increasingly unuseable and un-integrated buckets, out of touch from the ageing and changing population, from which hardly any useful reports are run. They seem to ask a lot of questions, and not disseminate or process very much knowledge and wisdom. Last year BMOrg announced new Census moves – we weren’t fans. But now the results of that Census have been published: under the enormously arrogant headline “You Were Counted – Did You Count?” Did all that intrusive questioning by people in lab coats, lead to actionable insights, for Burners or for BMOrg? YMMV

why did we do this? This year we expanded our Census project to include data collection from a randomized sample, which was a first for us. Why you ask?

The first reason is that, for ten years, we’ve collected data about the population of Black Rock City through a long-form survey, as part of the Census project, but it’s a “convenience sample,” and we really wanted to adjust that data with a “randomized sample.”

errr…what? I might have only done first-year college-level statistics, as part of a New Zealand university business degree not a Stanford or Caltech maths degree…but this sounds like number fudging more than data gathering. Maybe I didn’t do enough post-grad courses to understand how to adjust 10 years of convenience samples from Center Camp with a “randomized” sample of some people at the gate who chose/were chosen to opt in. Statisticians and all the Burner game theorist advisors, please flame us and discuss!

ManateecountThe randomized data collected by the samplers at the gate were used to weight the data we collected in the census long forms, which means that we have a much more representative picture of our population. (And yes, we realize that this is not a true census, because we’re not able to collect data on all 50,000 plus burners at the event. But I hope you’ll indulge our playful use of the term “census” in this context.)

People keep asking us…why you gotsa hate? Why don’t you just indulge BMOrg in their bullshit? After all, they’re trying really hard, and a lot of them are unemployable volunteers.  The answer is, first of all $20 million+ to them for a party where we Burners do most of the work and cover most of the expenses from our own pocket, they don’t hire any talent and almost all their artists are struggling – which we could admire as an incredibly profitable business, if it was admitted to be as such, but unfortunately there are all kinds of smokescreens and propaganda brainwashing making Burners think that something different is going on; secondly, if we weren’t pretty much the only ones on the Internet with the balls to call them out, then yes everyone would just indulge them as in the past 25+ years. Presumably, because they’re afraid of “shunning” attacks by the extended volunteer anti-wealth hippy army, who think that all of the art cars and theme camps and art projects they see at Burning Man were funded by the annually-increasing by 10% or more expensive tickets…money which in their sparkley, pony-like eyes, gets recycled through some mysteriously opaque process by the BMOrg to be then shared with the community of freebie gifters. They admit “we can’t count“, and then they imply “you don’t count“…unless their “experts” counted you with this “new scientific method”. Let’s see where all that’s gonna get us. Their way of special thinking isn’t going to magically turn shite into shinola; instead it leads to shark-jumping groupthink like “let’s have a third of the party  be Virgins” [actually, it's 39%...according to the survey results we're discussing here]. The consequence of that decision is to piss off all the old camps who’ve contributed far more to get us where we are today, than 22,000 Virgin Millenials are going to any time soon. You want to replace Opulent Temple and Root Society and Slut Garden, with Justin Bieber and One Republic and the Kardashians? [rhetorical question!]

If you want to indulge the BMOrg yourself in their frequently eyebrow-raising statements, be our guest, keep filling out the surveys and making the extra donations, come to the comments of this blog and launch a bunch of straw man and ad hominem attacks on us in the absence of providing any real defense to their actions…so they can continue to make all these clever decisions which somehow every other party in the world doesn’t get affected by. Like, the 6 Burning Man’s worth of 330,000 people going to Ultra Music Festival in Miami next month. Anyway, back to their justifications…

dabsjabs_rahul_gandhiThe second reason for doing the randomized sample is that we wanted to get sound science behind some basic demographic profiles of all you incredible people. Simple stuff, like age, gender, and citizenship.

umm…what’s the science here? Is there a Nobel prize for “playful statistics”? See the end of our article for more.

But we also looked for some other potentially useful data on questions about how often you vote,

useful to whom? Are they selling/sharing this data with the government? Or political parties? What the fuck does it have to do about naked people who are mostly wasted in the desert, to know what party they vote for? How does that help in any way? Like, wouldn’t it help more to know what percentage plans to take drugs, who plans to take no drugs, who’s only going to do alcohol or cigarettes? Or, “do you use a condom during sex at Burning Man”? “Do you have an STD”?

…and how you got your ticket. In fact, the data we collected about ticket source and ticket price indicates that very few tickets to this year’s event were purchased from scalpers.

haters be hating, but here’s yet another call correctly made by Burners.Me, despite vehement BMOrg denials at the time

BiomassSTRIP(MIINI)We have analyzed that short-form data already (see below!). And we are currently working on the re-weighting of the long-form Census data. We’ll use the sample data to adjust the Census data so that it more accurately reflects Black Rock City, and we’ll get those results to you just as soon as we can.

Here are the results of the random sample. We have given our estimate for each variable along with 95% confidence intervals–which means that we are 95% confident that the true value fall in this range. Enjoy!

AGE
Under 20 years: 4% (1% – 7%)
20 – 40 years: 71% (65% – 77%)
Over 40 years: 24% (19% – 29%)
Average age: 34 (33 – 36)

CURRENT GENDER
Female: 38% (32% – 44%)
Male: 60% (56% – 65%)
Both/neither/fluid: 1.5% (< 1% – 3%)

Percent of population who are at Burning Man for the FIRST TIME
39%* (32% – 45%)

*Note: We assume that this number is higher than the true value. Remember that we started sampling on Sunday, after many returning participants involved in major projects had already arrived on playa

statistics-cartoonerrr…wasn’t this one supposed to be the completely random sample, to include everyone without any discrimination, because the other 10 years of stats were biased by not being a purely accidental sample? Wouldn’t the absence of the  thousands of volunteers who build the city, or the 15,000 or so people with early entry passes last year, affect the integrity of the sample? Sorry to be difficult, I just actually read the words of their press releases and official blog posts, and think for myself. If the statistics are clearly untrue, why should we “re-weight” ten years of data based on them?

…Next year we would like to extend our sampling window to include these early arrivals, which will improve the representativeness of all our results.

TICKET SOURCE
Burning Man: 60% (55% – 64%)
friend: 27% (25% – 28%)
stranger: 6% (2% – 11%)
third party reseller: 3.3% (2.6% – 4.1%) [contrast with Larry Harvey's claim from December 2012 that it was just over 1%...is there even one person in this group who really knows what's going on with the whole thing?]

TICKET PRICE
More than face value: 6% (4% – 7%)
Face value: 74% (72% – 75%)
Less than face value: 8% (5% – 11%) [not sure if this would include Low-Income Tickets; based on their updated population numbers, this is 4,491 people]
Gift: 5% (3% – 7%) [2,807 - making a total of 7,298 people out of 56,914 who didn't pay full price; whereas 3,369 suckers paid more than face value; in total, 10,667 Burners who didn't pay the correct ticket price - almost 20%]

MISCELLANEOUS
Percent of eligible voters who VOTED in at least one of the last four federal US elections
83% (80% – 87%)

Political party affiliation among eligible voters
Democratic: 34% (30% – 38%)
None: 33% (26% – 40%)
Republican: 24% (18% – 29%)
Other: 3.5% (2% – 5%)
Green: 1.5% (< 1% – 2.2%)

Percent of the population for whom English is their first language
86% (81% – 90%)

Percent of population who reside in the US
76% (59% – 93%)

obama-economy-jobs-debt-deficit-political-cartoon-drone-strike-unemploymentAgain, sorry to be difficult by pointing out the completely obvious flaws in these relatively meaningless statements…if 24% of the party aren’t from the US, and 33% of the party don’t vote…and 14% of the party surveyed don’t really speak English…then how can we be so sure of these statistics? Are we sure that none of that  non-resident 24% (that’s about 15,000 people) who live outside of the US, were included in the voting stats as “eligible”? Or vice versa, can we be sure that the non-US residents who were still voters, were included? What about the 6.3 million US citizens, eg military personnel, who live outside the US but still can vote? That’s about 3% of the national eligible vote, so wouldn’t this be statistically significant in this poll – which seems to have an accuracy range of +/- 10% ? Especially if Burning Man really thinks that in some way it’s important to know what political party – Ass or Trunk – American Burners vote for. Difference Between Republicans And Democrats(3)Can we be sure that those stats are based on a sample eliminating the people who weren’t eligible, either by residency or because they maybe couldn’t even understand the questions, and yet included others who were completely eligible but didn’t fit the other criteria? I see nothing else to indicate that this survey was particularly statistically rigorous. While “95% confidence” might be an industry standard level of truth, it means that out of 60,000 people, their own estimates predict that they were wrong about at least 3,000 of them. How do they even assess that confidence level? It’s clear that they could not have interviewed a massive proportion of the population, who were early arrival Burners. And a truly useful stat would have been an exit poll – why did so many leave early this year, even before the Man burned? Was it the Dust storm? Boredom? Fear? They ran out of drugs camping supplies?

Did this extra survey lead to new insights compared to what we’ve had in the past for Burners, or the Burning Man Organization? You tell us…

antifragile

There are huge arguments to begin with that the entire field of statistics is sociology not science; in a similar way that economics is not a science in any way, shape, or form. For anyone interested in opening their mind enough to make up their own mind, I can’t recommend highly enough Nassim Nicholas Taleb’s books, especially his latest philosopher king master-work, Antifragile.  Unfortunately he’s a better writer than speaker, the video is not as engaging as the spectacularly entertaining and thought-provoking book; but if you don’t have the hours to immerse yourself in a tome that may change your thinking for ever, you can get the gist of his ideas from this brief lecture:

Who the fuck you think we are?


Filed under: Dark Path - Complaints Department Tagged: 2012, 2013, bmorg, city, complaints, scandal, tickets, virgin

It’s Looking Like Another SNAFU

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[Update: Scribe has written a story about the SNAFU at SFBG. Comment from Marian: "it's moving slowly, but we've seen worse!" They had to add more servers...ummm, is no one capable of capacity planning? They are selling $15.2 million of tickets right now (plus handling fees), maybe they could stretch for another server or two...or, use Amazon's cloud like everybody else does who wants scalability and reliability...]

snafuI got into the ticket system 12 seconds after Noon – and got 2 tickets, in about 8 minutes. One friend must’ve beat me, he got his tickets in 3 minutes. Someone else who got on at 12:00:12 also got tickets. Lucky us. Unfortunate for the people who were 20 seconds or more late to connect to the servers…the horror stories are starting to come in. I have a couple of friends who are still holding now, after hours. Good luck to everyone in the queue!

First, a tip – thanks to Burner Barefoottrout:

“if you get the “tried too many times error” use another browser application. I got booted 3 times on chrome and now I’m using firefox where I’ve had no boots but have been waiting patiently for 2 hours.”

Another tip, from @BurningMan on Twitter:

If you’re having passcode trouble getting into the queue, try clearing your cookies & cache.

Here’s a sampling of what Burners are going through, from our web site and comments to this blog:

Burner James:

Got in the queue at 12:00:21 and got kicked out (frozen) at 12:16 and have been getting frozen out repeatedly since then. Frustrating.

Burner Sylvia:

got in at 34 seconds and have since been booted out 4 times, still waiting…oh, make that 5 now.!

Burner Elizabeth:

got in queue at 12:00:27 and have been kicked off twice with error messages

Burner Tat-Dat

I got booted off 4-5 times and then got this message “Your passcode is not registered. You have reached our limit for trying. Please contact customer support for more information.”—anyone have the same experience?

Burner Robert Burns:

I got booted off 4-5 times and then got this message “Your passcode is not registered. You have reached our limit for trying. Please contact customer support for more information.”—anyone have the same experience?

Burner Matt:

Kicked off 8 times, loged on 12:00:15 still no ticket at 1:16…fml

Burner Alexey:

Poor experience. Got to checkout page, but it gave me some “session timed out” on final checkout. 2nd time – same thing. 3rd time it worked. Trying to purchase tix for friend who had unmovable meeting – got to checkout page, entered all the info, got generic “something went wrong”. Had to start from beginning, worried he won’t get his tickets.

Burner Chris:

At 12:00 after inputing my code it went to a page saying please stand by that was at 12 noon finaly I refreshed at 2:15 and now it says that I am in the Queue. This system sucks

Burner Nillabear:

Got in the sale about 30 seconds after it started. Got my ticket after two hours. Had to refresh about three times due to disconnect error but I’m guessing I kept my place in line. Good luck peoples! See you back home.

Burner Niki:

Whew! Three hours and I got mine!

Burner Jan:

Do you think we are really in the queue still. 4 hours now.

Burner Eric:

If you have the ear of anyone at the burningman ticketing staff, here’s what i’d like to share since they appear to have all of their comment area on lock-down right now.

So last year i spent 5 minutes deciding how much money i was willing to spend on tickets, and clicked go… then a few weeks later i found out if i got tickets or not and i did.  And i got tickets.

This year i had to register, then i had to login at noon PST, then i tried various times in the day to buy tickets with my registration number (becuase i could not sit in front of the computer for hours)… the first time i logged in at 12:00:47 and before i left the house i got booted from the system and it appears i lost my place in line.  There appeared to be no actual system for determining if i had kept my place in line… in the end, i wasted plenty of time, got no tickets, and go no reasurance that my place in line had or hadn’t been lost (which is just plane stupid not to give that feedback if it’s communicated to be a major point of the system) and so despite having been logged in only 47 seconds after the start i got no tickets trying throughout the day.  THIS BLOW DONKEY BALLS!

We could go on, but I think you get the gist. If you got into the queue in the first 30 seconds, you were cool. Any later, good luck! Try a different browser, try closing your browser down completely and logging on again.

Or…try picking up one of the 118+ tickets already on sale on Stubhub, starting at $624. So much for the legal contract – or maybe these scalper tickets are all from the pre-Christmas draw.

After 25 years of partying, and hundreds of millions of dollars…we still can’t sell 40,000 tickets on a web site. How complicated is this? In the past I’ve been involved in projects where, in a few months, we built systems that can process 200+ database transactions per second. The architecture was not particularly complex or expensive – many others face this problem. Here’s how you can use free, Open Source software to process 200,000 transactions per second.


Filed under: Dark Path - Complaints Department Tagged: 2013, bmorg, complaints, scandal, tickets

Help! I Didn’t Get a Ticket! 7 Ways You Can Still Go

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It’s been interesting to see the 2013 ticket process play out. Myself and some friends got tickets in less than 10 minutes, by getting in the queue in the first 20 seconds. From our point of view, yay Burning Man! Others who got into the queue between 12:00:20-12:00:59 (yup, the first minute) had a wait of hours, if they got tickets at all. There are many stories on the Internet of people waiting the entire day, only to get kicked out because the server accused them of using their unique code too many times. There was obviously no check between “unique code” and “ticket purchase”, only “unique code” and “did they get through to the next screen”. Weak, since the ability of their servers to actually deliver the next page proved to be relatively poor.

message in a bottleToday I’m hearing stories of veteran Burners who forgot about the whole “pre-register then block out an afternoon system” happening this week. Believe it or not, many Burners have real lives and do real things every day, Burning Man and the annual invention of the latest systems and processes by the BMOrg are not top of their minds.

We’ve also heard one horror story of a Burner in the UK, who has been waiting in the queue for more than 2 days. Give up my friend, the tickets have been sold already, they’re laughing at you.

Anyway, if you didn’t get tickets in the Individual Sale, all is not lost. Here’s some of the next steps you can do:

1. Register for STEP. This is a technology Burning Man have invented so that people can sell their tickets back to the BMOrg for slightly less than what they paid for them. Burners who want tickets register for STEP and sit in a queue for these recycled tickets. The number is unknown, and depends on how many Burners just bought tickets but are going to change their mind between now and the end of July (when STEP closes). It could be 10,000 tickets, or it could be 0 tickets. Registration opens noon PST on Feb 28 – another day to block aside to try to log onto their servers, although hopefully this is disconnected from a financial transaction and therefore the queues should be processed much faster. Given that the number of tickets is completely opaque, you’ll want to make sure you get in the queue as close to 12:00:00 as you possibly can. Last year, STEP was closed down 17 minutes after they opened it.

2. Try to get one of the 1000 tickets in the last minute “OMG” sale – you’ll need to double-register again:

For those who decide at the last minute that they Absolutely Must Go To Burning Man, and to further combat scalpers, we will sell 1000 tickets at $380 each, maximum of 2 tickets per person. In order to participate, you must pre-register between Friday, August 2 at 12pm (noon) PST and Monday, August 5, 2013 at 12pm (noon). Details for how to register will be available at http://tickets.burningman.com. This first-come first-served sale starts Wednesday, August 7, 2013 at 12pm PST. Tickets purchased through the OMG sale are transferable but will not be shipped — they are held for pick up at Will Call only.

3. Look for a ticket on the secondary market. It’s the same as #1, except the people selling get all of their money back, and maybe even make a profit; Burning Man doesn’t get extra handling fees from these transactions, so they advocate #1 and try to discourage you from #3. The advantage of #3 is you’ll know straight away if you can get a ticket; the disadvantage is the tickets don’t get mailed out to June/July so you might have a nervous few months wondering if you got scammed. Up to you to decide if that’s better or worse than months of waiting in STEP and not being sure if you’re ever going to get a ticket or not. Right now Stubhub has 183 tickets starting at $600, eBay has 2 for $1500, and Craigslist has a bunch of people wanting to pay $400 for them, but no sellers.

4. Get involved in an art project or theme camp. Many of these have blocks of tickets, or access to other tickets. They might sell you one, or gift it to you if you provide enough volunteer labor or other resources.

5. Find someone with a spare. Given how convoluted this process was, once I got through, I bought 2 tickets, knowing it would be easy for me to gift or sell the other one. No, I don’t have a spare for you, sorry! I’ve already double booked this one and have close friends looking for more. But, many out there might be wondering who to give their spare to right now – and others, when they get dumped during the year by their Burning Man dream date, might end up with both tickets spare. Act fast on this one, while those spares your friends and acquaintances are holding don’t have a home yet.

6. Wait til the last minute. In 2012, the week before Burning Man tickets were going well below face value on Craigslist, eBay and Stubhub; and many were simply being given away. Burning Man tried desperately to stop this slide in value, by placing portable signs reading “sold out event” on the way to the party. This was clearly a lie, as attendance was substantially down on last year. This option requires a cool head, patience, and little planning for your Burn – but is likely to work for you, if you really want to go.

7. Sneak in! You wouldn’t be the first, and you probably won’t be the last. They make it difficult to do this, they come into your vehicle and search it, but they can’t search every inch of every RV and trailer. If you’re thinking about jumping the (admittedly massive) fence, be aware that there are all kinds of LEOs with all kinds of high-tech night-vision and other equipment. And one thing they are definitely looking for is skydivers.


Filed under: General Tagged: 2013, bmorg, complaints, ideas, scandal, tickets

Nevada Local Governments Make Pitch To Control Burning Man

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Last year Burning Man filed suit against Pershing County, NV, for trying to get a cut of the $24 million+ annual revenues the party brings in. Burning Man argued that their county-based ordnance was unconstitutional. Pershing County hit back, objecting to the nudity at the festival among other things.

Now it seems Burning Man’s legal battles in Nevada are going to continue. The Reno-Gazette Journal has just published an article entitled “Who Regulates Burning Man“?

The newest political push comes from the associations that represent Nevada cities and counties. They’re asking local governments around the state to support potential legislation that upholds “the right of the local governments to ensure activities that occur on these lands is compliant with local land use, zoning, special event and public health and safety codes…”

government solutionThe move is being pushed by the Nevada League of Cities and Municipalities and the Nevada Association of Counties, of which the city of Reno is a part.

The Mayor of Reno is siding with the Burners, pointing out that the event brings more than $15 million annually to the struggling city’s economy. (Surely it is far, far more than that; $15 million is $246 per Burner on average. Perhaps the money going to Wal-Mart, airlines, and rental companies doesn’t get counted as being local)

On Wednesday, Reno Mayor Bob Cashell said the city should not support any policies that hurt Burning Man, which is a week-long arts and free expression festival. Burners on their way to the event often stop in the Reno-Sparks area to buy supplies, leaving behind an estimated $15 million in the local economy.

“They spend a ton of money when they come through here,” Cashell said. “If this is going to affect that we need to oppose it.”

Both the Mayor and Black Rock City, LLC (a privately owned Nevada corporation) argue that the jurisdiction over Burning Man is Federal, since the event takes place on Bureau of Land Management land. One Nevada assemblyman is considering legislation to hit back at the counties, and make it specifically impossible for them to regulate events like Burning Man:

Assemblyman David Bobzien, D-Reno, has a placeholder for a potential bill that, “Prohibits local governments from enacting ordinances restricting events and activities on federal lands.”

…although so far this is all talk, the bill has not actually been introduced.

The Pershing County trial is tentatively set for a post-Cargo Cult September 24.


Filed under: News Tagged: 2012, 2013, bmorg, complaints, news, rules

Burning Nerds – Ideology Subsumed?

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We’re big fans of Caveat Magister, one of the last voices of reason to be heard at the official Burning Man blog – and always fun to read.

His latest post is on the infiltration of Burning Man culture by Academia.

The academics have come to Burning Man.  They’re through the gates. They’ve always been here, actually:  but now they’re getting organized

burning-man-dalek-stormtrooperAnd, it appears, with the full support of the BMOrg. The Cacophony Society was all about chaotic and playful rebellion to the mainstream; Burning Man in the desert started off being about shooting things and blowing things up.

Now, it seems, our libertarian values have been taken over – by Millenials who want to change the world through a rave full of naked people; and academics who want to redefine the Sacred 10 Principles with their own views of what our culture should be, and promote that to classrooms all over the world.

The Burning Mind Project wants to categorize the 10 Principles, then decide which ones are more important than others. I think if you asked most Burners, they would put “Leave No Trace” at Number 1. But not this crew, they rank it at #9 out of 10:

The next question we considered was the most difficult: should failure to adhere to some principles disqualify a person from membership in a community?  In some cases the answer is “no.”  As mentioned above, plenty of people participate in communities without engaging in radical self-expression.  Indeed, discovering the part of one’s self that needs to be expressed is often a big part of the experience.  In other words, manifesting all 10 principles is not a requirement for membership in the community.

rapunzel bungee#10 on their list, incidentally, is radical self-reliance. Perhaps that’s because academics aren’t too good at camping in remote locations, preferring the view from their ivory towers.

The Magister’s view?

I was at the very first meeting of “Burning Nerds,” a Burning Man staff initiated gathering of academics who attend Burning Man.  I helped carry snacks for the party into Ashram Galactica, then stood in the corner and listened as meteorologists in leather skins and topless sociologists and dramaturges in fuzzy boots introduced themselves and discussed their research.

photo from Toad.com

photo from Toad.com

That was, I think, in 2010, and since then Burning Nerds has had more meetings in the desert and established a thriving email list.  This year, they’re planning their first theme camp.

And good for them.  The more participation, and kinds of participation, the better.  But … lemme skip to the end here.  I’ve reluctantly concluded that academia per see is very, very, bad for Burning Man – and that we’d be better off if Burners engage in a campaign of civil disobedience against it.

Not, let me emphasize, against the academics themselves.  We’re all welcome at Burning Man, and the work they do just as legitimate as whatever other crazy project someone wants to put in the middle of the desert.  I read all of their studies avidly, which is more attention than I pay to your theme camp.

But while any given piece of individual research is likely harmless, the project of academia itself is kryptonite to the spirit of Burning Man.  Indeed, a case can be made that academia as an institution stands firmly opposed to the 10 Principles.  Outside of “prison,” if there was ever a practice that contradicted “immediacy,” “radical acceptance,” and “radical self-expression” it is academia.

In our view, this type of academic infestation is a natural by-product of BMOrg’s obsession with interrogation surveys and data-collection. Give us a bunch of meaningless and unused data, and we’ll show you an even bigger bunch of academics who want to write papers on it.

What is the threat to our culture? Well, check this out:

As part of their work to better understand the 10 Principles they have dissected them, dividing them into 5 “foundational principles” – the most important – and 5 “operational principles” that exist only because you have the first five.  “Civic Responsibility,” “Gifting,” and “Participation” are foundational – while “Radical Self-Expression,” “Radical Inclusion,” and “Leave No Trace” are operational.

We’re already completely outside of my understanding of Burning Man – let alone my experience of it – but it gets worse.  The primary purpose of the 10 Principles, they suggest, is the continued existence and support of the community as a whole.  To quote:  “In order to be a member of a burner community, one must make the health of the community one’s top priority.”

photo by Adrian Roberts

1993 – photo by Adrian Roberts

Not only do I have grave concerns about this … I think that if Burning Man’s first rule is “submit,” then a perfectly rational first response is “fuck you” … but it flies in the face of the historically strong libertarian component that existed since Burning Man’s formative years.  The early burns were not a group of politically progressive hippies going out to the desert to make a better community.  They were (among other things) a group of free spirits who didn’t like being told what to do by an over-regulating San Francisco government, which is why they went to a desert where there would be fewer communities to respect, not more.  Sure we’ve gotten rid of the guns and added speed limits since then, but when the people at the gate say “Welcome Home,” they don’t mean “if you’ve done your chores and your homework.”

Playa in 1989 - from Dust and Illusions

Playa in 1989 – from Dust and Illusions

Well said, Caveat Magister. It’s good to see that there’s at least some voice of rebellion and freedom still alive within the BMHQ – if you ever want to join the “dark side” and start contributing to Burners.Me, you’d be welcomed.

We encourage you all to read his excellent post in its entirety.

How do we rank the 10 Principles? Let’s give it a try – if you had to pick one as the most important, what would it be?


Filed under: Dark Path - Complaints Department Tagged: 2013, bmorg, city, complaints

Forgotten City Buried in Two Inches of Gravel

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by Whatsblem the Pro

Image: John Marsh and Kelly Curtis

Image: John Marsh and Kelly Curtis

There’s just a hint of mayhem in the story behind what shouldn’t be a terribly noteworthy change of plans for the fourth annual Forgotten City festival this year.

The event is the Las Vegas Burning Man Regional‘s yearly Memorial Day weekend outing. A month ago, the usual suspects in organizing Forgotten City announced that the event would not take place in 2013, due to a new baby in the family.

“I was actually looking at a site in Pahrump, Nevada for something else at the time,” says Dirk Schmidhofer, the organizer who has taken on the task of keeping Forgotten City’s fire lit this year. “I started calling it St. Elmo’s Fire, but too many people thought of the TV show, and of Sesame Street. Damian was mentoring me then, and I asked if I could use the Forgotten City name. He said ‘Sure, and here’s all my website stuff, too.’”

Dirk Schmidhofer at FC3. Photo: Adam Shane

Dirk Schmidhofer at FC3. Photo: Adam Shane

With the Las Vegas Regional in his corner, Schmidhofer sought a permit for the event in Pahrump, Nevada, a small and economically-challenged town about fifty miles west of Las Vegas.

On March 1st, 2013, Selwyn Harris wrote an article in the Pahrump Valley Times about the Pahrump Town Board approving plans for FC4 to be the inaugural event at the new Pahrump Fairgrounds. Town Board members voted 5-0 to approve the event, but waited for a contract review from the town’s attorney before giving the official go-ahead.

On March 8th, just one week later, Selwyn Harris wrote another article, entitled “Mini Burning Man Event up in Smoke.”

“We went back to the previous location,” says Schmidhofer. “Bootleg Canyon near Boulder City, Nevada. Boulder City Parks and Recreation has permitted Forgotten City the last two years, so they know the organization; we obtained a permit as we had done in previous years, and we’re selling tickets as we speak for Memorial Day Weekend.”

The Pahrump Fairgrounds, it turns out, are a bit unfinished.

“They just bladed off 27 acres,” Schmidhofer told me. “They put in a very large asphalt parking lot at one end. It’s a brand new fairgrounds and they’re doing it as they get money; they are working on more funding, and want to put in soccer fields and so on.”

In order for Forgotten City 4 to burn in Pahrump, Nye County wanted Schmidhofer to either pave the fairgrounds, or lay down a two-inch bed of gravel wherever there would be vehicles parked.

“I was actually planning on renting a water truck, a la Burning Man,” says Schmidhofer, but according to the County, “water is not considered a dust palliative for the purposes of complying with that law.”

And then, according to a press release from Pahrump’s town manager, Bill Kohbarger, “A Nye County Sheriff’s Office representative contacted Burning Man advising them that everyone who gave away alcohol needed to obtain a liquor permit through their office.”

Meanwhile, Schmidhofer was taking a drubbing from citizen attendees in town board meetings over things that seemed to make no sense.

“Although we felt we were there with plenty of time, some felt we were springing this event on them. Others thought I was trying to skirt the process, even though I had spoken with everyone I could find or get a recommendation to talk to. I missed a face-to-face with the town manager, and they really zeroed in on that. He didn’t seem to mind though. Someone was upset because they thought we had the tickets printed up already; I guess they’re still in the 20th century there. What we have is a website created by the founder of Forgotten City a couple of years ago; a few minor changes, and it’s ready to sell tickets online — everything is e-commerce, but they didn’t understand that.”

According to Schmidhofer, the town board meeting attendees seemed to ignore the fact that the group had done this event before, and already had fully-developed and tested plans for security, fire safety, EMS, etc. “One person specifically said at the microphone that twelve weeks was not enough. . . but I had been working with the fire chief on all of it, and he even vouched for us at the meeting.”

This only looks like Satan worship. Photo: John Marsh and Kelly Curtis

This only looks like Satan worship. Photo: John Marsh and Kelly Curtis

Reader comments on the related articles in the Pahrump Valley Times were worse than vitriolic. One Pahrump local logged in as “Desert Cat” called the abortive festival at the fairgrounds “your little Burning Man freak show” and exulted over the cancellation: “Best of days for Pahrump. You see, we succeeded in putting a stop to an event that would have drawn the likes of you and yours to our town.”

In the end, it’s hard to say what went wrong. The Pahrump town board seemed willing enough, but was Nye County angling for Burning Man to surface their new fairgrounds for free, and even pay for the privilege? Were they simply trying to keep the festival out? Was it just a few cranky conservatives among the locals, making waves?

Schmidhofer’s take on it is that the town board was genuinely on his side: “The Pahrump town board chairman and the town manager were both quite upset about the situation. It is a pretty depressed locale economically, and they were trying to bring a little revenue into the community.”

Burning Man itself has come under quite a lot of recent scrutiny in Nevada as a cash cow by lawmakers and local governments looking for more teats to suckle in hard economic times. It’s not hard to imagine a beleaguered town board being hamstrung by a greedy County killing off the goose that might lay a few much-needed golden eggs.

John Pawlak, a burner who lives in Pahrump, had this to say about the reaction of his neighbors to the plan to bring Forgotten City to their rural hamlet:

“It seems ironic that certain individuals in this town can demonize and prejudge the folks at the Regional Burning Man group who were asked to come to our town at our request and then define them as homosexuals, nudists, drug addicts, hedonists and so forth. Are we blind when we in fact have all of those traits and more as a community, but we choose to hide those facts from the general public? Maybe we don’t have the nudism, but we have our brothels, swingers’ club, drug addicts, meth labs, plus we carry guns. We continue to slam shut the door on change here in town. If we are to make this a better place to live, we’re going to have to start someplace. We constantly complain of nothing to do here and when something or someone comes knocking at our door to begin the process, we shut it in their face.”


Filed under: Alternatives to Burning Man, Art, Burner Stories, Dark Path - Complaints Department, General, News Tagged: 2013, alternatives, art, arts, burning, city, complaints, cops, County, Dirk, drugs, festival, Forgotten, John, man, news, Nye, Pawlak, regionals, scandal, Schmidhofer, stories, tickets

Monday is the New Saturday

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I have been meaning to sit down and write an article about pranks at Burning Man and how large they loom in our history, but someone whom I would have featured in that article decided to die this week.  Paul David Addis, the man who burned the Man, committed suicide Saturday by jumping in front of a BART train at Embarcadero Station in San Francisco.

Whatever else anyone might say about him, can we all agree on “rest in peace,” please?

Addis was an old-school burner and part of the crew that built the Blue Light District, Burning Man’s first ‘village’ and the model for the tradition of villages to come.  He studied Law, became a patent attorney, and eventually resigned the California Bar over what he considered a matter of principle.

In June of 2008, he pleaded guilty in a Lovelock, Nevada courtroom to felony charges of damaging property.  He was sentenced to 12 to 48 months in prison and ordered to pay $25,000 in restitution.  The property he damaged?  In 2007, Paul Addis set fire to the Man almost five days early.

 A lot has been said and written about Addis burning the Man.  Any casual observer would find it easy to very quickly conclude that Addis was seriously disturbed, deeply criminal at the very least, and possibly even criminally insane.  Certainly his actions generated a huge amount of rancor, but to what extent was his early burn a product of criminality and madness, and to what extent was it a coherent social and/or artistic statement. . . and was it relevant?  More to the point, did Addis get what he deserved?

When the subject of Paul Addis comes up in conversation among burners, someone almost invariably brings up another incident that took place shortly after the ’07 burn, in which Addis was arrested in San Francisco.  I have heard many minor variations on this story, but it usually rears its head as “I heard he got arrested for burning down a church.”  This is typically greeted with knowing nods of understanding, as if it both confirms and explains everything.

What actually happened on October 28th, 2007, though, only clouds the waters rather than clarifying them.  The ‘church’ was Grace Cathedral, the Episcopal Cathedral of the Diocese of California, and a San Francisco landmark.  It wasn’t burned down, or even set on fire.  According to the SF Chronicle:

Paul David Addis, 35, was arrested on the cathedral steps at 11:40 PM Sunday after officers were tipped off that someone intended to set fire to the Episcopal church, police spokesman Sgt. Steve Mannina said.

Addis was wearing an old ammunition belt that carried small explosives, Mannina said. He was booked on suspicion of attempted arson, possession of an incendiary substance, possession of explosives and possession of explosives with intent to terrorize a church.

 A bomb dog was brought in to search the area and found no other explosives at the California Street cathedral.

Deputy Chief Morris Tabak said Addis had only a small amount of explosives.

“Did he have the capability to do substantial damage? Absolutely not,” Tabak said.

Tabak said police didn’t know Addis’ motive. “He said something about it was his religious right,” Tabak said.

According to friends of Paul Addis, Grace Cathedral was an important place to him, a place he liked to go, all on his own, perhaps in search of a sense of spiritual catharsis.  The building itself is fairly magnificent; a perfect spot to feel the San Francisco wind in your teeth, maybe set off a few leftover fireworks to light up the night and stir your soul.

The police were called in because Addis reportedly said to a neighbor that the cathedral “isn’t going to be there anymore.”  Pretty ambiguous as a threat, but the neighbor undoubtedly heard it in the context of Paul being embroiled in a court case in which he was being accused of arson.

It seems likely that Paul Addis might have said something about a “religious rite” to the police, not his “religious right.”  We’ll never know what his intentions were, though. . . and we’ll never know how much of what he said to his neighbor and to the police were just a flippant put-on, and how much was serious.  What we do know is that if he was serious, the police considered him woefully under-equipped for the job at hand, which seems uncharacteristic both for a seasoned burner of his vintage, and for a previously successful arsonist.  If he was trying to burn down the monumental pile of flame-proof stone that is Grace Cathedral, then Paul with his meager backpack of fireworks was like a mad-brained gnat trying to knock over a bull elephant.

The police were called because Addis had a reputation as an arsonist, thanks to what he did at Burning Man, and they arrested him for the same reason. . . yet it is the knowledge of his arrest at the cathedral that, more than anything, seems to cement the idea in peoples’ minds that when he lit the Man up early in ’07 he was behaving as nothing more than an arsonist, a criminal, and possibly insane, when he has always claimed to be simply a passionate burner making a rather powerful and coherent statement about the event and the Org.  The story of the one incident has fed into the other for years now, a self-fulfilling prophecy damaging Addis’ reputation and damning him in the minds of burners everywhere – perhaps unfairly – with abundant hearsay and scarce facts; an endless ugly loop of miscarried soundbite justice.

In the end, he pleaded no contest to fireworks possession and was ordered to undergo counseling and to stay away from the cathedral. . . but for Paul Addis, getting arrested at Grace Cathedral on trumped-up charges was just the beginning of the aftermath of the ’07 burn.

To this day, a lot of people – some of them very prominent in old-school burner circles – think that the punishment meted out to Addis for burning the Man was too harsh.  Rumor has it that this is true even at the highest level of the Org; Wired Magazine reported that Larry Harvey’s reaction when he realized that his Man was on fire. . . was laughter.

The early burn, [Larry Harvey] said, will help show that the Man itself is “nothing but a wooden doll,” and that the event is really about the joint effort of attendees to create it.  It will turn this year’s Burning Man into a “narrative of community and redemption” as the attendees get to see or assist in the public rebuilding of the statue, he said.

And yet, Addis has made statements numerous times to the effect that Marian Goodell, Burning Man’s Director of Business and Communications, colluded with Will Roger and others in the Org to both maximize his sentence, and to publicly misrepresent their own role in sending him to prison, which Addis says was far more significant than they are willing to admit.

In the film “Dust & Illusions,” Goodell states unequivocally that the sentencing was beyond their control.  Since then, she has steadfastly refused to talk about Paul Addis’ sentencing.  “It doesn’t do us or him any good to open that wound again,” she told the San Francisco Guardian in an interview.  “We’re not going to discuss it.”  But did the Org have a say in Addis’ sentencing?

When Laughing Squid published an account of Addis’ sentencing on June 25th, 2008, Don McCasland posted a long and scathing comment to the article three days later.  McCasland opened fire with this volley of eye-opening information:

photo by Scott Beale/Laughing Squid

I was there in Lovelock last Tuesday to show support for Paul during the restitution and sentencing hearings.  I was among the handful of people who were aware of the deal made between the DA and Paul’s public defender that if the amount of damage found in the restitution hearing was low enough, Paul’s charges would be reduced to a misdemeanor.  Also among that handful were most of the BMOrg.  Discussions were had with Marian, Andy, Harley, and others, letting them know that the power to send Paul to jail was, in fact, in their hands.  They have been saying all along that they could not drop the charges, that this was entirely in the DA’s hands, but that was not so.  They very much could have gone to court and had Paul’s sentence drastically reduced, not sent him to prison, and not made him a felon.

But no, come Tuesday Will Roger showed up in court with a stack of invoices.  He and the DA went over them in the DA’s office before the hearing, and when they were finally presented in court, they totaled 30,000 dollars.  The DA asked Will to go over them with him.  Will stammered a lot, unsure of some of the items, unsure of why some of the numbers for the neon were on an invoice with gas, food, and lodging for volunteers, and some of the numbers for the neon were on other pages.  When cross-examined by the public defender, he was entirely flummoxed about several items that were purchased on 08/17 or 08/22, both dates that were well before Paul burned the Man.  But despite the defenders best efforts, knocking off the price of food, lodging, gas for volunteers, knocking off the price of a water pump, the judge stopped him and said “Well, counsel, I still don’t think you’re going to get it under five thousand dollars,” and cut short his efforts.  And so they went into a hasty little sentencing hearing.  Paul got to speak a few words and that was it.

Besides being sad and concerned for my friend, who needs help that he simply will not get in jail, I feel betrayed.  Another close friend went to Marion last week before the hearing to plead that the Org help keep Paul out of jail.  The discussion went here and there, but Marion said in no uncertain terms, “We do not want to send Paul to jail.” “We do not want to send Paul to jail. . .” really?  Well, I have to ask then, why did the Org pad the invoices with items that could not be part of restitution, the food, the gas, the lodging, other durable goods, to the tune of thirty thousand dollars???  We were let know through a back channel that the Org was planning, in fact, to come with invoices around only 10k.  This didn’t happen.  Instead, after speaking with us about a compassionate course, they turned around and sent Will in to burn Paul as hard as they could.

To this day, Andie Grace’s official afterburn report for 2007 (http://blog.burningman.com/2008/06/news/after-the-07-burn-and-afterburn-07-news-from-bmhq/) glosses over the part the Org played in maximizing Paul Addis’ comeuppance:

In other post-2007 news, we’ve heard a report from Pershing County, where Paul Addis’s restitution hearing and sentencing were held yesterday afternoon.  Addis recently pled guilty to charges related to setting fire to the Burning Man figure days early at last year’s event.  At yesterday’s hearing, the judge found evidence beyond a reasonable doubt showing the damages were in excess of $5,000 and thus Addis was convicted of a felony arson charge.  After hearing Addis speak on his own behalf, the judge sentenced him to 12-48 months in prison and ordered him to pay $25,000 in restitution.

I spoke with several people who knew Paul Addis about him, his suicide, and his history.  One of them was Sean Kelly, Addis’ long-time friend and schoolmate.

* * * * * * * * * *

WHATSBLEM THE PRO: You went to school with Paul Addis?

SEAN KELLYYes, I met Paul in college in 1988.  He lived a couple of doors down from the Op Ed of the college paper.  I wrote for the paper.  I inevitably met Paul because it’s college and you tend to hang out with people two doors down from your op-ed.

He was really smart, so we got along very well.  We enjoyed a love of the baby that was the Industrial scene, punk, driving around aimlessly in South Florida and of course football.  We both loved (and still do love) the Miami Hurricanes.

Even then Paul was Paul.  He’d walk around campus with a fake pistol in a shoulder holster.  As a Miami native I pulled him aside several times and directly suggested he not carry around a fake gun because Miami is a crazy place and cops and crazy people would see that gun, fake or not, and escalate.

WTP: You’ve characterized Paul as suffering from PTSD.  Can you explain?

SK:  Hurricane Andrew.   Three people in the aftermath of Hurricane Andrew were raped and killed by a psycho National Guardsman who was supposed to be in Miami helping.  Paul’s friends, my friends: Ronnie, Gina and Andrew offered Steven Coleman a ride home from a bar as a favor because he was helping out Miami. . . and Steven Coleman killed all three of them, and raped two of them.

If you have ever flippantly stated Paul Addis should just get his shit together, know this: it’s hard to get your shit together when your friends get raped and murdered.  Compassion is paramount for anyone with PTSD.

Few people know this about Paul.  Flippant exclamations by people who have played it safe do not understand what pain he went through.  He’s not some pampered idiot.  Our world fell apart.  Dead best friends.  Funerals.  Guilt.  East Coast parenting “just suck it up” shit.

WTP: Sounds like a tight-knit group of kids.

SK: Yeah.  This broke everyone in our crew.  It broke me.  When I do crazy shit, this is why.  When Paul did crazy shit, this was why.  Our friends at nineteen, twenty, twenty-one, our classmates, our bandmates, our PEOPLE were killed, and that fucks you up. . . BAD.  It didn’t stop there, but the major damage was done.

Ronnie was the drummer in the first band I was in.  Andrew was a UM Patio mainstay.  Paul and I had classes together with Andrew; we shared notes.  We studied TOGETHER.  We partied TOGETHER.  We’re talking about a community of maybe two hundred people in Miami and we lost three in a day.

WTP: What do you think was in Paul’s head the day he died?

SK: I strongly suspect he was bipolar and terrified of the effects the drugs would have on him. . . so he may have felt like he’d run out of options.  The American ‘justice’ system doesn’t give a shit about rehabilitation; prima facie it is just plain revenge for fucking up.  Until he wore that felony jacket he could have re-applied for the California Bar or at least worked as a legal researcher for good money.

WTP: Something to fall back on.

SK: Paul thought working in the legal profession was repugnant and I can understand why.  We had a conversation about this maybe two months ago.  But without that conviction, working Law was still an avenue out of being totally fucked.  The felony conviction ended that.

Let’s not be naive.  He didn’t want to do it.  But it was a thing.

WTP: I see. The felony convictions banned him forever from the thing he could fall back on, and being on parole made it tough for him to get other kinds of work too, even at minimum wage.

Is there anything else you’d like people to know about Paul Addis?

in an earlier prank, Addis hung some balls on the Man

SK: After the ’07 burn, I’m rolling into Gerlach and I see Paul in front of a bar.  We hug.  He tells me he did it.  I say ‘what?’  He says he set the Man on fire early.  I congratulate him.  He tells me he just got bailed out of jail; I give him some clothes and money.  We have some cocktails; I get him lunch.  He’s psyched.  He fucking burned you, whoever holds the sacred sacred, which wasn’t intended to be sacred anyway.

When you meet the Buddha, you must kill the BuddhaNo matter what.

When you build the glass house.  Stones will be thrown.  Duh.

I loved this man and feel big pain.  I am furious that I cannot direct hatred upon those without a sense of humor.  You.  Just.  Suck.  No matter how hard I wish for a painful death for you, one that matches what is now on your conscience, I do NOT wish the pain of your death on the ones who love you.  So, you are spared my wrath but not my hatred.  From Hell’s heart I stab at thee.

Paul’s death is on the conscience of others.  Period.  At worst, Paul should have done six months of counseling and paid restitution plus a little more for the egos that were injured.  Let us remember the context of his controversial act and the absurd retaliation in the context of suicide.  Simply stated: suspended misdemeanors would have allowed him to join the ranks of Bay Area patent attorneys as a last resort, as opposed to working at oil-change shops or running a cash register.

No one will argue this: he was a genius.  What do you do with that when society, even your community, doesn’t want you?  The streets of San Francisco are full of savants who have made mistakes.  So, what do I think motivated him to end it?  Loneliness and hopelessness.  No one could hear him anymore.

For Paul, being ignored paired with hopelessness was probably equal to no more reason to live.  It would be for me, too.

Many of his friends just couldn’t handle him. . . and life is complicated; the person putting you up may be in a custody battle, or on the brink of a layoff.

I think he saw a dead end.

* * * * * * * * * *

I checked Sean’s story.  The Orlando Sentinel reports that Steven Coleman, a forklift driver in the National Guard, stabbed Ronny Quisbert, 20, a former student at Miami-Dade Community College; his roommate, Andrew McGinnis, 21, a communications major at the University of Miami; and Regina Rodriguez of Miami Beach, who was a week away from her 16th birthday.  Rodriguez and McGinnis were raped.  All three died of the wounds that Coleman inflicted on them.

http://articles.orlandosentinel.com/1992-10-01/news/9210010538_1_coleman-homicide-detectives-soldier/2

Sean Kelly also indicated that he and Paul lost two more old friends from Miami in the three or four weeks leading up to Addis’ untimely death, one of them in a nationally-televised workplace shooting.

Patrice Mackey, another friend of Paul Addis’, also agreed to talk with me.

* * * * * * * * * *

WHATSBLEM THE PRO: Tell me about Paul.  How did you know him?

 PATRICE MACKEY: He was a part of my extended burner family, the folks who started the Blue Light District in ’97.

For those who don’t know Paul beyond the 2007 event. . . he was one of those people who would probably be characterized as brilliant, but troubled.  Lately the ‘troubled’ was more and more outweighing the ‘brilliant’ and finally got the last word in (which was often hard to do with Paul).

An interesting observation about the early burn of 2007.  After it happened, I asked a lot of folks at the event how they felt about it. . . the main divide among people I asked was that folks who had only been attending for a short time (six or fewer years) were incensed. . . first- and second-timers seemed REALLY pissed off.  Folks who had been attending for a long time (crusty old burners of seven years or more) thought it was funny or made comments to the effect of “somebody FINALLY did it. . . been waiting for that to happen.”  Not sure what that all means, but there you have it.

Paul was a bit of an agent provocateur – he loved pushing buttons – sometimes going what most people would consider too far.

He was creative, inventive, inspiring, frustrating, annoying, caring, uncaring, and dangerous. . . sometimes all at the same time.

WTP: It makes me wonder. . . sometimes, when you are good at pushing peoples’ buttons and do it for art or fun or anything except profit and sex, really, some of them have a strong tendency to label you as mentally diseased.

And I wonder, too, to what extent Paul’s problems were a product of the two years he spent in prison.  A bit of a self-fulfilling prophecy, maybe?

But then I didn’t know him.  How ill do you think he was, really?  And did prison change him?

PM: Well, this was a very well-documented illness that was present well before both the 2007 incident and his incarceration.  That being said, his incarceration did not help in any way, shape or form.  Interestingly, back in 1999, Paul argued against the idea of Burning the Man early.  Look at this e-mail:

From: CyberSatan [paddis@sirius.com] (Paul Addis)

Sent: Tuesday, March 23, 1999 10:42 PM

To: xxxxxx@xxxxx.com

Subject: Re: premature burning

I love the idea of kidnapping the Man.  Premature burning is a little

harsh–especially for all the newbie trippers out there who wanna see

the pretty thing on *Sunday* (or *Saturday*, as the Project sees fit).

Kidnapping, on the other hand. . .

Make no mistake, Paul was mentally ill.  This was clear to his family, friends and local law enforcement (to name a few).  As I said, prison didn’t help.  From all indications from those closest to him, his illness manifested itself in cycles and over the last year the cycles became more and more severe. . . a number of close friends had closed off their relationship with him because of it, not because they didn’t want to help, but because they had done what they felt they could, and now were either afraid for their safety or didn’t want to be emotionally hurt by Paul when he was in a bad space.

As one friend put it:

“. . .one of the aspects that frustrated me so much with (Paul) was that there was a good chunk of time when I couldn’t discern when he was just in his gonzo persona and when he was really ill.  It caused me to basically sever ties with him just because it all made me so uncomfortable.”

Paul was definitely struggling with mental illness. This had been going on for some time with, from some reports from friends closer to him than me, his cycles of highs and lows spiraling downward.

No one can know what was going through his head at the moment he decided to jump.

Paul, like all of us, did not fit neatly into any easily digestible soundbite. He was fascinating, engaging, challenging, smart, stupid, wonderful, horrible, cruel and kind. . . sometimes all at once.  Always full bore.

* * * * * * * * * *

Like Sean Kelly, Patrice Mackey made me wonder: what was really going through Paul Addis’ mind when he decided to hurl his body into the path of a speeding BART train?

As I ruminated, I read. . . and I discovered that Addis was a huge Hunter S. Thompson fan, and the author and star of Gonzo: A Brutal Chrysalis, a one-man show about Thompson.  When the news broke of Thompson’s suicide at his home in Colorado, Paul made an entry in a blog he maintained:

I could sit here and wax maudlin about Dr. Thompson and his self-inflicted removal from our every day reality.  Fuck that.  There’s already enough dopey-eyed drivel out there of that nature, and it’s the last thing that he would want.  What we had in Thompson was a man who realized that death should be greeted with celebration rather than weeping and wailing, mainly because no one wants to hear that shit on their way into their new life.  I mean, seriously, aren’t tears at a wedding or entry into a first-purchase home those of joy rather than sorrow (assuming the spouse and address are correct)?

To anyone familiar with Hunter S. Thompson’s mode d’emploi for leaving this Earth in February of 2005 (he shot himself in the head, like his hero Ernest Hemingway), this would seem to indicate that Paul Addis considered suicide a reasonable and viable option – a sane option – in the face of a life no longer worth living.

Amber King, another of Addis’ friends, helped me to explore that question further:

* * * * * * * * * *

WHATSBLEM THE PRO: Did you know Paul Addis?

AMBER KING: Sort of.  After the burn in 2007 I joined a support group he was in that consisted of real-life and long-time friends.  We talked a lot on the phone and via letters when he was in prison.  We all tried to make incarceration a little bit easier for Paul with gifts and money sent, and we all kept in touch with each other the whole time, too.  I had little contact with Paul after prison, but phone calls and letters every now and then.

WTP: So what, according to Amber King, is the truth about Paul Addis?

AK: Oh, the truth is exactly what it is.  The rambos who are insane about the ‘arson’ and ‘mental illness’ are stuck on their thing and that’s fine, except that nothing is ever that black-and-white. . . and the Man burning early was awesome.

WTP: Yes, I see what you mean.  It’s too easy to just say that he was mentally ill and then attribute everything he did that we’ve heard about to that.  It’s certainly possible that he was mentally ill and did the things he did that we’ve heard about for sound reasons. . . and even that he committed suicide as a calmly considered decision.

Where were you when the Man burned early?

AK: I was there, actually walking with my friends close to the Man, we were taking a shortcut to 2 o’clock to boogie a bit maybe.  It was the eclipse and dark and lovely.  My best friend Karpo smelled the fire first and we all made jokes about Monday being the best day to burn your art. . . and then we saw it was the Man and no one was there yet and one of my favorite BM moments ever was standing there next to the burning Man (with a ranger who was crying – seriously?) and turning to see the entire city coming towards us.  On bikes and cars and on foot – it was really amazing (apparently folks stay home mostly on Monday?) – tons of bouncing lights and fire trucks as well.  It was surreal and awesome and I remember being shocked, actually shocked at the pain and anger that was expressed.  People were crying about the Man burning, a lot of them, it felt insane.  As the crowd got bigger we eventually wormed our way out.  The fire trucks got to the man ahead of the rest and the show was amazing.  I’ve Ranger friends who were at 9:00 when Paul was ‘caught;’ he wasn’t going anywhere.  The rage and pain that came from the Burning Man Org people and participants was entirely bizarre to me and many others.  That night and that week it was so weird; I talked to people who were so furious and sobbing and it was one of the most beautiful things I’ve ever seen.

I knew and loved Paul for what he did at my silly festival and also for who he was.  I happen to be a psych nurse and if I were armchair diagnosing I’d vote that Paul was bipolar and had PTSD. . . but I wouldn’t diagnose and have enough years of experience and pain with mental illness to not have pat answers about any of it.

I spent many of the years since 2007 focused on Paul and I guess that I am still, strangely, shocked that folks are outraged about the early burn :)

So it goes.

* * * * * * * * * *

Nothing whatsoever about the strange case of Paul Addis seems cut-and-dried, when you look at it.  Every answer opens a spate of new questions; every bit of spin and every opinion opens up a new controversy.  Maybe Paul wanted it that way.

Quite a lot of what we might think of Addis hinges on whether or not he negligently endangered others when he burned the Man.  Cacophony-style pranking has a clear ethic that presupposes that the prankster will only endanger him or herself, and Paul did claim that mantle at times when explaining himself and his artistic arson.

There were no injuries reported that were a direct result of Paul torching the Man, but at least one person, Detour Ginger, was injured as an indirect result of the arson.  “I would have been safe and cozy in the DPW dispatch office that night if the Man hadn’t burned early,” she says.  “As it was, it was all hands on deck, and I tore the ACL in one of my knees hopping up and down to get safety cones off of a flatbed trailer.  That night changed my life forever, and not for better.”

Detour stops short of actually blaming Paul Addis for her injured knee, but still doesn’t feel comfortable with what he did or with the consequences for her personally.  “Hey, the Playa is a dangerous place,” she wisely points out.  “Read the back of your ticket.  I know all that. . . but even so, don’t ask me to say that what Paul Addis did was OK with me.”

Did Addis put others in danger as a direct result of his actions?  On September 1st, 2007, the San Francisco Chronicle had this to report:

  Addis said his group of “operatives,” as he referred to his co-conspirators in Tuesday’s Man-burn, planned the event well in advance, and made efforts to shoo people away from the scene beforehand to ensure their safety.  No injuries were reported – except for those to the Man.

Around the same time, a San Francisco Bay Guardian article quoted Addis on his response to those who say his early burn was reprehensible because it endangered others:

  “Obviously a gesture like burning down Burning Man is very dangerous and very provocative.  From my perspective, the No. 1 concern was safety.  No one could get hurt unless it was me,” Addis said.  Critics of the arson attack often note how dangerous it was, pointing out that there were a dozen or so people under the Man when it caught fire.  But Addis said that he was on site for at least 30 minutes beforehand, encouraging people to move back with mixed results, shirtless and wearing the red, black, and white face paint that would later make for such an iconic mug shot.

Yesterday I spoke with a worker who was present at the scene just before the Man unexpectedly went up in flames back in 2007; he asked to remain anonymous, but I can tell you that he is not employed by the Org.  What he told me is not conclusive in the least, but it does seem to conflict with Addis’ account:

“I was in the Man base just before it went up, and there were about forty people in there.  About a dozen of them were sleeping.  There was no effort being made by anyone to get people out.  I left, jumped into the truck, and by the time we got two or three hundred yards out, there were flames visible near the Man’s knee.  There was about a twenty-minute gap between what I saw in the base and when I first noticed the fire, so it’s possible that there was someone trying to get people out in that time, but I didn’t see any evidence of that.  That’s what I saw with my own eyes; I assume there was a Ranger presence there, because according to legend, the Rangers spotted Addis leaving the scene and tackled him before he could get away.”

Once again, the truth is elusive, and nothing is cut-and-dried.  I have no real conclusions for you; only feelings and opinions and unanswered questions.

I do not think that Paul Addis, though certainly troubled and atypical in his mental hygiene, was too deranged to control himself or to thoroughly understand the implications and possible consequences of his actions.  I don’t think he meant to get caught setting the Man on fire prematurely, and I don’t think he was seeking attention.  I think he genuinely recognized and objected to the displacement of the Cacophony-style pranksterism in burner culture by a much safer, more Establishment-oriented status quo headed up by people more interested in making money and safeguarding the existence of their organization than in preserving the wilder, freer, more anarchic spirit of Burning Man as it was in days gone by. . . and I think he has a point, no matter how you feel about how he went about making that point.

Did he have mental health issues?  Yes, I’m sure he did. . . but that’s pretty common among people who are brilliant, and it isn’t a catch-all to explain every single thing a person does or says or thinks.  I don’t think Paul Addis’ mental health issues had a great deal to do with him burning the Man early, and may not even have had much to do with his suicide.

I could go on, but it’s not my place to opine too much, and anyway I’d rather simply let Paul Addis have his say.  What follows are quotes culled from various interviews with Addis, in which he attempted to explain himself.  For those of you who do not understand, I highly recommend that you make a point of watching IN THE ZONE: THE STORY OF THE CACOPHONY SOCIETY when it is released in the US next month.

Paul Addis speaks:

I decided after 1998 it wasn’t worth it.  Burning Man was only advocating social impact and responsibility in the name of its own self-preservation, survival and expansion, and I was not willing to be a part of that.

Burning Man in the period of 1996-1997 was the right place at the right time with the right minds.  We had a great opportunity to put all of our hands on the wheel and really affect social evolution. We had a bunch of gifted people who had the chance to break the mold on a lot of things.

A lot of people were very interested in making sure the future of America was better than the past.  We had lived through the Reagan years and the Cold War.  We already knew what we didn’t want and had the opportunity to build a better place for ourselves and the future generations to come.

Burning Man was the perfect place but once it made the decision that its own survival was more important than its content or style, everything was lost.

Burning Man was losing money hand over fist through a series of bad decisions and a real lack of business acumen.  They took a hit in 1997 that was almost fatal.  That really cost the organization in terms of its fiscal stability and steady accounting and in that regard they had to do a mass appeal.  And by doing that, they sacrificed everything.  They took the edges off and they became the Alterna-Disney.  You have a lot of people singing, “It’s a Small World After All” but just to a different mouse.

Burning Man has been nothing about the Burning Man anymore except for burning the Man.  It has more to do with raising money than spreading the theory of community so we can all live together.  The only reason the organization has reached out to the environmentalists is they were courting public opinion on the lawsuit filed against them, and they reached out to the most easily manipulated population they could control.  That’s what Green Man is all about.  Green Man is all about Burning Man getting the most green in their pockets.

Burning Man doesn’t accomplish anything anymore.  What do we get out of Burning Man?  Nothing.  Do we get any leaders?  We’re down to one Ramone and two Vitos and no one from Burning Man is stepping out.  There’s no good music and only a precious few writers.  These fourth and fifth generations of happy-go-lucky birds, what are they doing when they come back to the cities?  Nothing.  They go blow their wads for seven days at Burning Man and then go back to their jobs.  They don’t do anything else for the rest of the year.

One, [burning the Man early] was a reality check.  Two, it was a history lesson.  It was, “This is why this started.  Why are you here?”

A very good friend of mine, Chris Radcliffe, who was part of starting Burning Man, went four years ago.  I called him when he came back and he said, “Paul, everyone keeps waiting for something to happen and it never does.”  I think that is symbolic and really emblematic of Burning Man’s suburbanization of the underground and homogenization of the underground.

There have been people talking about pulling this prank for years.  There was a person last year who told people to bring barrels of gasoline to pour on the Man.  But there could have been people having their first LSD orgasm and they’d just be reaching climax when everything blew up around them. 

I wrote an e-mail to the guy saying it was stupid, reckless and that someone was going to get killed. And then they ended up not doing it.

This could have been all for nothing.  It could have made people think.  I hope it has.  That’s all the Black Rock Intelligence has wanted is for people to think for themselves, whether they’re in the streets, at Burning Man or in the ballot box.  They don’t have to like us; the only thing the Black Rock Intelligence has ever wanted was for people to think about what they are doing.  If they come back to the same place as where they started, that’s fine, at least they thought about it.  But every once and a while you can break people out and there’s another free mind out there with a Socratic operating system in it.

We’re being programmed on every level: TV, radio, internet, advertising.  It’s everywhere.  We believe in the true promise of the American Dream and that should be for everyone no matter what.  We’re jamming the program and allowing people the freedom of their minds rather than the programming someone else is trying to sell them.

That’s the most important thing.  We’re not telling people what to think or how to think, just presenting alternatives and facts and everything else.  Humor, that’s the best way to do things.  We’re not out here to be preachers.  But Burning Man has become just as nefarious a cultural programmer as General Electric or Disney.

You only need to look as far as Burning Man’s media team to see it’s like the Bush media team except with a different purpose.  They exercise the same tactics to achieve the same results: to portray themselves in the best lights and to avoid negative media attention.

[People who are upset by the early burn] are entitled to their opinions.  I can certainly understand their feelings on it, but at the same time, the newbies who go along aren’t from that same pranksterism and one-upmanship that used to be done at Burning Man.

So to them, the entire experience of Burning Man is a passive spectacle.  To people who would say they are pissed off because the Man got torched, I say, “Why are you really out there?”  If the burning of the Man means something, if it brings them some sort of cathartic connection, then build your own thing and burn it down.  Don’t be a passive audience member.  Cross the line.

This was not an act of vengeance, it was one of love.  A love of the ethos that is fading at Burning Man.  There’s no sense of spontaneity.  No sense of “Fuck it. Let’s burn this down.”

The edges were coming off.  It was apparent.

I’m not trying to reinvent the Man, or the event itself.  I’m just reminding people of where it came from because there’s not a lot of talk about that these days. . . and everybody ought to have the opportunity to be a hooligan.

Rest in Peace.


Filed under: Art, Burner Stories, Dark Path - Complaints Department, General, News Tagged: 2007, 2012, addis, arson, art, art projects, arts, black, bmorg, burning, city, complaints, cops, early, event, festival, fire, man, news, Party, paul, press, rules, scandal, stories

“Failed to Even Make a Facial”: Pershing County Claims Huge Defeat Over Burning Man

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Burning Man is suing Pershing County for trying to increase levies on the event. Despite recent legislation passed by the Assembly in Nevada, the lawsuit continues. Pershing County hit back with a motion to dismiss – which was dismissed. The Judge recently made a preliminary ruling, dismissing some of Burning Man’s claims but allowing the lawsuit to continue (and the lawyers on both sides to continue to get paid).

According to the Reno Gazette-Journal:

cupcakesLast week, a federal judge in Reno dismissed several claims in a lawsuit filed by Burning Man organizers against Pershing County over a disputed festival ordinance.

On Thursday, Pershing District Attorney Jim Shirley responded, calling U.S. District Court Judge Robert Jones’ ruling on April 26 a victory for the county.

“The dismissal of three of the six claims that Burning Man filed was a huge victory for Pershing County and a huge defeat for Burning Man,” Shirley said in an email. “That means that Burning Man failed to even make a facial showing on those three claims. The judge also pared down two of the other…claims, meaning he dismissed portions of them. This was also a victory for Pershing County and a defeat for Burning Man. To portray this otherwise, is not only laughable, it is an enormous spin on what the judge’s ruling really means.”

He added, “In Pershing County, we are enormously happy with the ruling because we had such a burden to prove the claims did not merit going forward. The judge was reviewing allegations which were full of hyperbole and inaccuracy.”

Black Rock City LLC sued Pershing County last year because of a county festival ordinance that would regulate the annual arts and free expression festival, which attracts more than 50,000 people each year.

Jones threw out Black Rock City’s claim that the county cannot regulate the event because it’s already permitted by the U.S. Bureau of Land Management, a federal agency.

Perhaps predictably, the BMOrg claimed victory also:

rainbow girlsOn Monday, Burning Man representatives claimed victory, too.

“The biggest claims in the lawsuit were the First Amendment claims and contract violation claims,” said Ray Allen, the government relations and legal affairs manager for Black Rock City. “We’re focusing on the First Amendment aspects of it and the breach of contract and for us it’s a win because those get to move forward.”

The matter is expected to go to trial on Sept. 24 in Reno.

From the SF Examiner:

“The judge’s ruling is a major victory for Burning Man,” said Black Rock City general counsel Terry Gross. “The county attempted to dismiss the entire case, and the court denied that as to all critical claims.”

The legal battle is moving forward at the same [time] as a bill in the Nevada Legislature that would exempt federal land from any local ordinances.

Three claims get to be heard: so the glass is half full? More money to be spent on lawyers, for an ordinance that might be over-ridden by State legislation – a victory? 

In other bad news, it looks like Burning Man is being targeted for an 8% state tax in another new bill that appears mostly aimed at the legalized brothels in the tax haven state. We predict this tax being passed on to us punters via higher ticket prices, rather than BMOrg eating the cost.


Filed under: News Tagged: 2013, bmorg, commerce, complaints, future, news, press, scandal

My Kid Shirtcocked Your Honor Student

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by Whatsblem the Pro

BRC: The happiest place on Earth?

BRC: The happiest place on Earth?

We’ve written about children at Burning Man before, and asked our readers to vote in a poll at the end of that article. The debate and discussion continues, and the poll numbers are running heavily in favor of people who think Burning Man is “a wonderful environment” for children, but there may yet be more to think and talk about on the subject.

Regular contributor Elias Has Wanderlust provoked a lively discussion in the Burning Man group on Facebook recently, by flatly asserting that Burning Man should be for adults only. Thus spake Elias:

Burning Man should clearly be an 18+ event — the city is not safe for children.”

Elias’ declamatory salvo brought forth a lot of frank anecdotes about kids on the playa, and some really good points on both sides of the debate. Interspersed with a modest dose of snark and some fairly irrelevant emotional appeals like “there is nothing more beautiful than a playa covered burner baby,” people actually started saying some interesting, illuminating things about bringing children to the playa.

It really is a thorny problem that people butt heads over readily. That should tell us that there are some contradictions in play, depending on the angle from which we approach the question of children at Burning Man; doesn’t radical inclusion make room for children? What about the inhibitory effect that children can have on adults at play? Isn’t Burning Man dangerous, particularly for children. . . but don’t we want our children to be raised in our culture, even if it is dangerous?

Some pros and cons to bringing children to the playa:

The real problem is that only two very partisan solutions have been proposed, and they’re both completely unacceptable to large swathes of burners. If we ban children, we ban a huge number of burner parents by association, and deny them the opportunity to transmit burner culture to their children early in the most meaningful way they know of. If we continue to allow children, they will continue to inhibit us when they show their faces outside of the Kidsville age-ghetto, and let’s face it: it’s only a matter of time before something ugly happens and someone’s child disappears and/or falls victim to one of the many, many hazards.

Your bundle of joy can't drink to forget his bundle of joy

Your bundle of joy can’t drink to forget his bundle of joy

People who think the answer is simple and obvious are merely displaying their bias and perpetuating the conflict. It’s disingenuous to say, for instance, that Black Rock City is a city like any other, and needs to have children in it. Burning Man’s municipal analogy is often usefully apt and sometimes beautiful, but it breaks down completely and easily in a dozen different ways when you start testing it. It’s a bit blinkered to say that Burning Man is just a big adult party, too; it’s also an arts festival, and a DIY theme park, and a great deal of it is very kid-friendly. . . or would be, anyway, if there weren’t so many heavily-intoxicated people around, and if it wasn’t all set in a context of overt sexuality that often goes way, way beyond mere nudity and into some territory that might actually disturb the minds of the innocent to witness.

We need an innovative solution that includes everyone, without putting limitations on anyone.

Maybe there should be separate events, geared for younger age groups? Burning Teen, Burning Tot? If we want to spread the culture, then spawning a few new events might be killing several birds with one stone.

We’d like to hear your ideas. How can we safely include the underage set and their parents in Burning Man, without muting the bacchanal for the adults?

Are ageist ghettos really the best we can do?
Are ageist ghettos really the best we can do?

What we don’t want to hear: more anecdotes or opinions about how it’s fine for kids to be out there, or about how it’s unacceptable for kids to come to Burning Man. We’ve already heard those positions, again and again, and they’re both too simplistic to lead to anything but disagreement and a standoff. We’re asking you to think outside the box and find a solution that everyone can live with.

Keep in mind that not all parents behave responsibly, but some do. . . so please don’t bother sharing anecdotes about the children of attentive, sensible parents having a great time on the playa, or anecdotes about dull-witted earth mamas walking around in dust storms cradling tiny infants. Both of these things happen, and much more, and that’s why we need a better solution than just banning or allowing children.

Your thoughts?


Filed under: Alternatives to Burning Man, Art, Burner Stories, Dark Path - Complaints Department, General, Light Path - Positive Thinking, Ideas Tagged: alternatives, art, arts, baby, burning, child, children, city, complaints, danger, dangerous, drugs, environment, event, festival, friendly, future, ideas, kid, kids, kidsville, man, news, Party, plans, playa, regionals, rules, safe, safety, stories, toddler

Ranting and Raving

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Our recent piece stirring the horny nest hot-button issue of kids at the Burn prompted an amusing comment from Burner St Addis of Paul.

DebBurningManLeave it to burnersxxx to get to the real issue here — are babes spoiling the “true meaning of burning man”? (i.e. DJs and the people who love them) You’ll just have to think of kids as living, breathing little Freebirds-at-Temple-burn, and I’m sure Mr the Pro would counsel you that that’s the kind of thing you just have to suck up and deal with in the name of freedom. Personally, St Addis finds it a little troublesome that there’s limited medical care in the event that a kid gets hurt, and thinks that anyone who sticks a kid in a car seat for an 8 hour exodus needs their head examined (i.e. I hope all those kids come in RVs, anything else seems cruel) but there were kids around burner culture long before there were international DJs with dusty cocks in need of sucking, and anything that forces people to realize that burning man is something other than “the world’s largest rave” is probably a good thing.

True. And it’s nice to know people are reading this blog enough to get the point. I’ve got no problem with other things going on at Burning Man beyond the hundreds, if not thousands, of raves. Indeed, I enjoy many other aspects too. But anyone who tries to deny it’s the world’s largest rave is crazy. Maybe Coachella, EDC, Ultra, TomorrowLand get way more numbers, $100 million+ just on tickets in some cases, $1 million+ for artists…but Burning Man is a CITY. We live in this rave. We ride bikes from stage to stage, or get a ride on a stage itself. We can turn our own camp into a stage if we want, anyone of our friends can get up and DJ, if the music is good people will come over and dance. Burning Man has it all over every other party in terms of its physical dimensions, number of DJs, and number of stages – especially feathered raverwhen you consider that pretty much every art car is a mobile stage too. That’s about 500 stages right there. Music is everywhere! Unknown DJs mix with local heroes who mix with international superstars, who are often playing for free and incognito. This has become a fundamental part of the party, and explains most of the increase in numbers from 15,000 in 1998 to 68,000 now. They can get away with $400 ticket prices, because that’s about right for what people would pay to see these artists at a festival. A festival that is paying for the artists, of course.  Look, I’ll grant you, it doesn’t all have to be dubstep, that’s for fucken sure. More psy-trance, more trance! But that’s an aside. Raves have always incorporated the art and lighting elements, as well as loud music and packed dance floors.

Now these days in 2013 we have “EDM”, this week there was a fantastic article by DJ Pangburn in Death and Taxes about the building EDM “bubble” in the United States. It seems doof has been a slow burner (if you pardon the pun) in this country, but right now it is on fire.

St Paul’s comment triggered a certain curiosity in me. Which did come first, the “pollo fuego” or the Eggstasy?

Which came first: raves or Burning Man?

Burning Man was a bit smaller in 1998

Burning Man was a bit smaller in 1998

It seems that the first events the Burning Man founders had on the Playa did not feature electronic music. I do remember losing my Burginity in 1998 and rave was there, but maybe 2 or 3 camps that you had to find by listening for the bass. Anyone with more information, please let us know.

Wikipedia has slightly conflicting information on when Burning Man started, between the official Burning Man entry and the Cacophony Society. The movie Dust and Illusions goes into this in some detail. The first Burning Man was held on Baker Beach in 1986, a fire ceremony. Burning Man claims this as the start of their party, but in fact it was the Cacophony Society in 1986 and they claim it became Burning Man in 1988.

The first Burning Man on the Playa was in 1990.

The first raves were held in the 1980′s, and the first description in the media of “Acid House Parties” as “raves” is claimed as 1989 – by Genesis P.Orridge, an occultist from the band Psychic TV . By 1991, the rave scene was no longer undeground and they were throwing legal parties in the UK for upwards of 30,000 people. That’s right, 20 years ago, they were throwing official, permitted raves – with electronic music – a comparable size to Burning Man.

What about the US? Wikipedia again:

scott hardkissAmerican ravers, following their early UK & European counterparts, have been compared to both the hippies of the 1960s and the new wavers of the 1980s, due to their interest in non-violence and music.

In the 1990s, one of the most influential Rave organisers / promoters in America was San Diego’s G.U.N., Global Underworld Network known as Nicholas Luckinbill and Branden Powers. They were made famous for organising and throwing the internationally known OPIUM and NARNIA raves that reached in size of 60,000 plus people in attendance, a feat unheard of at that time. Narnia which would become famous for a morning hand holding circle of unity was featured on Mtv and twice in LIFE magazine being honored with Event of the Year in 1995. Narnia quickly became known as the “Woodstock of Generation X”. These festivals were mostly held on Indian Reservations and Ski Resorts during the Summer months and were headlined by well known DJs such as Doc Martin,Dimitri of Dee-lite,Afrika Islam and the Hardkiss brothers from San Francisco

So we have San Francisco DJs and San Diego promoters throwing parties for 60,000 people in the early 90′s. The Woodstock of Generation X. I think it’s safe to say that rave was well on the scene in California before Burning Man was anything more than some loosely affiliated people camping together in the desert for free. If you read the story of the first Burning Man on the Playa, it seems like it was viewed more as a Cacophony Society event back then. For about 80 people. According to the respected source Dr Dre Started Burning Man, they applied for their first permit in 1991 and Dr Dre took it over in 1995.

Just kidding. That video sure stands the test of time though. And raises more questions than it answers. But let’s go with Wikipedia instead of Dr Dre:

1996 was the first year a formal partnership was created to own the name “Burning Man” and was also the last year that the event was held in the middle of the Black Rock Desert with no fence around it.

Thus it seems we should call the official start of Burning Man 1996, when they built the fence, created the company, and called the thing “Burning Man”…and get back to my rant about raves. First, we should define “rave”. Wikipedia is good enough for me:

Juno Reactor - ultimate live rave band

Juno Reactor – ultimate live rave band

According to Gibson (1999) rave is a spatial practice, which is done through the harmonization of dance, music and lighting. A part of a growing global subculture, and a powerful entertainment industry, the rave party is an event through which individuals can experience trances, religious rapture, deal with personal issues and of course have a really good time.[3]

St. John (2003) claims that raves pride themselves on their friendly atmosphere and welcoming attitude, by both the employees of the event and the guests. With a specific code of conduct, and a developing spiritual philosophy, rave culture can, according to St John, be viewed as part of new religious movement, as well as a re-invention of shamanistic or pagan spiritual practices.[4]

Shamanistic? Pagan? You mean, as old as time then. Going all the way back to the Dreamtime. Reading this definition, you could argue that Burning Man already was a rave, as soon as it started.

Thesite.org has a history of rave culture (yep, we do our research here at Burners.Me)

A rave is an all night event, where people go to dance, socialise, get high and generally have fun in an uninhibited way with other likeminded people. Some say it’s about the creation of a community and re-connecting with something perceived as lost. Others just say it’s about necking loads of pills and getting wasted with your mates in a field.

They have some informaton on the origin of the term:

The term rave first came into use in Britain in the late 50′s referring to the wild bohemian parties of the time. It was then briefly revived by the mods, but didn’t come back into fashion until the illegal London warehouse party scene in the mid eighties. However it is likely that the term ‘rave’ came from Jamaican usage rather than a revival of any previous usage in Britain.

Wikipedia provides further clarification:

In 1958 Buddy Holly recorded the hit “Rave On,” citing the madness and frenzy of a feeling and the desire for it to never end

So, Buddy Holly was the first American raver. Right on, Rave On.

And also, Eric Clapton (she don’t like cocaine) and Paul McCartney were ravers. Now it all makes sense – Ravers, Red Bull, gives you wings, yard birds dazed and confused…ah hah!

Tomorrow Land, the world's biggest rave since Love Parade 2000 in Berlin

TomorrowLand in Belgium, the world’s biggest rave since Love Parade 2000 in Berlin

In the late 1950s in London the term “Rave” was used to describe the “wild bohemian parties” of the Soho beatnik set.[5] In 1958 Buddy Holly recorded the hit “Rave On,” citing the madness and frenzy of a feeling and the desire for it to never end.[6] The word “rave” was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. People who were gregarious party animals were described as “ravers”. Pop musicians such as Steve Marriott of The Small Faces and Keith Moon of The Who were self-described “ravers”.

Presaging the word’s subsequent 1980s association with electronic music, the word “rave” was a common term used regarding the music of mid-1960s garage rock and psychedelia bands (most notably The Yardbirds, who released an album in the US called Having a Rave Up). Along with being an alternative term for partying at such garage events in general, the “rave-up” referred to a specific crescendo moment near the end of a song where the music was played faster, heavier and with intense soloing or elements of controlled feedback. It was later part of the title of an electronic music performance event held on 28 January 1967 at London’s Roundhouse titled the “Million Volt Light and Sound Rave”. The event featured the only known public airing of an experimental sound collage created for the occasion by Paul McCartney of The Beatles – the legendary Carnival of Light recording

Burning Man can trace roots prior to 1996 all the way back to the Cacophony Society, I’ll give you that. But the first raves started out of the Factory in Manchester, even earlier than that. Wikipedia accredits this to the Stone Roses in 1985:

The first warehouse parties in Manchester were organized by the group The Stone Roses back in 1985, when to get around the licensing laws they would play a gig and book a line up of DJs under the disused arches of Piccadilly train station. These parties were then advertised as an all night video shoot, and the kids who bought tickets for £5 would have a 1p piece sellotaped to the back as their fee for being extras in a video shoot, thus for several months the forces of law were kept at bay

24 hour party people…but that completely overlooks the role of Tony Wilson, Factory and the Hacienda in Manchester in shaping the career and sound of the Stone Roses, and New Order in the Factory prior to that. I highly recommend the movie 24 Hour Party People, starring Steve Coogan, which is the story of Factory Records. I have friends who were there and they assure me the movie is pretty close to the true story. New Order were the absolute pioneers of electronic dance music, of course they were not the only ones, but their 1982 track “Blue Monday” is the biggest selling 12 inch of all time. And I’m not talking dildoes. It used to be in every DJ’s vinyl collection.

“Blue Monday” was described by the BBC Radio 2 “Sold On Song” feature thus: “The track is widely regarded as a crucial link between Seventies disco and the Dance/House boom that took off at the end of the Eighties.”[12] Synthpop had been a major force in British popular music for several years, but “Blue Monday”, by encouragement of the band’s manager, Rob Gretton, was dance record that also exhibited influences from the New York club scene,[12] particularly the work of producers like Arthur Baker (who collaborated on New Order’s follow-up single “Confusion”).

 

Earthcore Australia, 2007. A proper Bush Doof. The lineup for their 20th anniversary in December is outstanding - click image for details

Earthcore Australia, 2007. A proper Bush Doof. The lineup for their 20th anniversary in December is outstanding – click image for details

And then, we go back to the New York club scene. Possibly all the way to the synthesized disco beats of the 1970′s. Detroit and Chicago have strong arguments for creating the house sound, Derrick May in particular is viewed by many as the main creator of techno in 1987. Before that we had Kraftwerk from Germany. Jean-Michel Jarré from France – in 1986 he was doing shows with 1200 projectors, for 1.5 million people. Pink Floyd. Techno sound. Electronic sound. David Bowie, Brian Eno. All ravers. You follow the rabbit hole far enough, and you get to Lucy. Not Lucy, our common ancestor, the genetic originator of humans. The first one dancing to the beat of the drum, at the original rave in a cave. No, I’m talking about Lucy in the Sky with Diamonds. LS ‘n wonder lanD. The preferred trip of the trippers. Acid. The founding DNA of Burning Man, the Rave Scene, and 50 years of culture and creativity emanating from San Francisco, bringing peace and love to the world through art and music and invention.

If you really want to dive down this particular rabbit hole, consider this particular take on Rock and Roll history in the mid 60′s. There are 22 parts in total to it, quite the read.

entrance_to_the_hive_mind_by_vitaloverdose-d5k0803

Entrance to the Hive Mind, by Vitaloverdose

You wanna argue that Burning Man can claim  hippy purity  by tracing its San Francisco roots to the 60′s acid freak scene of Timothy Leary, Ken Kesey and the Merry Pranksters, and the Grateful Dead? I’ll argue back that the electric guitar is electronic music. So Hendrix is one of ours, the Doors. Obviously we claim the synthesizer, meaning Transhumanist leader Ray Kurzweil is a raver. This Founding Father of the Singularity is now Director of Engineering at Google, BTW. He’s building a mind there. Actually it’s an Artilect, a Godlike Massively Intelligent Machine – an Artificial Intelligence Hive mind that will be plugged into all our emails, appointments, movements, and everything we see and hear and do through our phones, cars, homes and glasses. And, given that Google makes $3.5 billion profit per quarter and has $50 billion in cash, it’s probably fair to say his budget has no limits. So ravers got robots. It’s a mistake to classify all of us as drugged up and obsessed only with hotpants, glowsticks and deep bass.

Yep, he’s a raver. A hard core one – he pops 200 pills a day. No idea if we can claim him as a Burner – but I would be astounded if that guy had not been to Burning Man. Especially to get a job like that at Google, who seem to have already fast-forwarded the Singularity timeline about 20 years. The Age of Spiritual Machines was an amazing book, and most ravers I’ve met are very spiritual people – though not necessarily religious.

Anyway, do I need to get medieval on your ass? We come from the old skool:

Here we have electronic music even before acid. But let’s go back even further. Ecstasy was invented by Merck in 1912. Where were all the hippies then? Thomas Edison was inventing electric cars and the phonograph – AKA vinyl. The wheels of steel. This was back in the days before USB sticks son, before the DJ had to put a mirror ball on his head and hop around to his laptop. This was when music was first

Art Car - in 1912. And it was electric.

Art Car – in 1912. And it was electric.

being electrified. The National Parks Service was created in 1916; Silent Spring wasn’t written until 1962.

Yes, that’s right. You heard it here first – Burners.Me BREAKING NEWS. Thomas Edison was a raver. Quite possibly the first one (other than Lucy, mentioned above). Think about it – he had the turntables, he was recording beats in 1878. Then he needed to develop the low-emissions, off grid art car and  system so he could get to the doof, set up the sound system and the blinky lights, he was all about the blinky lights. 10,000 failures to get his light bulb going, that’s persistent. I bet he would have loved the Burner blinky light geniuses of today. He had electric cars, like Burner Elon Musk – whose car is named after Edison’s rival, genius Nikolai Tesla. Put them both together you get AC/DC, true fact. Sounds very Burning Man.

So, perhaps predicatably, I’m gonna have to call this one for the ravers. We were on the scene first, we were dropping phat beats and cruising in electric art cars before anyone even invented ecstasy or acid. Before the environmental movement began. Since there’s been electricity, since there’s been electronic music and blinky lights, there’s been ravers, and ravers invented art cars. We didn’t take over Burning Man, Burning Man came out of an existing scene of raves that had been happening for some time. We were there first, and as soon as our rave scouts found a place for a good doof, we showed up with the boom box. And we’ve been showing up ever since. We live in the 21st century now, sorry old-timers. We’re well into it. Hippies are still welcome, you can still bring your sitars and drop acid, it’s cool. But it’s not the 60′s any more, or the 70′s,80′s, 90′s, or Naughties. We’re in the teenies, and raves ain’t going nowhere. Burning Man is the world’s biggest rave and there’s no point fighting against it – especially given that “radical inclusion” is one of the core principles of the party.

lego raversThe rave element is not only there, it is the greatest party in the world for lovers of that scene, many of whom bring extreme amounts of resources to the Playa which contributes to everyone’s enjoyment. There are more shiny happy people dressed up in sexy costumes there to dance, than are there for free booze, workshops and TED talks, or anything else. Those major lasers aren’t there for the kids! And neither are those giant, world class sound systems and video screens. This stuff doesn’t get provided by Burning Man, it gets brought by the ravers. It draws almost all of the crowd to the party, and everyone gets to enjoy for free. Without amplified music, it would not be a party, it would be people camping. A rainbow gathering, perhaps. Acoustic Burning Man. Some friends around a campfire at Baker Beach.

There’s only one rave like this we can go to. Most of us agree, there should be more. One of the major differences is the Art Cars. You can take your kids to the Houston Art Car parade, but we can’t throw a rave there.  The same with pretty much any park in the San Francisco Bay Area. There are plenty of places you can go with your kids or for silence.

rave girlsWe welcome you to come with us, join us at our party, there will be music and dancing, wine women and song! And we’ll give it all to you for free! All we ask is, please don’t complain when you get there. Don’t try to turn it off, or make us turn it down. That’s what we get everywhere else in the world. In San Francisco, if we throw a rave, the cops can seize the sound system and the DJ’s laptop. Burning Man is one of the rare places in the whole world where we can come to turn it up. That’s why we travel for so many hours in the desert to go to it: so we’re not disturbing anyone. I know we make a great spectacle, and it’s cool and you want your kids to see it. We’re not stopping you, so don’t try to stop us. Accept and celebrate us: loud music is part of Burning Man, just like flashing lights are. Just like generators are. Bring some ear plugs. Camp on the outer perimeter. If you don’t like it, don’t go – we don’t like haters anyway, so that’s perfect. If you want to have your own party, by all means do. Get as much as you can out of Burning Man, express yourself, do whatever feels good. Go into the Deep Playa and enjoy the silence and sense of isolation out there, then get yourself into the middle of a packed dance floor and feel the Funktion1 15 hz bass so loud and deep that it makes your skull ache. Appreciate that you can easily do both, for free, without criticizing another human being or asking them to adjust their sense of wellbeing to benefit your own. Enjoy your Burn and the freedom of “We Do What We Want“, what a privilege it is for all of us to be there. In this giant, 24/7,  thumping bass and blinky lights ultimate rave city.


Filed under: Light Path - Positive Thinking, Ideas Tagged: 2013, city, complaints, drugs, festival, future, history, lights, music, rave, videos

Major Victory for Burning Man over Pershing County

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Burning Man is a major economic and cultural influence in the Northern Nevada region. Still, there are some who don’t want it there at all and some who want to crack down on nudity or tax it more. In recent legal stoushes, both Burning Man and Pershing County claimed victories. This time…building on top of their recent success against the land-sailor – it’s good news for Burners and bad news for the haters. Nevada has just ruled in favor of Burning Man being allowed to provide us our right to nudity, because we’re on Federal Land, and haters other counties be damned. Nevada has given us Burners a strong signal: they ♥ Burning Man. And they also ♠♣♦ Burners too.

The Associated Press (via Reno’s 4 News) had this to say on the matter:

PANDAS! GIANTS!

PANDAS! GIANTS!

RENO, Nev. (AP) — Nevada Gov. Brian Sandoval has signed into law a bill that streamlines the permitting process for the Burning Man festival and other events on federal land.

The new law gives counties the right to opt out of state permitting requirements for events held on federal land that already undergo a comprehensive federal permitting process.

Pershing County commissioners earlier passed a resolution exempting Burning Man from county permitting requirements.

Burning Man spokesman Ray Allen calls the new law “a huge victory” for the festival. He says it “ensures local permitting requirements won’t infringe upon the First Amendment rights of Burning Man participants.”

The anything-goes art and music festival leading up to Labor Day draws over 50,000 people from around the world to the Black Rock Desert, some 100 miles north of Reno.

The new law takes effect July 1.

Needless to say, BMOrg was stoked, claiming this as a major victory – not just for Burning Man, but for the whole Constitution and First Amendment.

ray_allen_03This is a huge victory for the Burning Man event,” said Raymond Allen, Government Affairs Representative for Black Rock City, LLC. “The law ensures local permitting requirements won’t infringe upon the First Amendment rights of Burning Man participants. It also ensures the continued right of assembly for the entire event.”

… As a result of collaborative negotiations involving Burning Man representatives, Pershing County officials and the Nevada Association of Counties, Pershing County commissioners already passed a resolution exempting Burning Man from county permitting requirements in perpetuity.

As the Scumfrog would put it…


Filed under: News Tagged: 2012, 2013, bmorg, city, commerce, complaints, cops, news, scandal

The Spark of Controversy

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You might have heard a lot of the hype about the new documentary about Burning Man, Spark. It’s screening tonight in Reno at 7:30, then playing to 1400 people in Washington DC, heading to New York City, and playing to 500 or so up my way in Santa Rosa on July 9.

There is a plethora of other documentaries about Burning Man. Like, Dust and Illusions – the film Burning Man doesn’t want you to see, or the excellent Emmy-nominated Current TV coverage of a few years back (now seemingly deleted from the Current.TV web site, since its acquisition from Al Gore by the Arabian network Al Jazeera).

So what makes this one different?

Well, for one, the Burning Man founders have been quite prominent in attending its premieres around the country. That certainly wasn’t the case with Dust and Illusions. It debuted at SXSW in Austin this year, to mixed reviews. And the BMOrg have been behind it too, talking it up in the Jacked Rabbit Speaks and the official Burning Man web site. They even went so far as to create an entire online portal called Spark – which at the time I thought was a coincidence, but read on, perhaps not…(I’m not sure I can pin the coincidental name of nearby town Sparks, Nevada on BMOrg but if anyone has any Burnileaks style info on this, please send it in!)

tribesbmJust like the 7 Scandals besetting Our Prez right now, the leadership of Burning Man has yet another new scandal to contend with, thanks to the hard work of a perceptive Burner investigative journalist. Scribe is the author of The Tribes of Burning Man, probably the best book about Burning Man’s history (although if you want photos, Tomas Loewy’s Radical Burning Desert gets a lot of use on my coffee table).

He’s also a writer for the San Francisco Bay Guardian, and their specialist on Burning Man. His recent 5-page cover story raises a lot of questions about the Spark Movie, and how much truth the Burner community is actually getting from the founders and leaders of BMOrg about what is going on.

A documentary called Spark: A Burning Man Story is arriving on the big screen, with dreams of wide distribution, at a pivotal moment for the San Francisco-based corporation that has transformed the annual desert festival into a valuable global brand supported by a growing web of interconnected burner collectives around the world.

Is that a coincidence, or is this interesting and visually spectacular (if slightly hagiographic) film at least partially intended to shore up popular support for the leadership of Burning Man as the founders cash out of Black Rock City LLC and supposedly begin to transfer more control to a new nonprofit entity?

Radical Burning Desert by Tomas Loewy

Radical Burning Desert by Tomas Loewy

Filmed during last year’s ticket fiasco — in which high demand and a flawed lottery system created temporary scarcity that left many essential veteran burners without tickets during the busy preparation season — both the filmmakers and leaders of Burning Man say they needed to trust one another.

After all, technology-entrepreneur-turned-director Steve Brown was given extensive, exclusive access to the sometimes difficult and painful internal discussions about how to deal with that crisis. And if he was looking to make a film about the flawed and dysfunctional leadership of the event — ala Olivier Bonin’s Dust & Illusions — he certainly had plenty of footage to make that storyline work.

But that wasn’t going to happen, not this time — for a few reasons. One, Brown is a Burning Man true believer and relative newbie who took its leaders at face value and didn’t want to delve into the details or criticisms of how the event is managed or who will chart its future. As he told us, that just wasn’t the story he wanted to tell.

We got trusted by the founders of Burning Man to do this story,” he told us. “They were in the process of going into a nonprofit and they wanted to get their message out into the world.”

So, sort of an authorized biography then.

Well, actually, more like a commissioned puff piece corporate story:

the filmmakers and their subjects are essentially in a partnership. Brown and the LLC’s leaders reluctantly admitted to us that there is a financial arrangement between the two entities and that the LLC will receive revenues from the film, although they wouldn’t discuss details with us.

Chris Weitz, an executive producer on the film, is also on the board of directors of the new nonprofit, The Burning Man Project, along with his wife, Mercedes Martinez. Both were personally appointed by the six members of the LLC’s board to help guide Burning Man into a new era.

Usually, if you star in a movie, you get paid. At least, you get a credit. In this case, we’re all the stars, we’re the talent, we pay to go there…and they profit from our images till the cows come home. How much? No-one’s saying, but for $150k you can do a Vogue Magazine Photo Shoot out there!

“We saw it as location fees. We’re making an investment, they’re making an investment,” he said, refusing to provide details of the agreement. “The arrangement we had with Burning Man is similar to the arrangements anyone else has had out there.”

Goodell said the LLC’s standard agreement calls for all filmmakers to either pay a set site fee or a percentage of the profits. “It’s standard in all of the agreements to pay a site fee,” Goodell said, noting that the LLC recently charged Vogue Magazine $150,000 to do a photo shoot during the event.

pallets-champagneNo wonder BMOrg were so pissed at Krug. They wanted their $150k. Or at least a pallet of champagne! Wonder if Town and Country had to pay similar buck$ too. This sponsorship of Burning Man by magazines, fashion labels etc. could be very lucrative, and could explain the difference between reported gate revenues (around $22 million) and the BLM fee of $1.87m for 3% – which brings us to a total event revenue closer to $62 million). What’s the deal with the missing 40 million dollars? Is the event actually much bigger than the permits, like some have speculated? Or is Burning Man cashing in big time on books, movies, TV shows, photo shoots, merchandising, the whole shebang?

Scribe very perceptively delves into the timing of this movie, with its unprecedented access to the founders and Org; the bizarre ticket lottery scandal, which could be looked at as a “culture jam” that shook the community up and made very clear the divide between veteran Burners (not so welcome any more, time to move on) and the new generation of Burgins (welcomed with open arms). It certainly made a great story thread for them to base a movie around – stirring the petri dish of Burners, creating carefully cultivated controversy amongst their Cargo Cult subjects with strange moves like “70% Virgins”. The other aspect of the timing of note is Larry Harvey’s announcement in 2011 (on April 1, no less) that Burning Man would transition to a non-profit over the next 3 years. We’ve got less than a year to go, and the vision and transition do not seem clear even to the leaders. Indeed, the Burning Man founders seem to be stepping back from their original idea of relinquishing control.

I haven’t seen the movie yet, but Scribe thinks it’s going to bring a few eye-rolling moments to veteran Burners:

More cynical burner veterans may have a few eye-rolling moments with this film and the portrayals of its selfless leadership. While the discussions of the ticket fiasco raised challenging issues within the LLC, its critics came off as angry and unreasonable, as if the new ticket lottery had nothing to do with the temporary, artificial ticket scarcity (which was alleviated by summer’s end and didn’t occur this year under a new and improved distribution system).

And when the film ends by claiming “the organization is transitioning into a nonprofit to ‘gift’ the event back to the community,” it seems to drift from overly sympathetic into downright deceptive, leaving viewers with the impression that the six board members are selflessly relinquishing the tight control they exercise over the event and the culture it has spawned.

Yet our interview with the LLC leadership shows that just isn’t true. If anything, the public portrayals that founder Larry Harvey made two years ago about how this transition would go have been quietly modified to leave these six people in control of Burning Man for the foreseeable future.

So, is there actually a transition going on to a non-profit? Well, apparently, it’s complicated:

As altruistic as Spark makes Burning Man’s transition to nonprofit status sound, Harvey made it clear during the April 1, 2011 speech when he announced it that it was driven by internal divisions that almost tore the LLC board apart, largely over how much money departing board members were entitled to.

burning_man suitsThe corporation’s bylaws capped each board member’s equity at $20,000, a figure Harvey scoffed at as ridiculously low, saying the six board members would decide on larger payouts as part of the transition and they have refused to disclose how much (Sources in the LLC tell me the payouts have already begun. Incidentally, author Katherine Chen claimed in her book Enabling Creative Chaos that the $20,000 cap was set to quell community concerns about the board accumulating equity from everyone else’s efforts, but Harvey now denies that account).

In that speech, Harvey also said the plan was to turn over operation of the Burning Man event to the nonprofit after three years, and then three years later to transfer control over the Burning Man brand and trademarks and to dissolve the LLC (see “The future of Burning Man,” 8/2/11).

Board member Marian Goodell assured us at the time that the LLC would be doing extensive outreach to gather input on what the future leadership of the event and culture should look like: “We’re going to have a conversation with the community.”

But with just a year to go until the event was scheduled to be turned over to the nonprofit board, there has been no substantive transfer, the details of what the leadership structure will look like are murky — and the six board members of Black Rock LLC still deem themselves indispensable leaders of the event and culture.

The filmmakers say that the transition to the nonprofit was one of the things that drew them to the project, but the ticket fiasco came to steal their focus, mostly because the nonprofit narrative was simply too complex and confusing to easily convey on film.

According to Burning Man’s main founders Larry and Marian, everything is just fine. They’re on track to transfer the ownership to a new structure. They can’t just put everything into the Burning Man Project, so they’re still figuring out what to do with that and how it will interact with the party event. They definitely don’t want it to be a bureaucratic tyranny, so to protect us from that they’re going to control the culture more than ever before:

“We’re pretty much on schedule,” Harvey told me, noting that he still hopes to transfer ownership of the event over to the nonprofit next year. “The nonprofit is going well, and then we have to work out the terms of the relationship between the event and the nonprofit. We want the event to be protected from undue meddling and we want it to be a good fit.”

From our conversations, it appears that a new governance structure seems synonymous with the “meddling” they want to avoid.

“We want to make sure the event production has autonomy, so it can water the roads without board members deciding which roads and the number of tickets and how many volunteers,” Goodell said. “We did look at basically plopping the entire thing into the nonprofit, but if you look at what we’re trying to do out in the world, we don’t have any interest in becoming a big, large government agency.”

It was an analogy they returned to a few times: equating a new governance structure with bureaucratic tyranny. They rejected the notion that the new nonprofit would have “control” over the event, even though they want it to have “ownership” of the event.

“You just said the control of the event would be turned over to the nonprofit,” Goodell said.

“No, the ownership,” Harvey added.

“Yeah, there’s a difference,” Goodell said.

That difference seems to involve whether the six current board members would be giving up their control — which she said they are not.

larry world“All six of us plan to stay around. We’re not going off to China to buy a little house along the Mekong River,” Goodell said.

“We want to make sure the event production company has sufficient autonomy, they can function with creating freedom and do what it does best, which is producing the Burning Man event, without being unduly interfered with by the nonprofit organization,” Harvey said.

“That’s why you heard it one way initially, and you’re hearing it slightly differently now, and it could go back again,” Goodell said. “We don’t think it’s sensible, either philosophically or fiscally, to essentially strip away all these entities and take all these employees and plop them in the middle of The Burning Man Project.”

In other words, Black Rock LLC and its six members will apparently still produce the event — and it’s not clear what, exactly, the nonprofit will do.

We are giving up LLC-based ownership control, we are not giving up the steerage of the culture,” Goodell said. “That we’re not giving up. We’re more necessary now than ever.”

Scribe finishes his piece by presenting the two different viewpoints at play here.

There are at least a couple ways for burner true believers to look at the event, its culture, and its leadership. One is to see Burning Man as a unique and precious gift that has been bestowed on its attendees by Harvey, its wise and selfless founder, and the leadership team he assembled, which he formalized as an LLC in 1997.

That seems to be the dominant viewpoint, based on reactions that I’ve received to past critical coverage (and which I expect to hear again in reaction to this article), and it is the viewpoint of the makers of this film. “They’ve dedicated their lives to creating this platform that allows people to go out and create art,” Brown said.

Another point-of-view is to see Burning Man as the collective, collaborative effort that it claims to be, a DIY experiment conducted by the voluntary efforts of the tens of thousands of people who create the art and culture of Black Rock City from scratch, year after year.

Yes, we should appreciate Harvey and the leaders of the event, and they should get reasonable retirement packages for their years of effort. But they’ve also had some of the coolest jobs in town for a long time, and they now freely travel the world as sort of countercultural gurus, not really working any harder than most San Franciscans.

The latter point is felt by many old time Burners, who are often under-employed and under-funded. The art is made collaboratively, and financed collaboratively. By us, not the BMOrg. Many feel that we’ve all made this event together and that the BMOrg is being unfair in their ruthless persecution of anyone trying to make a buck in the Burner commuity, while simultaneously maximizing profits behind closed doors and doing all kinds of licensing deals without any transparency. They don’t have to share the profits, it’s not communism, but at least let the rest of the Burner ecosystem profit from Burning Man too. Do they want to be Apple and Microsoft (who pay people to develop the intellectual property that they license and control) or do they want to be Open Source (where a community gifts to the commons, for the good of all)? We’ve all heard the talk, it’s going to be very interesting to see what happens in the next year if they actually do sort their transition plans out.

Burning Man 2.0 is starting to look suspiciously like Burning Man 1.0… just with less transparencytighter control over the culture; stepped up political campaigning in WashingtonNevada, and San Francisco;  new revenue streams from new media and new markets leading to a hugely expanded scope of revenue production from the event and brand that we all co-created together – aka “we pay them to be the talent and we take care of our own wardrobe, travel, accomodation and all expenses too”; more fragmented volunteer-run organizations that may or may not be doing lots of useful stuff away from the party to give back to the community; and last but by absolutely no means least, a massively expanded public relations blitz featuring (to name a few) the Wall Street JournalBloombergNew York Times, Reutersthe GuardianWashington PostVogueTown and CountrySan Francisco magazine, CosmoSalon, the Huffington Post, even Popular Mechanics and the Delta Airlines in-flight magazine!

facebook ringing bellIn an earlier post I raised the possibility that Burning Man’s interviews with Bloomberg could be seeding the garden for a possible IPO. Interestingly, this story was presented on Bloomberg as “The Spark That Created Burning Man Festival”. Spark again. Is there some multi-year plan afoot here, similar to Facebook’s idea to release an Oscar-winning movie before announcing their iPO (with another movie)? Or is it just a coincidence that Burning Man seems to have taken the travelling, speaking, and interviewing to a whole ‘nother dimension in the last couple of years?

Watch this space – Scribe has conducted quite a few interviews about this story, and will be bringing us more soon.


Filed under: News Tagged: 2011, 2013, bmorg, city, commerce, complaints, event, fashion, festival, future, news, Party, plans, press, scandal, tickets, virgin


You Can’t Quit Me, I’m Fire!

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by Whatsblem the Pro

In fact, you're ALL fired. Merry Christmas!

In fact, you’re ALL fired. Merry Christmas!

Is it a coincidence? A deliberate reorganization? A quiet rebellion? Recent days have seen a spate of high-level firings, resignations, and even a strike taking place in the often insular world of the Burning Man organization.

Palmer ‘Gameshow‘ Parker, DPW’s Dispatch Manager for many years, was invited to attend Burning Man for free again in 2013, but his contract was not renewed. Gameshow has now been replaced by another long-time Dispatch worker. Those in the know were tight-lipped about it at the subsequent manager’s meeting, and simply cited “a Human Resources issue,” while other sources cited an alleged dissatisfaction with Gameshow’s ability and/or willingness to integrate DPW Dispatch with EMS personnel and their system. Gameshow himself has declined to make any official comment on the Org’s decision.

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Quinn Yarbrough, sometimes known as “Ghost Dancer,” was asked to resign less than a week ago after some ten years as the DPW Ranch Manager, according to sources close to him. Of course, in the corporate HR world of professional candy-coating and face-saving, “asked to resign” is just a euphemism for being fired without having to tell your next employer that you were fired.

Quinn was reportedly escorted around the ranch – his only home for the last ten years – as he gathered his belongings, like some kind of suspected thief. This is not to say that Quinn is suspected of being a thief; it’s a not-uncommon feature of big-boy corporate culture that fired employees are shepherded around by security guards and formally shown the door. What this says about the Org, about their goals, and about how very far they’ve strayed from a Cacophony Society Zone Trip is much more interesting than anything it might imply about Quinn Yarbrough, who is unfortunately unavailable for comment at this time. His Facebook page, however, gives us a public statement notable for its civilized tone; Quinn is often said to be rather a deep person, and his serene stance in the face of what must be a massive life change would seem to support that opinion of him:

Where as word spreads like wildfire let me just say this much for now. I love you all and have nothing ill to say about anyone, it’s simply time and appropriate for our collective evolution for me to step onto a new path. Much love and gratitude for the many many memories – blessings to the Burning Man Community.”

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In contrast, Otto von Danger, whose calamitously controversial leadership on Burn Wall Street our very own Burnersxxx wrote about back in September 2012, posted the following comment on his Facebook page just today (presented here unedited):

After 6 years of Militey service the government discarded me as they do many others and now after 13 years Burning Man has done the same.They invented some bullshit and fired me last night.So I’m trying to fix it but as it stands I will not be going to Burning Man anymore and Shwing is canceled.FrogBat will go on of course.”

In response to queries, Otto gave the following explanation (also unedited):

it’s true…they said I pulled a knife on one of the Burn Wall street crew…which is obviously not true.I think that would have got me arrested.Again I’m trying to fix this but as it stands Burning Man is done with me.”

When asked why the Org would do something like that, Otto’s response was that the recently-released film SPARK: A BURNING MAN STORY portrayed him in too flattering a light, and that the Org hates successful people like himself:

probably because I looked good in Spark is my guess…they don’t like success unless it’s thiers.”

People who have drunk a little too deeply of the Org’s kool-aid frequently chide us here at Burners.me for being too critical of their sacred icons, but in this case we have to speak up in defense of dear Uncle Larry and the other false gods of the Org-worshippers for a change: the idea that they get rid of people for being successful and appearing in films in a good light is even more absurd than the idea that Otto von Danger is successful by any objective definition of the word. Otto is clearly selling a flavor of kool-aid all his own, and his stated reasons for being dismissed are very possibly not a clear or accurate reflection of reality. Given the personality clashes and accusations of rank incompetence, volunteer abuse, mishandling of funds, and even sexual assault that were leveled at him (and his right-hand man, Jonathan ‘Fester’ Cooksey) in the weak aftermath of the Burn Wall Street project, the Org very likely had more than one excellent reason to give Otto the old heave-ho, regardless of any overarching plan to purge their ranks.

Meanwhile, during a Q and A with one of the directors after a screening of SPARK: A BURNING MAN STORY in Reno, a woman in the audience asked ”why was Burn Wall Street romanticized?”

Apparently the original cuts of SPARK: A BURNING MAN STORY showing the dark side of Burn Wall Street were deemed much too negative in comparison with the other elements of the film, and thus a great deal of ugliness connected with the project and with Otto personally was simply left on the cutting room floor in the interests of a more upbeat end product.

Otto made another interesting and not entirely accurate or true comment:

they also fired alot of other good people this year including the entire Man base crew.”

=====

Which brings us to the Man Base crew.

As nearly as we can gather, Otto’s assertion that the entire Man Base crew is being replaced is still just speculation, although certainly a possibility. The meat of the story so far seems to be that a dispute between the Org and Travis Ludy, who has been managing the crew that builds the Man Base for years, has escalated into a strike that may very well result in the entire Man Base crew being replaced, and the size of the 2013 Man Base scaled down dramatically to make up for lost time and the lack of an experienced crew.

Ludy was paid $8000 to build the Man Base in 2012. The Org reportedly tried to cut his pay in half for 2013, and Ludy declined in favor of holding out for the whole nut. When they tried to give his job to someone on his crew instead, that person turned the job down. . . and news of the attempt to cut Ludy out over money – possibly exacerbated by other crew members being let go recently – led to the entire crew rebelling and going on strike.

We’re told that a meeting was held just today to try to settle the dispute. . . so let’s see how the balloon goes up, or how the cookie crumbles. Will the Org really scuttle the entire Man Base crew, and is it really all over a paltry four thousand dollars, or is there a welter and web of politics and personal agenda and independent problems between the Org and individuals, all coming to a head at once?

More importantly, is there some kind of a deliberate reorganization going on, and if so, what are the intentions driving it?


Filed under: Burner Stories, Dark Path - Complaints Department, General, News Tagged: 2013, art projects, base, bmorg, Borg, burn, burning, city, complaints, cops, crew, danger, dingbat, drugs, event, festival, fired, frogbat, gameshow, giant, Ludy, man, money, news, Org, Otto, palmer, parker, press, quinn, scandal, sparks, story, street, swing, Travis, von, wall, yarbrough

Conspiracy Theories, meet Burning Man

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[Haters?  Don't bother reading. This is one of those Burners.Me posts that you're not going to like. You'll probably even want to comment about it and call me names. Wonder why I'm always negative, or bashing BMOrg. Let me save you time, it's terrible, just skip to the comments and start bashing me. Thanks very much. I say this because I think it needs to be said. Is this our party, or not? - ed.]

Last year’s bizarre ticket lottery system caused a lot of controversy amongst the Burner community. It was sold out. Then more tickets were permitted, and they sold out. Then all of a sudden it wasn’t sold out. Then tickets started going below face value. A sign on the way in said “SOLD OUT EVENT – GO BACK IF YOU DON’T HAVE TICKETS”. Then tens of thousands (supposedly) left before the Man burned. Newbies who couldn’t handle the dust, perhaps? The event survived, but ultimately with shrinking numbers.

mother tripThis year – as far as we know – an officially funded and promoted Burning Man documentary is not being shot inside BMHQ. Telling the story of “only 50,000 can go, but 150,000 wanted to, it’s the hardest to get into party on earth with the World’s Biggest Guest List” is less of a strategic objective in 2013. The media blitz has happened, mostly fuelled by the controversy. Burners got pissed, major camps pulled out, attendance started to shrink. Some of the press even started heralding “Burning Man on its Last Legs“, “RIP Burning Man“. “Jumped the shark” became the new “Fuck yer day”. Whoops-e-daisies! Time to change tack. So, they changed the guard, got a new CEO for the event, and went with a more conventional and less controversial ticket system. A good thing. Higher prices, more tickets. Still some low-income tickets. But these days this is mostly an event for rich people. Minimum $1000 and a week off work to go, more realistically $2000. And many individuals and couples spending above $10,000. A hundred or more, perhaps, spending over $100,000. Every year.

It’s officially sold out, with a waiting list for tickets. There will be a last-minute release of tickets: 1000+ according to the official announcement. They have re-cycled their ticket re-cycling program, called only we can be scalpers STEP - you can still enroll in this any time up to July 31, 2013.

1000+ huh? “Plus” any tickets that didn’t get sold through STEP? Or “plus” any tickets that insiders couldn’t scalp sell at face value only to friends?

burning man tickets 2013I got an email today saying my tickets have shipped. Here’s a quick look at the current aftermarket situation:

StubHub 317 tickets, starting at $574 each; you can buy as many as 86 tickets at $5000

eBay – 41 tickets, starting at $400 going up to over $1000

Craigslist just has a few wanted ads. But, it seems like it’s not going to be too hard to get Burning Man tickets this year. Just like the last few years have been.

You know, as I’m writing this post and putting in these hyperlinks, re-reading some of our old stuff from last year…I think I’m putting two and two together. I’m listening to Infowars.com as I’m writing, so maybe I’m just on the conspiracy wavelength. But the extreme increase in census taking seemed over the top. And we called them out on it. And then what they announced they were going to do with the data seemed like number-fudging. And we called them out on it. But now, everything seems to make sense. They want the numbers to suit the story, and they want the story to support a different set of numbers. Spreadsheet numbers, Powerpoint numbers. Valuation numbers.

The Powerpoint-ization of Burning Man. Has it really come to this? Can anyone really think the 10 Principles have credibility anymore? Most Burners can’t recite them, most people can’t remember more than 3-5 things…so why bother?

If Burning Man’s audience is the new young future of Silicon Valley, then it’s more likely that Google or a consortium led by their founders might buy Burning Man. These guys don’t want basketball teams (like Burner Chris Kelly, former Facebook Chief Privacy Officer who’s now the third major sports franchise owner I know who’s been to Burning Man) or America’s Cup teams (like Lanai Luau Larry). Burning Man is the ultimate billionaire’s trophy prize, the ultimate island. For at least a couple dozen billionaires in the world anyway, who pretty much all happen to be tech billionaires. And you can bet they’re big partiers, if they like Burning Man.

solar cartThe founders want to cash out. Good on ‘em, they deserve it. They’re going to IPO – or trade sale, to Google or one of their other HNWIs. Philanthropy is opening the doors for them to some real money. Like “affluent kid” David de Rothschild, who camps with them at First Camp. The owners of AOL and the Empire State Building are around somewhere, ensconced in their Plug-n-Play ecstasy. Lots of big money, this is one of their few playgrounds where the famous can be anonymous.

There’s a nearby land parcel they want to buy with a hot springs. They need to raise funds for that, so maybe they can package up a permanent location as part of the deal. They want to keep having the event on Federal land because everything’s pretty good with the BLM. Their guys are on various boards of various important political bodies in the region, and they’ve spent decades building personal relationships in the area and with the various agencies.

So, they set up a 501(c)3. They can dump profits into that and get the tax write-off at the same time as their projected windfall. Then, as with many private philanthropic foundations, they can find a way to funnel the money back to themselves in future salaries, directors fees, and travel expenses. Overseeing their global, crowd-funded, “Burner Empire”. And now as they travel, paparazzi camera crews in tow, they get to tell the story of everything Burning Man is doing to save the world, instead of just telling the story of “free beers and hot chicks and cranking tunes in the dusty Wild West sun at Distrikt”, that you might hear from sites like this.

They team up with a film crew keen to make a movie, and come to a financial arrangement with them. They get a share of the profits, and the film crew will get an unprecedented inside look at Burning Man in this time of transition. They’ll present a couple of alternative viewpoints in the movie so no-one could accuse it of being a puff piece. But, like any good reality TV show, the producers want to crank up the controversy. “501 c 3 does not make good TV”

hipster-evolution-brendan-mccartanThey need to get Wall Street’s attention. They want Wall Street thinking “Burning Man = Money”. They need some good demographic data, to present to Wall Street. The current data of “a lot of us lost our jobs when the Great Depression hit”, or “we’re artists and don’t make a lot of money”, or “we’re not from around here”, or “we all grow weed up in Humboldt and don’t have bank accounts or drivers licenses”…was not as valuable to them. New data would be needed, that better supported the story of “Burning Man and the tech industry are intertwined, and have developed together”. The ideal, saleable demographic would be ”we’re young, college educated, live in SF Bay Area, work in tech”. In our city, this is known as “hipsters”. And sometimes “yipsters”. And I won’t tell you the word my friends and I actually use to describe them. But we’ve all seen the type. Hint: lives in Dogpatch, rides bicycle, eats raw food diet.

Yes, that would be a much better demographic. But how to change things? How to change the demographics, appeal more to Wall Street, and create a story for the movie”?

Hmmmm…..

….are you with me here readers…

Here’s how the plan went down…hypothetically, of course. Because this blog is nothing but unsubstantiated, hypothetical speculation…troll food, for the haters. We never back up our claims with references, we’ve never been right when BMOrg has been shown to be wrong. BMOrg is always right. They are above criticism. They are like a flawless pearl, too good to even be made into a necklace.

OPERATION HELLCO – How to sell out and pretend not to sell out

Hector_Santizo_Burning_Man2We need to start with a step. A step, and a spark.

STEP 1. Create a ridiculous new ticket system that makes little sense. In classic Bernays propaganda techniques, say that this system is to help Burners. How does it do that? By “giving them a more fair chance to go, and combatting scalpers”. In itself a nonsensical statement. Scalpers are the ones that help Burners, by letting them go to the party if they want to but didn’t win the lottery. And scalpers are 1%, an irrelevance.

The result? “Quelle surprise! 150,000 people wanted to go, our servers were overwhelmed”. Their mysterious black box algorithm ultimately comes down to “the software guy says this”, which is a Book of Mormon style trust to take in truth.

Burners were quite surprised that so many wanted to go. It had sold out for the first time ever the year before, 2011. But not until August, just before the event. It had never, ever been a big deal to get tickets in the history of Burning Man. Which meant, scalpers had never been a big deal either. Once the dust had settled, BMOrg admitted scalping was only 1% of tickets at most. But scalping did exist – for a few months, the only tickets you could get were on the secondary market, at $1000+.

We tracked the price of tickets through the year. Then, there was a mysterious continuous supply of high priced tickets for a few months. We broke the story that there might be more tickets, and the after market price plummeted (3/19). Burning Man quickly issued a panicked denial as the price looked like it was going to sink back down below $1000 (4/10), swearing black and blue that there would not under any circumstances be more tickets. Then the prices went up again, until as Burners.Me predicted more tickets were announced…and then all of a sudden the price collapsed, first to $500, then below face value, then you couldn’t even give them away. It all smacks of manipulation to me, and I said so at the time.

stubhub pricesWe’re supposed to believe that demand tripled from one year to the next? But then vanished when the event actually came around? And this was because of a YouTube video? And the unprecedented media blitz of Burning Man during the year didn’t increase the demand in any way, or even maintain the existing demand – only Dr Seuss could do that? And that this year, even though the Hula-Hoop video is 4 times as popular as Dr Seuss was, numbers are back down to normal and there’s plenty of tickets going on the secondary market at near face value? But all of this is just natural, or coincidence, and nothing to do with the Spark movie? The first rule of Sinister Master Plans is, THERE IS NO SINISTER MASTER PLAN. You’re just paranoid, you crazy conspiracy theorist.

Were there ever 150,000 that wanted to go? Perhaps the extra 50,000 buyers wanting 2 tickets each were all Burners applying for friends and family, and not winning the lottery, or winning only to recycle them through STEP. Except that only 500 tickets went through STEP. We’ll probably never know, it’s all black boxes, but I don’t believe the official line. To believe that, you have to believe that out of 100,000 people who wanted to go at the start of the year but missed out on tickets, almost none wanted to go when it was actually the time of Burning Man? It doesn’t make sense. More likely, the 150,000 is a questionable number.

Curatious George, the curatious little Door Bitch

no, not this one

take a Burgin under your wing

This ticket lottery system achieved a lot of things at once. First, they got to decide a “Burgin Ratio” and apply it, cutting through the established Burner community. We don’t know whether this was done on a one-by-one basis to give them the demographics they were seeking, or by an arbitrary algorithm. Remember we had to fill out a questionnaire with our application, then we found out if we “won” the chance to give them hundreds of dollars, and spend thousands to participate in their event. I know I didn’t win (but still ended up there of course). What sort of Burgins did they pick to win? How much curation went on? This could have the result of stuffing the demographic with people to answer surveys at the gate – collecting a data set that would be used to fudge adjust the numbers from  10 previous years of detailed census information. This is their right, it’s not like this is a Presidential election or anything. But why would they even care – unless they needed that dataset to make their case to someone? And who could that be? Whoever is buying it.

Bringing such a high proportion of Burgins in was sure to create controversy. For every one that was allowed in, someone else (who had been before, at least once) was not invited back. At the time I likened the situation to standing in the line outside an empty club. In hindsight, perhaps it was more like a change of security at a club – the new bouncer knocks back the people who’ve been coming there for years.

They got to create, and curate, the World’s Biggest Guest List. I keep harping on about that but I really think it is, it’s way bigger than the Oscars. Bigger than any club, or Vanity Fair party. The guest list I’m talking about is the 10,000 tickets that they got to allocate to specific theme camps. Of course if you are a celebrity or wealthy tech titan you will get on the guest list, no problem. It’s not that exclusive. But if you piss off the door bitch, it could be curtains for you. Oh, you lost the lottery again? Oh dear. What a string of bad luck you’re having.

This curation presents an interesting paradox for BMOrg though. Do they curate based on the 10 Principles? Or does celebrity or vast wealth carry more weight? Do you get in, based on what you give? If you don’t participate, if you just spectate, should you be invited back? What if you own the Empire State Building? What if you’re the President of the Board of Supervisors for San Francisco? Should the same principles apply, or is there a VIP list that’s beyond the officially stated principles? Some “old school Burnier-than-thou” types were very much against Plug-n-Play camping. Oh, the wailing, the gnashing of the teeth! At the same time, these “high rollers” are the Wall Street crowd that the Burning Man founders want to attract to their event. I hear that the head of PlayaSk00l gets skewered pretty badly in Spark for even having a Plug-n-Play camp. Now they’re completely allowed, you just have to pay a 3% tax to BMorg.

vintage-social-networkingYou could say “the spark of controversy of the ticket lottery, with the kindling of the wunderkid Burgins (chosen ones, by door bitch or by BEAST), and the fuel of the old timers who were then vocal on social networks, ignited a firestorm of media coverage of Burning Man around the world. Just as the movie was coming out.”

___________________________

Ich Habe Ein Blitzkrieg!

I’m going to list the press coverage again because it was astounding to me when I started to put it together:

Wall Street Journal,

Bloomberg,

New York Times,

LA Times,

CNN,

Reuters,

Washington Post,

rolling_stone_titleRolling Stone,

GQ,

Vogue,

Time,

Town and Country,

San Francisco magazine,

New York magazine,

Cosmo,

Salon,

Gawker,

burning-man-cars-wingsHuffington Post,

Forbes,

Inc,

Fast Company,

Business Insider

Popular Mechanics

Delta Airlines in-flight magazine

Financial Times

Times of London

Guardian

Daily Mail

Russia Today

Australian TV

What a brilliant move. The ticket lottery didn’t make logical sense at the time, and many Burners wondered why BMOrg were ignoring our pleas for reason…but now it makes perfect sense. They get to carve up the database anyway they want. And we take their word for it that there were 150,000 applications for tickets. But if that were true, then surely the event would have sold out? Surely all this media attention would have increased demand over the year, not decreased it? And what about 2013? Where were the 150,000 applicants this year?

hipster-hotties-0This certainly explains all the censi, questionnaire after questionnaire. And the statistically bizarre move of adjusting the long-form surveys from Center Camp over 10 years with the random sample at the gate from 1 year . They wanted to profile us as well. And they made sure that anyone with a smartphone – so, everyone – signed the photo rights over to them.

The Powerpointing of Burning Man

All this demographic data will be very useful in the Powerpoint presentation to Wall Street and Sand Hill Road. Especially if it says “yipsters”; less so “unemployed hippies, weed growers, artists, tradespeople, people from out of State or overseas”.

So, they applied the algorithm, whatever that was the result was yipsters up, old timers out, controversy created, ticket prices jacked to extremes on after market, global media blitz going on. Film producers happy, they have a story line they can work with, without getting into the complexities of the financial chicanery transactions between all the various entities, sub-entities, actors and advisors. It’s scandalous, but it’s not really a real scandal. It’s one of those “nice to have” problems, oh, people can’t get tickets, hundreds of thousands want to go and are missing out. Oh dear. Film film.

Fusion art car, 2012

Fusion art car, 2012

“How else can we get Wall Street’s attention?

How about we burn it!

Yeah! Great idea! How about we link it to the #Occupy Movement, and burn it!”

Which happened. With an Honorarium grant, free promotion for his project on the Burning Man official site (something most artists would love to get), an apparent leave pass for the artist to do as much press as he wanted talking about Burning Man, and a lot of funding, including a rumored 6 figure check from a JP Morgan executive. If JP Morgan gets the IPO, that would give a lot of credence to that particular playa rumor.

And it worked. #Occupy was pre-occupied by Burning Man. They’ve been pretty quiet in San Francisco and Oakland ever since. Wall Street paid attention. Bloomberg covered Burning Man then, and they covered Burning Man again last week at Le Web in London.

Bloomberg called it Silicon Valley’s hottest startup. That is a pretty big call. Especially for a company that is 16 years old and a partcipant-created event that we’ve been making for 25 years.

Other Bloomberg Burning Man coverage:

Burning Man at 2:01…

The discussion twixt Larry and Marian revealed in Scribe’s story, about the difference between ownership and control, the idea that although they would be relinquishing ownership to the masses, they would be retaining control more tightly than ever – had a whiff of the Popes lining their silk robes with lucre – as in Lucretia – in the Borgias, or the “Illusion of Control” as allowed to Joffrey by the Lannisters in Game of Thrones.

If Burning Man are going public or selling out to a bigger fish, then I applaud them; but the ends don’t justify the means. Dicking around your community for the sake of a movie you’re making money from, just so you can get some publicity, sucks. Making us suffer through that so you can get better numbers for your powerpoint slide, really sucks. And the end goal of all of that being, to maximize profits no matter what the impact on the Burner community…well, that would be one of the worst things they’ve pulled on us yet, way worse than just the lottery in itself.

Burners should get to participate too in the windfall to come. Let people in the ecosystem license the brand – make money with them. Help the Burners, Burning Man’s long-term survival depends on their prosperity. Anyone can sell tickets to spectators, but we’re not spectators. We’re the biggest fans, the people who love this party and come to the middle of nowhere to make it and take it away, every year. Let us buy a share when we buy a ticket. Start issuing some stock options to the people who’ve put in the years and the tears – don’t think of it as you making less, think of it as seeding a community to flourish over the long term, so you can continue to make money into the future. A rising tide lifts all boats, Burners don’t begrudge the founders getting the biggest boats, but we’re the tide. We want boats too!

thunderdomeI doubt that’s gonna happen. Instead, I predict annual ticket price increases, and expect all the Intellectual Property policies to be much more strictly enforced. The brand will be licensed more widely, as “decommodification” gives way to “only we make the money”. There will be lawsuits, and Burners would be blamed for any dips in the stock price.

If it gets bought by some tech guru, then perhaps Burning Man could be an experiment in the kind of “benevolent dictatorship” that is supposedly the best model for humanity to live in harmony and prosper under. Singapore, who are usually held up as a shining example of this model, was recently measured as the world’s unhappiest country. The new King would need to support and believe in the freedom the desert invites, rather than the NSA spying that Google and Facebook support. You don’t want to turn people who know how to burn stuff into rebels! Have you been to Burning Man? These people look like Mad Max and have flamethrowers and lasers.


Filed under: Dark Path - Complaints Department Tagged: 2011, 2012, 2013, bmorg, city, commerce, complaints, event, future, news, Party, press, scandal, stories

Let’s You and Him Fight

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by Whatsblem the Pro

"Let's You and Him Fight"

Image copyright MCMXXXIV by Paramount Productions, Inc., obviously

Caveat Magister has been a fixture over at the Org’s official web site for years. His thoughtful, thought-provoking articles written for the Burning Blog are often justifiably praised for great eloquence, depth, and sincerity. I have long suspected that in spite of our obvious differences, the Magister and I might be capable of a good, productive meeting of the minds; we are, after all, opposite numbers of a sort, and might be expected to simply butt heads and lock horns by those who think our stances are just poses. When I heard that he was stepping down from some of his duties serving the Org, I took the opportunity to make that meeting happen. As it turns out, there’s quite a lot that we agree on.

WHATSBLEM THE PRO: Madge, does this mean you won’t be writing the Burning Blog anymore?

CAVEAT MAGISTER: I’m not actually leaving the Burning Blog. What I left was a leadership role (volunteer coordinator) with the media team. I held that for about exactly six years, and it was almost entirely behind-the-scenes work. But I’ll still be writing for the blog – and in fact they’re keen for me to do more writing. Which, sure, as long as I have the time.

WHATSBLEM THE PRO: How did you first stumble upon Burning Man, and how did it change your life?

CAVEAT MAGISTER: The first part of that question’s easy. I didn’t stumble upon Burning Man: my artist friend Sondra Carr stumbled upon Burning Man and then spent the next three years saying “you HAVE to see this!” Eventually she got a grant for a project, and I helped her with some of the pre-playa work on it. Going to Burning Man wasn’t part of the plan for me at that point, but then a couple members of her crew dropped out, and she had comp tickets, and she offered me one along with a spot at her camp, and the timing worked out because I was going to be on the West Coast anyway. So I got into a car share with two complete strangers from Craigslist, drove out from San Francisco, and arrived at BRC in the middle of the night with no clue where I was supposed to pitch my tent. As one does. You can pretty much fill the rest in like a Mad Lib.

The second part’s hard.

There’s no question that Burning Man has changed my life, but I’m not sure how to untangle it from a bunch of other changes. I moved to SF, I got a new job, and then another one, I met new people, I got involved in this and that . . . and I went to Burning Man. And a while later I volunteered for Burning Man. I don’t really know how to say “These changes are Burning Man” and “these changes aren’t.”

I know a lot of people who have come to Burning Man and – boom – that was it. Their minds opened, the doors of perception blew off their hinges, and their lives were transformed. I’ve seen it happen over and over. But it didn’t happen to me. I had a lot of very cool, very hilarious, very amazing things happen to me at my first burn – and every burn since then – but I’ve never had that moment.

The closest I think I’ve come was leaving 2011′s Burn: I left a little early because I heard on the radio that there was no wait for exodus, and I wanted a piece of that. So I threw everything in my rental car, drove out through the gate and onto the highway. . . and suddenly remembered the rest of my life. For the whole week I had completely forgotten all the non-Burning Man details of who I was and what I did and where I lived. So I had left Burning Man not even really conscious of the fact that I was going back to San Francisco – I just knew that I was going to leave (because that’s part of the process) and didn’t want to be stuck in traffic. For a whole week I’d left my life at the gate and just lived my desert identity. And then, as I left, it all came back to me. Overwhelming me. “Oh, right, that’s who I am. I have a job and an apartment.” It was a bizarre, breathtaking, moment.

WHATSBLEM THE PRO: How did you get involved with the Org, and with being a featured writer on their blog?

CAVEAT MAGISTER: There’s a story with how I got involved with the Org, and I included it in the middle of a post saying goodbye to Action Girl. Take a look.

It’s all accurate, except that I’ve since learned that Termeh Yeghiazarian was also instrumental in pulling my name from the big pile. I’m very grateful.

A couple of things to emphasize about all this:

I wasn’t an insider in any way at the time. I didn’t know anybody who worked for Burning Man, or was a Burning Man artist (aside from my friend in Colorado who got me to the Burn in the first place). I didn’t even know anybody on the team I was volunteer coordinating for.

While I wouldn’t have applied to volunteer for Burning Man if I hadn’t believed in it in some way, I didn’t volunteer because I believed in Burning Man. I was trying to make friends in a new city, and they seemed like interesting people who did fun things.

In a way that was a colossal failure, because it really did take them a year and a half to get back to me.

So why did I get the job, given that I didn’t know anyone or have any experience with Burning Man beyond attending the event? There are two reasons, one of which I think is great the other of which I think is a problem.

One reason is: that I made Andie and Termeh laugh. When they looked at my volunteer survey, they laughed out loud, and went to tell other people “Check out this awesome survey!” That was the ball game right there. They were determined to find something to have me do, and it just so happened that they needed a VC and that I seemed good with people. And actually I think this is a surprisingly good way of choosing volunteers for Burning Man: if somebody’s application excites you, if it makes you laugh, if it gives you a human reaction rather than a cost/benefit analysis – get that person on the team.

It usually pans out really well.

The other reason is that I was competing against an artificially small pool of potential volunteers: Burning Man really likes to fill positions like this with people who live in the SF Bay Area. Which I now did. I understand why they want to do this. You get a lot out of face-to-face meetings. But I think it’s a mistake: Burning Man “happens” more and more around the world, and key people are increasingly operating at a distance. This is a strength, and more room should be made at the volunteer leadership level to accommodate it.

And that’s how it happened.

Writing for the Burning Blog has nothing to do with the VC position, but I came to do it as a result of that position. I did a lot of writing on the Media Mecca list and periodically we would talk amongst ourselves about Burning Man issues, and at one point about three years ago (ish?) we got into an intense discussion about plug-n-play camps. I wrote a long response as part of that discussion, and Will Chase (who is on the Media Mecca list) said something to the effect of “Hey, that’s really good! Would you mind if I post it to the Burning Blog?”

And I said “No problem, let me just clean it up a little.”

I sent him a cleaned up version. . . and nothing happened (it’s kind of a trend in my experience with Burning Man asking me to do stuff). The piece was never run. But it did get Action Girl thinking “Hey, Caveat could make a really good contributor to the Burning Blog!” And so a couple months later she asked if that was something I wanted to do.

I said “Maybe.”

She and I sat down to talk about it over coffee, and I said “Listen, it’s a great offer, I really appreciate it. But I need to make sure you understand: I’ve seen what’s usually on the Burning Blog, and I’m not going to do that. That’s not how I’ll have my fun. And while you know me, and know I’m easy to work with, this isn’t going to be worth it if I’m not saying something interesting. So I’m going to try to push boundaries on this, and take my own approach, and not care at all about fitting in with what the blog is otherwise like. I want to make sure you’re comfortable with that, because if you’re not and you give me the keys to the kingdom anyway it’ll be a disaster. So if that’s not what you want then it’s better we don’t do this. But if it is, great.”

And she said. “That’s what we want. Go for it.”

“You’re sure?”

“Yep.”

A couple weeks later, I wrote my first post. It’s been going for about two years.

WHATSBLEM THE PRO: In what specific ways would you say you’ve pushed those boundaries?

CAVEAT MAGISTER: I once got a hostile e-mail from a guy I don’t know who’s part of the build crew, who wanted to know why I spend so much time being ‘negative’ about Burning Man when the point of the blog should be to get people fired up and excited. I didn’t think it was a fair critique – I think it’s pretty obvious how much I love Burning Man – but it was an honest critique. He wanted a blog that existed to rally the troops, and felt hurt by the fact that I was always going off track.

I have nothing against getting people excited. Somebody should get people excited! But it’s not what I do. There was nothing interesting to me about saying “Yay Burning Man!” and leaving it at that. I’m not that guy. Andie knew that.

Instead, I’m the guy on the blog who asks “Is Burning Man a White People Thing?” I’m the guy who asked “Does wearing a utilikilt and fuzzy boots make you more ‘authentic?’” I’m the guy who suggested that academia and Burning Man have fundamental incompatibilities, and who said “It’s Okay to be Miserable at Burning Man.”

I don’t deserve credit for originality – I imagine every Burner who’s been to the event a few years had had all of these thoughts. But there wasn’t content like that on the Burning Blog when I came on board. It didn’t seem to be something we talked about, especially when other people were watching.

When I looked at the Burning Blog, I saw a lot of great articles every year about the city being put up (John Curley, if I may say so, is Amazing); and about what art projects were going to be featured; and announcements of Burning Man policies; and, of course, lots of tales from the playa.

And it all has a place, and would be missed if it weren’t on the Burning Blog. People want to read it.

But, to me, it wasn’t challenging. It was an attempt to appreciate Burning Man (“Yay!”), but not to grab on to it with both fists, or flirt with it, or interrogate it, and see what happened. Or even understand it on a deeper level. Much in the same way that a blog on the. . . I dunno. . . Nestle website would feature a lot of great information about Nestle and about calorie content and good recipes, but could never be mistaken for a community of people passionate about chocolate having an engaged conversation, I felt like the Burning Blog had all kinds of great information about Burning Man but couldn’t be mistaken for a community of people passionate about Burning Man having an engaged conversation.

The blog for Burning Man wasn’t “Burning Man.” I’d say it still isn’t, that’s a really tall order, but what I wanted to do was move it closer.

That meant not playing it safe.

There are kinds of bold statements, hard questions, and penetrating insights you can only have if you’re willing to take risks. I was given one of the biggest microphones in Burning Man culture, and I wanted to use it to say something interesting, which meant taking risks. Maybe part of the reason we have such a hard time talking about Burning Man is that we don’t take these risks when we talk about it. Out in the desert, we’re pretty good at taking risks. In our “literature”? Not so much. We don’t risk offending, we don’t call each other out on our shit, we don’t propose the kind of ideas that, in being proven wrong, would still advance thought. We just sit around radically including each other. Which is wonderful, as far as it goes – but I want to go farther.

We also laugh at each other behind our backs a lot. I want to laugh at our fronts a lot. I’ve seen what we’re wearing.

So what I was telling AG was: I’m actually going to go for it. And that’s what I’ve tried to do: to put ideas forward that are worth arguing about, in the service of greater clarity and insight. My first post (“Burning Man isn’t the Happiest Therapists Office on Earth”) expressed the clear statement that “Burning Man isn’t benign” – something I feel is an obvious truth that we don’t talk about very much. It’s so basic to the experience and yet it’s not in any of the promotional materials or even many of the stories that we tell each other. Other subjects have been trying to have conversations about aspects of Burning Man that I feel like we live but don’t talk about.

And, to be clear, it’s hard for people – especially employees – to take these kinds of rhetorical risks in a public forum. Employees kinda can’t: anything they say runs the risk of becoming an official Burning Man statement (even if they’re not a spokesperson: they’re on the blog, right?), and it’s very hard to walk those kinds of things back when someone on staff says it. But me? I’m a volunteer. It’s easy to disavow something a volunteer says: it’s easy to say “everybody’s entitled to an opinion, he doesn’t speak for us” when the person involved isn’t on your payroll.

So I had an opportunity. And I felt like anything other than content that was good enough to be risky was a waste of it.

It’s for others to decide if I’ve succeeded or not. Or even whether it was needed. But that’s what I was going for – and still am. I don’t want to offend Larry or Marion or a guy who gives his sweat to put the fence up, but I want to write something good enough to be worth having an argument about. That means that maybe this week is the week I piss somebody off.

Does that make sense? Does it answer the question?

Man do I sound serious. If it lightens the mood a little, I also like saying “fuck” on the internet a lot. And not even to offend people. Just because.

WHATSBLEM THE PRO:

Yes, that makes quite a bit of sense, and answers several questions.

I think you and I are alike in some important ways. It suits me better to go a little deeper in criticizing the Org, but then I’m not beholden to them for anything, especially not my ‘microphone’ as you called it. I’m sure I take a much dimmer view of them and their history than you do — you ask penetrating questions about the culture and our place/participation in it, and I ask penetrating questions about the Org’s actions and intent — but in essence, we’re doing much the same thing.

Clearly you get some hate mail from time to time. Do you get a lot of hostility and negativity from people for your writing? I know that my articles tend to really polarize people; that’s fine, it’s what I aim for. I get hate mail, and people talking nonsense about me when they don’t really know the facts, but I also get unexpected greeting cards in the mail with checks in them, and bottles of good Scotch presented to me out of the blue, and entrée to events that would cost me a lot of money otherwise. The perks are nice, but it takes a thick hide to suffer the slings and arrows.

CAVEAT MAGISTER: I am, indeed, completely beholden to the Org for the platform I have – and at a very low level I’ve been working with the Org for six years. I think you’re spot on in thinking that I do have a higher opinion of it than you do, but also that the kind of approach we take in our different spheres is quite close.

That said, people really assume I’m an Org insider in a way that just isn’t true. Although in some ways it might be getting more true. People used to come up to me all the time and ask what the Org was thinking about such-and-such or what they were going to do about a situation (tickets, for example), and I’d try to tell them: “I don’t go to those meetings. I’m not in those rooms. Nobody tells me anything that you don’t hear.” They wouldn’t believe me.

Then, by accident, I hit on the magic words: “I’ve never even MET Larry Harvey!” And somehow, when people heard that, they suddenly believed I wasn’t such an insider. It’s like a switch got flipped: “Oh, well, if he’s never met Larry . . .”

It was a really useful thing to say. It’s no longer true, though. I have since met Larry, and had several lengthy conversations with him. But what do we talk about? Ideas, concepts, sociology, psychology, mythology, political theory, history. It’s probably no longer entirely true that I don’t have any real insider information, but the broader point still stands: I’m not in those meetings, I’m not in any way a part of Burning Man’s governance, and nobody consults me about anything. Why would they?

(By the same token, I’d never suggest they’re beyond critique – “I love Burning Man therefore I must be loyal to the Org” isn’t a formulation I could ever endorse. But while I’m not going to pretend they’re infallible, you’re absolutely right that I’m not covering a “governance” beat on their blog. That just wouldn’t work on any level).

I mention all that in part because I think the reactions to me and my work that I encounter have everything to do with the perception that I’m with the Org. It casts a kind of halo around me, at least at the macro level, that people definitely react to.

At the macro level, a lot of people who don’t separate “Burning Man” from its organizers just think I’m part of the package, so they get enthusiastic about me by default . . . which is exactly the kind of thing that bugs me. It’s the exact opposite of judging me by my work or the content of my ideas. But at least they like me.

I get a relatively free pass from people who object to the Org to the extent that they understand that I don’t have a vote. People who actually know something about Burning Man and have objections generally know I’m not what they’re mad about. Most of the hostility I encounter at this level comes from people who object to the Org and don’t understand it well enough to know that I’m just a guy on a blog. It doesn’t happen often, but, like I said: it has led to some weird conversations.

But in general, I get a far more “generically positive” reaction than anything else. Nobody’s ever sent me Scotch, though. And why would they? It’s not like I built the blog (although, for the record, big single malt man).

Most of the really negative reactions I’ve gotten have come at the micro level – in response to specific pieces.

The instances that immediately come to mind are my contention that Burning Man doesn’t have a literary culture, the idea that vandalizing art isn’t art, and . . . oddly . . . my account of the war I started at Burning Man between BMIR and the Monticello theme camp. A fair number of people jumped down my throat about that one because there’s no room for war at Burning Man, what with it being a center of positivity and all. Which . . . argh. Actually that’s another one: I periodically put forward the idea that people who think of Burning Man as holding exclusively progressive political values are seriously mistaken. Which they are – but they really don’t like to hear it. They have a lot invested in the idea that only people with their political views could ever get anything out of Burning Man.

But by far the piece that generated the most heat for me personally was the piece about academia and Burning Man. A lot of people took that as an affront, or believed that it exposed me as an enemy of reason, or as someone who has no experience with academia.

In fact, from what I’ve heard (and, again, I’m in no position to verify), that was my most controversial piece within Burning Man too. That several staff members were upset and unhappy with that one, and suggested that maybe something should be done.

The story as I’ve heard it is that Marian, under whose purview the blog ultimately falls, put her foot down and said absolutely not. That they were free to write responses as individuals if they wanted, but that to interfere with what I was writing would break the system. I’m grateful for that, but she’s not wrong: I can write the way I do exactly because they leave me alone to do it.

Which, for the record, they do – and have been great about. I don’t get edited. I have complete access to write, post, and publish my own stuff. Nobody reviews it in advance. Nobody’s ever asked me to change a line.

They have, in the . . . hundreds? . . . of pieces I’ve written for them, asked me to remove exactly one. That was my response to the champagne incident (I won’t mention the brand), and was admittedly over the top. I suggested that if a brand like that wanted to come to Burning Man, we could “burn their brand,” and then included a history of the champagne, with photo shopped pictures of it being served at a concentration camp and a Russian gulag and a North Korean missile test, and a line about how it was the choice of pedophiles everywhere. It sounds funnier now than, in hind sight, it actually was. I got an email pretty quickly saying that Burning Man was in the middle of negotiations with the champagne company about how to handle the situation, and that this really wasn’t helpful, and would I mind taking it down? I did, and in hindsight am genuinely okay with the decision – mostly because I re-read the piece a month later and wasn’t happy with it. I was just too angry to be the kind of funny I was aiming for.

All of which is to say that I’ve found the experience to be well worth it, and overwhelmingly positive – but yeah, it sets me up as a target and people take shots and I have to live with that. Some of them strike me as really unfair, but hey, it’s the internet, you know? If I can’t take people saying mean things about me, I can always write a diary.

Incidentally, I really appreciated your insistence on sneaking into the Agents of Chaos show even though you had a ticket. Damn right.

WHATSBLEM THE PRO: What are your thoughts on Burning Man’s future?

CAVEAT MAGISTER: It’s so obvious, answering your questions, that I’m a blogger. I can’t shut up.

I don’t have a short, pithy answer about the future of Burning Man. I don’t have a clear prediction, or an Old Testament style warning. But here are some scattered thoughts that have come up frequently.

It’s striking to me how little sense of unity there is not just surrounding what the future of Burning Man will be, but what the future of Burning Man should be. Around the time of the Burning Man Project launch I published a blog asking: what would “success” for Burning Man be in this context? When we say we want to change the world, what would that look like? It was stunning to me how many people responded (both in the comments and directly to me) that the best thing for Burning Man was not to try to change the world at all, and just to keep putting on a great event, so hopefully they’ll just do that.

Which is a fine idea, a perfectly defensible thought; but the art car’s out of the DMV on this one. A Burning Man non-profit has already been created explicitly to changing the world. It’s a thing: a fact on the ground. And I’m not sure if these people just didn’t want to acknowledge it, or actually didn’t know about it (which seems hard for me to believe if they were readers of the Burning Blog), but I would say a significant number of the responses I got wanted to talk about a hypothetical “Burning Man” that in no way took actual events or realities into account. Which. . . I’m not sure what to make of that.

But we’re not a united people, and past a certain point (the 5,000 person mark? The 10,000 person mark?) haven’t been in a while. I don’t mean the obvious disagreements between the “it was better in the 90s” Burners and the Org, or the Paul Addis supporters and the Org: though obviously. I mean there’s a lack of unity involving people who are only vaguely aware of all that stuff, and don’t care all that much.

And that’s okay. I’m not bothered by that. In fact, I think that’s a virtue in many ways. The people who don’t care so much about our back story are our future. Burning Man’s ability to appeal to a wide variety of people with diverse perspectives and interests is a strength. The question is not “are we letting too many of ‘those kinds of people’ in,” but “can we be more diverse?”

The answer is “not yet,” but we’re showing a remarkable capacity to extend ourselves and appeal to people with whom the SF-based “core” members of Burning Man have little in common. And good for us: Burning Man wins if we’re having more fun than anybody else, are good for people, and anybody can join. Burning Man loses to the extent any of these things aren’t true.

I know a lot of people want Burning Man to become a political movement. I think that’s a terrible idea – probably one of the single most self-destructive ideas we could engage in. A political movement immediately closes the doors of inclusivity by asking “are you voting with us or against us?” Burning Man, as an engine of possibility, can’t have that kind of litmus test. One of our biggest strengths is that we don’t have to share politics. Our vitality as a cultural movement is tied to our willingness to transcend politics.

Which doesn’t mean we can’t tackle big problems – but it does mean we have to focus on tackling them rather than trying to convince our elected officials to do so. Self-reliance counts here.

A lot of people want Burning Man to become a spiritual movement, too. I find Burning Man’s emergence as a major spiritual movement to be. . . in this order. . . overblown, bizarre, and fascinating. But there’s no question it’s a major part of our future.

A TV documentary was recently mentioned at a Media team meeting that’s planning to film at Burning Man along with other major spiritual pilgrimage sites like. . . Mecca.

Which. . . COME ON! Seriously? No, absolutely not. Just on the sheer numbers alone: one is a 1400-year-old pilgrimage site that a billion people visit as part of one of the world’s dominant faiths – a faith that preserved the works of Aristotle for posterity, made major advances in Mathematics, and has had a massive impact on global architecture, literature, and science.

The other is a 26-year-old party that attracts 50,000 odd people, many of whom are DJs.

Give Burning Man a good 1000 years and then, yeah, we can have this conversation. But right now it’s crazy to even be talking about them in the same breath. And I say that as someone who loves Burning Man – who has had what I would argue are meaningful spiritual experiences at Burning Man. But this is nuts.

Yet I can’t deny that this is really happening. We’ve all seen anecdotally that many people are coming to Burning Man who see it as a spiritual center, and I can tell you that a ton of people volunteer whose primary connection to Burning Man is (so they think) a spiritual one. Is this Burning Man’s future? To go from the home of the drive-by shooting range to the home of morning yoga and New Age Dharma Talks? How does that happen?

I honestly don’t know.

I’ve gone on record as saying that I don’t believe Burning Man can ever replace religion (nor should it) and I stand by that. But there is a way in which Burning Man is a receptacle of a deep hunger for meaning in Western industrial life. Again, that’s not a bad thing – and in fact is part of Burning Man’s success. But I admit the eagerness with which Burning Man is seen in some quarters as comparable to any major world religion gives me serious pause: the eagerness with which Western seekers (and Western media) takes up this storyline strikes me as having much more to do with cultural narcissism than with Burning Man’s actual spiritual qualities. But by the same token Burning Man doesn’t have to be Mecca, or the Vatican, or Bodh Gaya, to change lives. People’s experiences here are legitimate, and they come back because they’re genuinely moved. I think right now Burning Man is simultaneously the hip new spiritual supermarket (to borrow a phrase from Chogyum Trungpa) and something more substantive. I think there’s a lot at stake in which way this goes – but I honestly have no idea what the right move is.

I don’t have anything to add to the mountain of web pages that have been published about how the future of Burning Man is the Regionals, except to say “right on.” What I don’t think is fully appreciated is the degree to which this means an influx of diverse peoples and ideas that are desperately needed if Burning Man is to become the global movement it. . . kind of. . . aspires to be, and how much these people will bring their own traditions, cultures, arts, and ideas for fun with them. Burning Man’s future is to change. If you want, we could make up a cool metaphor about how fire is constantly changing yet always the same. That seems like the sort of thing that would go over big.

In many ways I guess I would say that Burning Man’s disunity is its strength. Burning Man’s future is tied to its ability to reach beyond its base, beyond San Francisco and California and New York. To the extent the regionals grow, and achieve unique identities – are not pale imitations of Burning Man – Burning Man thrives. To the extent they don’t, to the extent Burning Man becomes a place where these kinds of people go and do these kinds of things because they believe this sort of stuff, it’s in trouble.

I’ll say it again: Burning Man wins if we’re having more fun than anybody else, it’s good for people who are involved, and anybody can join. Burning Man loses to the extent any of these things are’t true.

WHATSBLEM THE PRO: You make some very good points there, but I think it’s vital to distinguish between Burning-Man-the-event, and Burning-Man-the-corporation, in order to have a meaningful discussion of what Burning Man’s future is. It’s also important for people to know and understand where we came from, and how we got here.

As for Burning-Man-the-event, what we’ve got now is terrific as far as an arts festival or a party goes. That’s valuable to me, and the community that has grown up around it is chock full of interesting trailblazers with big brains. . . but as you’ve highlighted, it’s also full of willfully ignorant people with shuttered minds and a massively overblown sense of the sacred. I think the last thing the world needs is a new religion; it’s long past time that we listened up to Mr. Nietzsche and put our toddler toys away. At this late date, God isn’t just dead, He’s fossilized, like an ichthyosaur skeleton. It seems a terrible shame to me that Burning Man — even if it really is a new religion — isn’t something much better and much more important than it ist; I think it was better and more important for a short time, long ago, but has long since succumbed to the same type of predators that have been running the music industry for decades.

Some people believe that the Org has deliberately courted a certain type of person who is susceptible to magical thinking, because people who are that easily awed and so ready to drink any reasonably tasty kool-aid they’re offered are much easier to herd than a rabble of anarchists and Cacophonists. . . and let me just be very clear and say that I personally am convinced that the people who sit on the Board are mainly concerned with making money and not much else, despite the titanic volumes of hot air they put out to the contrary.

I keep hearing the words of George Santayana in my head; that quote that everyone is familiar with but almost nobody actually pays heed to: “Those who cannot remember the past are condemned to repeat it.” We can walk out into the desert, draw a line in the sand, hop over it and say we’re in another world now, but if we don’t keep in mind all the things we’re trying to leave behind, if we aren’t mindful of the myriad assumptions and blinders that we’re prone to making and wearing, if we don’t give a thought to the way that corporate cultures have evolved precisely to co-opt and exploit our most creative urges, then crossing that line in the sand is just loudly inviting opportunists to exploit us for their own gain. We started with Hakim Bey as our guiding light, but have rapidly sunk back into the outer darkness we thought we were escaping. Instead of Hakim Bey, we’ve got the product of an unspeakable ménage-à-deux between Heaven’s Gate and the Koch Brothers. We’ve been persuaded and convinced by bloodsuckers that we have far too much blood in us and that their presence is absolutely vital to whatever it is we’re trying to accomplish as a culture. It’s still a great party, and the art is wonderful, but the freedom and otherliness that it once had has become entirely illusory. The persistence of that illusion is no doubt a comfort to many, but it’s also the biggest threat we face as a culture.

I think you and I agree that when we talk about changing the world, we have to bear in mind that we don’t have our own house in order. All the talk we hear about the Burning Man Project ignores that, because when you’re at the top of the pile and your real interests are corporate in nature (i.e., making money), the actual viability of the culture you’re promoting doesn’t signify nearly as much as your bottom line does. It’s like all the blather you hear about the American military “protecting our freedom” and “spreading democracy” when (A) what they’re really engaged in is conquest for profit; (B) our freedom was never in jeopardy, except from the people who tell us that imperialist military adventurism is protecting it; (C) they’ve already succeeded in taking most of our freedom away anyway, and in destroying the democracy they’re supposedly spreading. All they’re really spreading is manure. For such people to talk about “changing the world” is a nasty joke; they will promise you freedom and give you chains; they will promise you abundance, and take everything from you. A fat, malodorous turd in every pot, that’s what you typically get from people who tell you they’re out to change the world. . . and both the turd and the pot will sport corporate logos, and come with abusive end-user license agreements.

CAVEAT MAGISTER: I once had a friend named Bill, a great guy. The story goes (I wasn’t around) that in 1970 he followed a girl to the Ozark Mountains and joined a back to the land commune. Must have been some girl.

I met him almost 30 years later. The commune hadn’t lasted, but he’d married the girl and they’d stuck around and when everyone else had moved away they’d kind of inherited all the land. To my knowledge it’s where they still live today.

I visited his homestead. . . gorgeous, I can’t tell you how amazing the Ozards are. . . and I asked him, brashly, impertinently: “Do you think the back to the land movement actually accomplished anything? I mean, can you point to one thing that’s different today because of that movement?”

“Sure!” he said. “They sell granola at Wal-Mart.”

I didn’t get it. “So?”

“So they sell granola at Wal-Mart!” he said. “Back when I started, you have to understand that everything we did was supposed to be crazy. Dangerous. UnAmerican. We were out on the fringe. And back then we were the only people talking about food that was closer to nature. Now, they sell granola at Wal-Mart! And organic food! And pesticide free produce! Can you think of a bigger appropriation? It turns out that a lot of our good ideas had their biggest impact, way more of an impact than we ever imagined possible, after they got accepted by the mainstream. So sure, we didn’t last. But our biggest success turned out to be getting appropriated.”

I’m reminded of that when I hear arguments about the dilution of Burning Man’s culture. It’s not a simple issue. Appropriation can actually go both ways. Because however much we have moved away from the guiding light of Hakim Bey, the only reason I ever heard of Hakim Bey is that Burning Man moved so far.

How far is too far? I don’t know. But I do know that it would be ungrateful of me to say that Burning Man should move just far enough so that I could hear about it, show up, and get inside, but no further. That doesn’t seem right at all.

Nor do I think it should move just far enough to appeal to people “like” me. That’s a recipe for quick obsolescence. No, the people we most want to reach. . . that any movement most wants to reach. . . are the ordinary citizens, for all their flaws and imperfections and idiocies. And guess what? They’re inspired by Burning Man.

That’s a good thing. Even if they’re just coming for the party. Even though they haven’t had to take a multiple choice test about Burning Man’s history and influences. One way to look at this process is that Burning Man is getting “watered down.” It’s not untrue. But if we’re truly open to everyone, if we’re truly inclusive, we have to understand that the institution and culture will themselves change to reflect the people we’re reaching. We are absolutely free, even called upon, to argue in favor of changes we like and against changes we don’t – and we are invited to live those principle and show by example how sound our reasons are. But the fact that someone was at Burning Man 15 years ago doesn’t protect them from being offended or upset or challenged this year. Burning Man will change, because the only organizations that don’t are the ones that are about to die. Or to kill.

When I think of the lessons of history for Burning Man, the lesson that comes to me is that connecting with the larger culture is a virtue. The fact that the larger culture is so absurdly commercial is unfortunate, but it’s a fact: any movement that can’t swim through those waters is going to drown. Without rising to the defense of the Board (I have no idea what their motives are), I will say that the executives of every arts organization I’ve ever encountered were all focused on money. The San Francisco opera won’t leave me alone; the neighborhood arts groups wants me to “buy” a tile that my name will go on; public radio stations that I already pay for with my tax dollars hold pledge drives twice a year; the small theater company I frequent sells me a ticket, then asks me to Facebook and Tweet my friends, and then hits me up for a donation. My film producer friend is on Indiegogo right now, seeking fiscal support for his vision.

Is this because arts and art groups (along with social welfare groups) attract money loving bloodsuckers? Or does it say something about what it takes to do art and social welfare on anything more than a private scale in the world?

Frankly Burning Man is the least aggressive fundraiser for an organization of its kind I’ve ever encountered. Maybe that will change with the non-profit; maybe I’m just being fooled by people who are better at this than me. You could be entirely right. (I have friends who say you are.) But the dirty secret of the arts world is art and money are conjoined twins. We don’t like to talk about it because a group of 19th century romantics decided there was something dirty about making a living: that the bourgeois sensibility is locked in eternal war with art. But like most dichotomies, it’s as false as it is simple. Most of those particular romantics had family money. They were not the descendants of Dr. Johnson, who labored in penury for nine years to produce his magnum opus: they were the children of merchants and aristocrats who were rebelling against their parents. They were able to condemn people for making a living precisely because they didn’t have to. Our whole attitude to art and money was largely set by people who held us in contempt.

Dr. Johnson, incidentally, later said that “Nobody but a blockhead ever wrote except for the money.” So obviously he didn’t feel that nine years of impoverished toil were their own reward, or even particularly good for the soul.

To the extent that you want to argue that Burning Man isn’t really a radical zone of anti-commerce, I’ll agree with you in the abstract: but on the level most of us live our lives, to go out and spend a week surrounded by people and not pay for anything is actually a hugely anti-commercial act. Most of us never get anywhere near that in the rest of our lives. And I’ll grant you that this says more about the sad state of our culture than it does about Burning Man per see, but, it’s not nothing. For most of us, it’s huge. For the people we most want to reach, it’s enormous: it opens the door to the idea that we can live differently far more than any number of lectures would.

But the point is that people have to make the decision to move away from commerce in their lives – to hold that there are things beyond financial value – for themselves. They can’t be pushed or talked into it. What works best is for them to experience what that’s like, and take it up from there when and if they’re ready. And to create that experience, Burning Man has to be concerned with financial realities. It has to be fiscally functional. I don’t hold that against them. Precisely because I try to learn from history.

The people who could do what you and I seem to want – run an art and service organization with little thought for money – have historically been monastics. Monasteries. . . Dominican, Franciscan, Cistercian, Zen, Tibetan. . . have lasted for hundreds of years and combined artistic expression (chant and paintings and calligraphy, and more) with public service and vows of poverty. And they’re awesome. I have the utmost respect for monasteries and monastics as transmitters of art and culture.

But obviously they were (and are) attached to strong religious orders – exactly the thing that neither of us wants Burning Man to become. So we’re at a quandary, wanting to get behavior that comes with monasticism without any of the ethos that inspires it. I don’t know how to do that. I don’t know if Burners want to be that. It’s all very much a work in progress.

In some ways this seems to me to be the struggle of the post-modern society: how do we get responsible communal behavior out of people who are fully emancipated?

Burning Man hasn’t answered that question, but I think it’s one of the many areas it helps illuminate – and better than most I’ve seen.

WHATSBLEM THE PRO: Granola at Wal-Mart — if you’re into granola — is certainly some kind of progress, but it sure isn’t a revolution. I mean, the granola’s there, but Wal-Mart is still there too, and so is the military-industrial complex that Smedley Butler and Eisenhower warned us about. Changing the world by outliving the older people whose taste in consumer goods don’t match yours seems like pretty weak sauce; is that really an accomplishment? ‘Twas ever thus, for every new generation in the consumerist world!

Let’s note, too, that we’re talking about a kind of change that is only possible in a society glutted with abundance and well-laden with the stolen and bloody fruits of empire; there must be a thousand grim little principalities in which you eat whatever the hell is available, and it’s probably the same stuff your great-great-great-great-grandparents ate, and there’s probably not enough of it.

But I’m not being fair to you. You specifically asked your friend Bill what the back-to-the-land movement accomplished, not what all the political unrest of the ’60s got done. In that much smaller context, granola at Wal-Mart seems like a pretty decent little victory, for Americans and other Wal-Mart shoppers. . . but it’s irrelevant — or worse — to the Third World (is there quinoa in your granola?). As an example of sweeping positive change, it’s a bar that is set miles too low.

Maybe I’m still not being entirely fair. Your point was that the back-to-the-land movement’s greatest achievement came as a direct product of the movement being co-opted, not that it was an achievement that represented any real change for the better.

I think as contemporary First World people we find it pretty easy to settle for less than we had in the past, because most of the compromises we’re forced to make still work out to be insanely good deals for us. We’d all still vastly prefer to be the brokest, most homeless and nameless person in America than the anointed Pope-King of some famine-stricken tribe of desperately malnourished refugees being hunted down and slaughtered by child soldiers, so we tend to accept the subversion of our ideals for profit relatively cheerfully. . . like, it’s not that hard to tighten your belt a little when your ribs and your spine are total strangers to each other.

We see examples of that all time; Obamacare blithely accepted as a reasonable substitute for the single-payer option, for instance. It’s a shameful national failure that values profits over people, but it still beats having no hospitals or healthcare options at all and being chronically undernourished, like one person in eight on this planet. The price of gasoline is another; it may seem outrageously high when you consider the price of a barrel of oil in the UAE, but most of us can still afford to drive when we really need to, and gas is still cheap here compared to the prices you see in some parts of the world.

Note that Turks and Brazilians, who live on thinner margins than we do, take to the streets instead of doing the Yanqui thing, which is muttering and bitching and tossing down another tall cold one and lighting up the night with the glow of our TV sets instead of going out and tossing a brick through a bank window, or setting fire to a police car.

That’s what I see with Burning Man: an anarchic utopia a la Hakim Bey that has already been destroyed by people seeking to profit from it, but whose ruins and crumbs are still so much better than the world outside of it that not many people see fit to call foul. I’d probably feel the same if well-populated autonomous zones were a more available, um, commodity. . . but they’re not, they’re rare and precious, so the theft and destruction of one seems like a major crime to me even if we do get ice cream and cake as a consolation prize.

I could walk out alone into the desert and get all kinds of freaky all by myself, but that’s not any kind of movement and it wouldn’t be nearly as fun or as meaningful or as significant as doing it with fifty or sixty thousand of my closest friends. . . and therein lies the heart of my reasons for being as hostile to the Org as I typically am: Burning Man the Temporary Autonomous Zone cannot be retrieved; it is lost. . . but if burner consciousness can be raised to the point that most of us begin to clearly recognize the difference between what Burning Man is and what it was before it was co-opted, then we can increase the autonomy in all our lives, every day, and we can make that freaky walk into the desert together in total freedom, without being moth-hypnotized by the compromised light of Larry Harvey’s corporate-sponsored effigy. We can’t save Burning Man, but we can save burner culture!

You cite other non-profit organizations as being focused on money, but the Burning Man Org is not non-profit, not yet, and maybe not ever. They certainly have been dragging their feet about making that promised transition. Even if they do, it will be an illusion as a transition, because it won’t mean they won’t be turning a profit; mostly it’ll mean that they’ll get huge tax breaks and more access to donations, and will get to enhance their prestige by invoking the powerfully deceptive mumbo-jumbo of “non-profit organization.” They’ll still be able to pay themselves obscenely large salaries, and it’s the salaries of Board members that make the difference between an organization that is focused on money for the sake of fulfilling its mission statement, and an organization that is focused on money as an end unto itself. When the Board of the San Francisco Opera start paying themselves millions and spending only a fraction of their organization’s donated income on producing opera, get back to me about how they’re just like the Burning Man Org.

Just for the record, I’m not one of those people who thinks money is evil, and I see nothing wrong with making a living, even in the non-profit arts sector. What I see something wrong with is co-opting what other people do, trumpeting it as your own work, and making a living off that, especially when doing so destroys what was best about the thing you’re co-opting. The Org constantly, consistently takes credit for Burning Man as though Larry and a handful of his friends built it all with their own hands, when the reality is that 99% of it has been built by non-Org people just trying to reach that now-fictional Autonomous Zone they were promised, and paying for the privilege!

Even the Ten Principles, to a large degree, were transplanted whole from Cacophony Society ethics. . . but for every burner who knows that, there must be fifty or a hundred who have never even heard of Cacophony, and think the Ten Principles are sacred laws that sprang directly from the godlike brow of our Dear Leader. By failing to separate “Burning Man” from “the Org” in some of your comments, you’ve managed to strongly underscore the false reality the Org has created, in which they get credit for everything.

At this point I should probably play my own Devil’s Advocate and say that I can’t fault the people on the Board for what they’ve done as much as I’d like to. Given access to tens of millions of dollars, most people would immediately be corrupted, and would immediately start spinning justifications for their corrupt behavior. To point the finger at the members of the Board and cry out “J’ACCUSE!” is to hold them to a higher standard than is truly reasonable; it’s denouncing them for being ordinary people and not heroes. However, their non-heroic behavior has destroyed something fragile, unique, and terribly valuable, so although what they’ve done is just nothing, zero, zilch, zip, nada when compared with, say, what the Nazis did, the excuses and the support base that make it all possible are the same; the scariest thing about the Nazis is that they were human beings, not monsters, and the same is true of the Org. . . so while of course it’s absurd and over-the-top to compare the Org with the Nazis, there’s still this truth to be gleaned from the comparison: what we must fight against if we want to build our bold new utopia is what Hannah Arendt called “the banality of evil.” The enemies of utopia aren’t heartless, fanged horrors sprung from the depths of Hell; the enemies of utopia are mediocre minds and weak wills that take the path of least resistance or succumb to the temptations of personal gain at the expense of the community. . . because that’s all it takes to bring Heaven crashing down around our ears, and keep it down. We can’t expect the people running things to be heroes, but heroes are what we absolutely need.

CAVEAT MAGISTER: At this point we’re not really talking about Burning Man, we’re talking about politics. And I have not yet begun to get wordy!

You want a revolution, and while I agree that a revolution is absolutely justified (they usually are), I am deeply suspicious of revolutions, no matter how justified.

I’m positively Burkean in my observation that the customs and protections of a civil society are incredibly fragile and easily broken, and nearly impossible to rebuild once damaged. Barbarism is never far from the door, always closer than we think, and so the attempt to build a better tomorrow by tearing down the culture of yesterday is far, far, more likely to destroy progress already made than it is to advance us closer to a humane future.

The French Revolution led to the Reign of Terror; the Taiping Rebelling led to 50 million dead; the Russian Revolution lead to Stalin and Gulags and famine; the Maoist revolution in China led first to the horrors of the Great Leap Forward, and then to the horrors of the Cultural Revolution … which still can’t be safely spoken of in China. The Cuban revolution led to 50 years of dictatorship and political prisons under one man. The Iranian revolution led to the absolute control of religious fanatics over every aspect of daily life. And so on, and so on.
All of those revolutions were completely justified. There’s no question. It’s just that none of them achieved their stated aims, and instead they generally turned out as bad or worse than the thing they revolted against.

There are, absolutely, markers you can put in the other column. The American Revolution turned out pretty well. The Indian revolution against the British was a clear overall win. The Velvet Revolution, certainly. But it’s pretty slim pickings compared to the long line of occasions when, far from serving the interests of the oppressed, the revolutions they fought took on the characteristics of the thing they fought against. Revolutions generally eat their parents and their children in the same gulp.

(The American labor and Civil Rights movements, incidentally, don’t belong on either list: they weren’t revolutions because they weren’t trying to tear down the system. They were trying to get equal access to the system, and improve it. Its fringe elements were revolutionary – advocating the overthrowing of American culture – but most of the movement wanted a piece of the pie, not to rebuild the pie. I would say the same thing about the recent struggle for marriage equity: “give us access to a legimate institution in order to secure its legitimacy by making it more just” is far different from “tear down the institution.”)

When you say “The enemies of utopia aren’t heartless, fanged horrors sprung from the depths of Hell; the enemies of utopia are mediocre minds and weak wills that take the path of least resistance or succumb to the temptations of personal gain at the expense of the community,” I agree with you. Wholeheartedly. But those people are most empowered in the midst of a revolution, when the customs, traditions, and authorities that kept their weakness in check are broken on an alter of righteousness that they were never following anyway. The path of least resistance is always set lower in a revolution.

This has nothing to do with Burning Man.

But I think it does bear on the context in which we see Burning Man: to the extent you want it to be the harbinger of a revolution, I don’t. Once again, you called it: we in the first world really do have so much to lose, even if I’m horrified at how readily we’re letting some of it go. (Insert Benjamin Franklin quote here)

I’m thrilled if Burning Man leads to incremental changes in human behavior; I’m ecstatic if it inspires people to make their city block more sustainable; to the extent they recognize the value of non-commoditized space and events, I’m glad. To the extent it creates a personal transformation that turns someone away from the banality of evil and towards a more conscious life, I bow to them and the personal journey they’ve made.

This may seem too little, too late – and I’m sympathetic to that view. We don’t have time for incremental change. But nothing else usually works. “Worse change faster” isn’t a slogan I’ll march to. So I’m not the least bit bothered if Burning Man is an agent of incremental cultural improvements, rather than revolutionary transformations.

But those are some of my political views, which have nothing to do with the question of what Burning Man is or isn’t, and how it actually relates to the world. Indeed, I’m particularly of the opinion that for all the good it may do in the world, Burning Man isn’t fundamentally something instrumental. It is not politics by other means. The very nature of possibility and freedom that it embodies suffers when it’s yoked too tightly to an outside agenda.

As to the Org … it’s absolutely not the culture. Nor is it the leader of the culture, though a lot of people look to them for guidance. (Sometimes for good reasons, sometimes because they just haven’t really thought this through, sometimes because they’re social climbers.) And to the extent anyone mistakes them for the embodiment or leadership of Burner culture, I’ll disagree with them. But as to the question of how the Org acted back in the day… I wasn’t there. I mean, I know people I love and respect who feel as you do, and people I love and respect who don’t … and I wasn’t there. I have no clue what I would have thought, or my expectations would have been, in the heat of the 1990s when the event was expanding exponentially and everything seemed both possible and on the brink of collapse. I have no idea what I would have thought in those moments.

I came later, after the Org was a settled fact and the 10 Principles were codified, and I have heard many oral histories and conflicting accounts from people whose struggle that was, and damned if I know. Is it an easy way out to take a pass? Sure, but unless and until my experience gives me insight (or I’m able to hear a truly definitive account), I’m taking that pass. I have a moral duty to stand up for people I see being wronged, and to stand beside my friends if the world takes up arms against them. I don’t think I have a moral duty to take a stand on an issue that I honestly don’t know what to think about. I really don’t know what a radical Burkean intellectual with an attraction to decadence does in that particular crucible.
What pains me about the answers I’ve given you is that there’s so little whimsy in them: they strongly suggest I take myself very seriously. Now I think to some extent you’ve brought that out in me by asking the questions that I wanted to rise to, and I can’t regret that. The truth is that I very rarely get a chance to talk on this level about this kind of thing with someone who’s willing to call bullshit. I took the opportunity.

But at some level, if I really had the courage of my convictions, when you asked how Burning Man changed me I would have sent you a long rambling story about the time I was really high on E and manifested a bicycle to take me to Opulent Temple (which is the only place I go at Burning Man because it’s got the biggest lights), and how unfair it was that the Sheriff’s office said I stole the bicycle, because obviously they’re just not spiritual enough, and that’s how I found my calling in life: liberating police vehicles. Let them manifest their own goddamn wheels! Give me back my bicycle!

Deep down, I fear I blew it by not saying that.

I also should have found a way to put product placement of some kind in every paragraph. “Burning Man is NOTHING like Mecca! At best, it’s like the refreshing sensation of an icy cold Coca-Cola!” “Revolutions eat their children, much in the same way children eat Skittles. Man can they taste that rainbow!”

Dammit! I bow my head in shame.

WHATSBLEM THE PRO: This exchange is getting pretty long, and it’s never, ever going to end if I start talking politics with you. . . so in answer to your skeptical pessimism regarding revolution, there’s just one little word I want to throw at you: Iceland!

It’s good that you and I can have a meeting of the minds like this, and I do appreciate your participation. . . I look forward to seeing you on the playa.


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The Fishy Smell of Corporate Excess

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Whatsblem the Pro recently published a very interesting discussion with Official Burning Man blogger (Burning Man Official Blogger? Burning Man Blog Official?) Caveat Magister. One aspect of the discussion was the way art and money have always been intertwined, in some ways it is a symbiotic relationship.

fish tankThe most successful way the art world has dealt with this throughout history seems to be the Patronage model. The wealthy patron provides the artists with room, board, and materials, usually in a space that lets them get away from the conventional world to focus on their art. The Patronage model has always existed at Burning Man – if you follow Whatsblem’s icthyosaur link you can read about one such anonymous donor who by creating the Generator in Reno is enabling other Burners with a collaborative space, not just their own tribe. In San Francisco, some of the Burners I know have recently “crowdsourced patronage” with [freespace], an experiment in temporary zones that hit its Indiegogo fundraising goal and appears to have been successful.

It is the Patronage model that is most hurt by the BMOrg’s heavy handed “Do Not Use The Words Burning Man” and “we own your photos not you and we will charge magazines to publish them” approach, especially in 2013 when we live in this brave new world of crowdsourcing, social networking, and the sharing economy. “Snapchat” and “you voluntarily assign copy rights to us implicit in your ticket purchase”, are two alien dialects that may possibly never be translated into a common communication. Just as BMOrg are starting to really crack the whip and get the leash out on destroying any members of their community who dare to use photos of themselves or their camps at Burning Man – even the dinosaur content industry, which fought against the Internet for more than a decade, is now adopting the “all you can eat” inclusive, sharing economy models of Pandora, Netflix, Soundcloud, Instagram, Facebook, Hulu. Ten years ago, these guys were thinking like BMOrg are today. In ten years time, they will all be trying to figure out how to be more like Snapchat – which is a truly new business model, one that captures the zeitgeist. Snapchat away all you want, if the photos are temporary how can BMOrg ever catch you?

In the meantime, any Burners who want to attend Burning Man have BMOrg to deal with. They’re struggling to catch up with the 2000′s, when people could take pictures from a cellphone. They only recently decided they should try to own YouTube. Patronage? That’s a model of the arts from the Rennaissance. That would be too hard, too complicated.

horse and carriage“We are going to have a photo shoot in front of your art car, and we are going to make $150,000 from it, and you can not mention on your Art Car’s web site that it is going to be at Burning Man from Aug 26-Sep 2, and you can not include a 12 second YouTube video of your art car at Burning Man”…wow. Just wow. It’s reverse patronage – the artists make the art and pay for it, and the Patrón collects all the cash. And then doesn’t even just starve the artist by collecting the cash – punishes them too. Makes it as hard as they can for the artist to sell their art anywhere else, to try to make a living from the tens of thousands of people who love enjoying their work for free at Burning Man after they had to raise money themselves just to get it there and take it away. BMOrg: “You can’t claim that you painted this painting at my house. It’s my house and I make the rules!” – Burner Artist “but you just made $150,000 selling photos of people at your house in front of my painting. Can’t I even show people a photo of my painting?” 

Some people were amazed to learn that they couldn’t use photos of their camp for camp fundraisers, or couldn’t have any other references to Burning Man. Others were amazed that this was even an issue, saying “so what? These are the rules, why can’t you obey them”?

In the last week, a recent case has been brought to my attention. This case clearly shows the way BMOrg enforces these policies – robotic, like Nazis. “you’re breaking our rules, take it down”. It also highlights how arbitrary this process is – as I will show you, in trying to protect a trademark for an arts festival, and their right to monetize all images, they arrogantly assume that they own “anything” that remotely looks like “their” festival, wherever in the world it happens. What are the trademark looks of their festival? It’s a statue of a man on some kind of base, and some street signs. Other than that, it’s the stuff that we bring and display that creates the “Burning Man look”. This story is a classic case study of the unfairness of Burning Man’s approach to this issue – do they really feel that their income stream is threatened? Sadly, this is a case where there really seems to be no reason – other than “we make the rules and we tell you what to do”. If there is a reason, the overwhelming amount of good they are rejecting by judging generous behavior to be “bad” because of rules being interpreted in word and not spirit – is a crying shame. “Throwing the baby out with the bathwater”. This tale shows how the organizational structure that is at the top of this pyramid, has changed from “hey, we’ll give you guys a sandpit, you bring your toys, and let others play with them too, everyone will want to play in the sandpit because it has the best toys and people share them”… to “if you ever brought your toy to the sandpit, that’s ours forever and we’ll make as much money from it as we want, and we’ll try to stop you playing with your toys outside the sandpit”.

Welcome to the Unfortunately Not Curious Case of the Fish Tank.

fish tank bike

A motorcycle at Burning Man? That’s against the rules! Oh, you didn’t get the memo? It’s called the Constitution of the United States of America, you should read it. Burning Man does not own United States Government parks. The Bureau of Land Management looks after 264 million acres of them. Can you park your art car amongst those acres, without having to pay a fee to Burning Man? Of course. Land of the free, home of the brave! Take a gun, there might be bears. What about on the national day of independence? Surely you have to pay a fee to Burning Man then? You’re on Federal land, with a vehicle that you once took to Burning Man! Again, no. It’s a free country, which means you don’t have to give money to Burning Man for things that have nothing to do with Burning Man… photo by Burnersxxx copyright(c) Burners.Me 2012 All Rights Reserved. This photo may be used by anyone for any reason including to make money; except for Black Rock City LLC or any of their agents or to make money for the Burning Man organization or any of its subsidiaries at any time for any purpose, whether commerical, personal, or charitable.

I first met the Fish Tank at 2010′s Burning Man, Metropolis. It liked to park outside my RV with its killer sound system blasting away while the operators took a day time nap. I loved it! And we were at 10 & J, so about as far away from disturbing the neighbors as you can get and still be in Black Rock City. I was camped with Villains and Vixens who joined the larger umbrella of Overkill. This was the first time I had been in an organized camp – organized in the sense that there were wristbands for meals served twice a day, a chef cooking for 100 people, a sound system inside a 100-foot authentic Mongolian yurt, camp workers in hexayurts, high rollers in Mega-RVs, hot masseuses on staff, live improv shows every night. That’s right, the kind of camp that haters like to hate – the dreaded “plug and play camping”. You know, as in “I got a low income ticket and I rode around on art cars for free all week. I didn’t buy one drink, people kept handing me them for free. Oh, but I hate those people in RVs, they just stay in them the whole time and never contribute anything to the party, they’re not real Burners”. A common attitude amongst the Burnier-than-thous, which completely misses the point that no people on low income tickets are bringing art cars to Burning Man or putting down their credit card for an open bar for 70,000 people. And we know the guys at the gate collecting $25 million+ aren’t either.

limo 2005Radical self-reliance, or Safety Third?

The stated reason for Burnier-than-thous to be against Plug-n-Play camping is it’s not radically self reliant. But if you’re standing in line waiting for your chance at a stinky portapotty, and watching gorgeous supermodels going in and out of a rockstar bus with air conditioned marble bathrooms…is there maybe a teensy weensy bit of jealousy that could be the real factor? No? You’re just a hater, and it’s them that’s in the wrong? They are so radically self-reliant that if they need the bathroom or a shower they can have one, and you are so reliant on The Man that you have to stand in line for a stinky portapotty that you hope’s gonna have some paper in it. It’s easy to hate the guy driving past you in the Lamborghini, until you are that guy.

Let’s say that you think there’s some potential danger involved in the 16-hour plus trek back through Exodus, Reno, the mountain passes and the congested freeways of San Francisco at the end of Labor Day weekend. There are 30,000 vehicles taking pretty much the same trip at the same time, and many most are being driven by people who’ve been partying their ass off for a week in an environment where whatever you want will manifest and it’s free, and sleep is difficult due to noise, heat, dust, or FOMO. So let’s say you want to do the sensible thing – get someone to be the designated driver. Well that sucks at Burning Man, not everyone is going to put their hand up and volunteer to be that – especially if it’s not their RV.

So, deals get cut, people get paid, maybe they get a ticket and a place to stay, maybe someone kicks in for their camp dues. Which in most cases, are splitting the expenses of the camp amongst the people who camp there, not lining peoples’ pockets. And someone is hired as the driver. That person looks after the RV, keeps it tidy, keeps strays out, meets with the honey wagon and the water truck if they can flag them down.

To me, this is not only reasonable, it is sensible. If you could afford it, you’d be crazy not to do it. Lives are on the line, and the danger factor is massively amplified compared to normal driving. The statistics support this. To many Burners though, what I have just described is anathema. The worst evil in Burning Man. Rich people in RVs with camps with staff. How dare someone pay someone to go to Burning Man! Burning Man is about Decommodification and Gifting!

What about the sparkle pony who gets a free ticket, a place to stay in the RV, even a flight out there? What does she have to do to the RV owner before she is considered a whore? Sexual acts? Nudity? Just accepting the gift?

red white and blue bicycle carWhere do you draw the line? This is a question we keep asking on this blog, and we try to highlight where lines are being drawn by BMOrg that are not fair, and detrimental to the event. And not just BMOrg, certain factions in the Burner community too. Often though, the Burners who are “line drawers” or “Burnier-than-thous” parroting the company line, are not independent spokespeople but part of factions or groups within the bigger group. BMOrg, the Theme setter, the Petri Dish controller. Memes are spread through tribes and then get accepted as unassailable truths. The Org is so vast and nebulous with its volunteers and friends and contractors, it’s become harder to tell anymore who’s a “BMOrg Burner” (aka Kool-Aid drinker) and who’s a civilian with no dog in the fight  - other than to just enjoy the party. Many of the people critical to our posts on this blog have later come out to admit they work for the BMOrg. Fair enough, we welcome criticism, and if we dish it out we need to be able to take it. We enjoy the party, but we’re not there now, so this is a more appropriate time for criticism. We call them out when they deserve it.

The idea of “don’t use the words Burning Man” and “don’t use photos of your camp” for camp fundraisers, was just so extreme for me that I believe it is a line drawn that BMOrg needs to retreat back behind. Or, just loosen the reins a bit. What is it they’re afraid of?

As far as I can deduct, BMOrg’s primary concern driving this is that others will be misrepresenting the values of their brand “Burning Man”, and that this will therefore lower the value of the brand – by reducing the maximum amount of money they can get licensing it. They make royalties from people selling movies about Burning Man. They charge $150,000 to magazines to print photos of the event. Who the photographers are, and who they work for, is not really relevant. There are many professional photographers at Burning Man, there are many amateurs too. In writing this blog, I very frequently go to images.google.com and type “Burning Man”. There’s a lot of them. In fact, Burning Man is such a visually wonderful interactive spectacle, that I would be surprised if there are many people who went there and didn’t take at least one photo. Especially now that pretty much any mobile phone is a camera, not even smartphones.

BMOrg’s stated reason for having to own every photo, video, and other type of recording ever taken at their event, is so that they can protect the privacy of participants. Which they don’t seem to be all that effective at, given how many images are floating around the Internet for free, often containing partial or full nudity.

ecossytem darwinAnother reason, which seems more likely given the way this organization operates, is that they want to own as much of the IP of the event as they can, so that only they can make money from it. This “no-one can profit from Burning Man but us” idea is wrapped in ideology and the (Cargo) Cult-ish 10 Principles. The shrink-wrapped packaging seduces you that this is a party where everything is free, it’s not about money. It’s about being yourself, expressing and sharing yourself, giving to others. In reality though, their IP ownership policy has more in common with Citizen Kane or how Rupert Murdoch has run his business for the last 60 years. It’s the Mickey Mouse model – as in this is what Disney, a massive owner of content, does. We own the content, only we make money licensing the content, if you use the content and try to make money from it that’s piracy and we’ll sue.

Hollywood has spawned a whole industry, a whole economy. Hollywood is an ecosystem, with a symbiotic relationship between all the participants. When Hollywood is winning, all the people working in Hollywood are winning. More interesting projects, more jobs, more opportunities, more people. It’s a good example because we can also see how when Hollywood is hurting, that hurts many of the people in it too. We saw this in 2008 with the 3-month long Screenwriter’s strike. You’d think that there are so many scripts sitting in filing cabinets in Hollywood that they could punch them out for years without ever hiring another writer again, but no, this was a major disruption to the industry. Actors seemed to be the ones hurt most, and people who made their living renting equipment to the different productions. The catering companies. The people owning the studios, they were all fine; but the broader ecosystem was doing it tough.

Burning Man is like a backwards Hollywood. Flip the model on its ass. All the theme camps, all the art cars, all the actors, all the costumes – that all belongs to one pyramid-shaped entity. Not the one who paid for it. The one that you paid. The Man that you worship. You paid them for the privilege of owning whatever spectacle you chose to create for them. Who’s them? BMOrg. In Hollywood, an actor can come from nothing, achieve rapid success, and then reach the ladder down to where they came from to elevate others. Like Mark Wahlberg’s tale in Entourage, David Bowie playing Andy Warhol in the true life tale of Jean-Michel Basquiat, or Good Will Hunting wunder-kid Ben Affleck who is now a Director and chooses actors to get jobs in his movies.

In Burning Man’s view of how this economy should work, we Burners pay BMOrg’s salaries and expenses, and we pay them a profit to put in their pockets every year, and in addition we pay all our own expenses, we pay to create the art, we bring large amounts of supplies and give them away for free, they own it all, and if we ever want to use photos or the name of the party we created, we better stop. That’s theirs.

Fallen Angel, Basquiat 1981

Fallen Angel, Basquiat 1981

fishtank2In Burning Man, you bring the best costume? BMOrg will put it in photo shoots and make money. Bring a cool art car? BMOrg will put it in photo shoots and make money. Put the same photo on your web site where you try to raise funds to support the art car? BMOrg will send you cease-and-desist letters, escalating in tone, until they’re ready to sue and take even more of your money.

Think I’m over-stating it? I’m understating it. And when I say “make money from photo shoots”, each single one is worth hundreds of thousands of dollars.

Recently we discussed their IP policies in the context of theme camps: Do Not Use the Words Burning Man. The policy applies beyond camp placement, anyone who buys a ticket is assumed by their legal department to have consented to it. So this is really about anyone using any photos from Burning Man in any way that is not clearly “personal use” (or “fair use”).

An art car is sometimes built and owned by one person. Just like an art project. Usually though, it’s a team effort. And this is one of the great things about Burning Man. In Whatsblem’s recent interview with Caveat Magister, they talk about the way the LA Burner orientation is to build a garden together. They get it – bringing us together in a [free|space] of fun and play, is why we all go to this party. Likewise, usually it is a team effort to put a camp together. For larger camps, someone has to pay to rent the generators, or the port-a-potty, or buy the supplies. Usually a few people chip in, or maybe everyone in the camp pays a fixed fee to cover the budget. A large camp budget is hundreds of thousands of dollars – a major camp on Esplanade, maybe $350,000. I would name them but I wouldn’t want to Dis them…those are some of my peeps…

How big is a large camp? 50+? 100+? The camp I was in last year had about 260 people. 70% virgins. I won’t be doing that again. This year I have 20 close friends who all want to camp together, with a varying amount we can afford to spend per day. We all understand to stay somewhere costs money every day. And we want some luxuries, and luxuries cost extra. Some in the camp can afford more than others. Everyone has to chip money in, including some people we’ve never met, friends of friends. We have people coming from more than 10 countries, and even from the US everyone is coming from totally different places with totally different logistical issues.

We need systems to communicate with each other. Packing lists. A location. Walkie-talkies, GPS. Bikes. Sound system, booze. Barbecue, ways to cook. Water, tons of it. We use the Internet to co-ordinate, the latest technologies. Those of the camp with experience, share theirs with the rest of our friends on our facebook group.

But sooner or later, inevitably, money has to be spent for the camp. And money has to be collected for the camp.

And here’s where the complications begin. Money means spending. Spending means credit cards. Credit cards require bank accounts.

fish tank nightDo you pick one person, to be “the Bank” like when we played Monopoly as kids – everyone gives all the money to them, everyone trusts them to do the right thing, and everything goes through their personal account?
What about for an art car, where multiple people maybe from different States might be driving it, multiple people have kicked money into it and feel like part-owners. Who’s going to get the insurance policy? Who’s it going to be registered with at the DMV (the real one, if it’s street legal)?

What if it’s in the Macy’s parade in New York and Macy’s wants to take a photo of it? Who owns the rights? The person who drove it to New York, the person who built it, Macy’s? Macy’s wants to know. Lawyers get consulted.

This problem, of how more than one person can own a thing, was solved about a thousand years ago. The invention was called a Corporation. Corporations have come so far, that they are now recognized as persons by the Courts. Although they have special rights that make them even more powerful than persons, due to the fact that they’re not acutally a person. For example, you can’t jail a corporation. And theoretically it can live forever.

So many artists and camps use this simple and widely accepted technique, common in the world of business and insurance and bank accounts, to manage the annual expenses involved with attending this event. What name is the bank account in? Do we have a Paypal account? How do we get the funds from Kickstarter or Indiegogo – or Art Grants? Shall we get a Square so we can take credit cards at our fundraiser? All of this is made quite simple by having an LLC (which means Limited Liability Corporation). It provides a legal structure so that if I kicked in $5000 for a sound system on an art car, and then someone else was driving the art car and someone jumped off it and hurt themselves, that person wouldn’t be able to come directly at me for being responsible. I just kicked some money into the company for the sound system. The company can have insurance to protect everyone.

no team in fuck youShouldn’t these companies be non-profits, if they want to go to Burning Man? Isn’t an LLC something that’s for profit? Well, technically yes. But you need to understand that things aren’t as simple as that in this country. You can’t just decide to start a company and decide to call it a non-profit so that you never have to pay tax. That’s not how the IRS works. You’ve got to apply to them for permission. In the last couple of years we started Reallocate.org and went through this process – it took 18 months, a lot of paperwork, and the pro bono contributions of a pretty big law firm. And this is for a legitimate charity, nothing to do with Burning Man, a philanthropic start-up.

It’s not practical to go through this process just so that you can get insurance and raise funds on an art car. And even if you did, it’s highly doubtful the IRS is going to just rubber stamp approve it. “Oh, you have an art car? OK, you never have to pay tax again then”. Having said that, I’m aware of a number of theme camps or art projects that do have a registered 501(c)3 charity – this year’s Control Tower springs immediately to mind.

Control Tower is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Control Tower must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

What is it?

Control Tower is a large scale interactive artwork at Burning Man 2013. It is a complex, challenging and experimental artwork that embodies the ongoing mission of the International Arts Megacrew - to create & support big, collaborative art projects that promote the creative development & self expression of people from all walks of life.

Control Tower will be a 60′ tall interactive platform to which we invite any and all artists to contribute. Every aspect of the tower will be interactive, from the never before seen experimental flame effects, to the massive & dazzling array of RGB lasers, to the shifting patterns that play across the entire surface of the artwork.

Just because something is a corporation, does not mean it’s trying to make money. Corporations can be holding structures, ownership structures, insurable entities. Just because the structure of a corporation is not that of a tax-exempt non-profit, does not automatically mean that it is trying to profit.

Which brings us to FishTankLLC.com . A company founded by Burner Dr Andy from New Jersey, a highly respected orthopedic surgeon who in his spare time teaches at the world’s top medical colleges, and help kids in the developing world, low income kids, and kids with special needs. In the US he puts hours every week into doing this. Andy is a Merry Prankster from the old school, he loves Burning Man, he loves fun, he designed his art cars to be very open and accessible. He completely gets the true spirit of Burning Man, openness and inclusion and gifting. Everyone involved in Fish Tank go out of their way to respect Burning Man’s rules. If you see Fish Tank on the Playa, hop on for a ride, or dance away next to us! Just don’t jump off.

This company was not founded on a grand vision of taking over the world with half-tank, half-fish mobile sound systems. It was founded on a much more practical basis: the need to manage the logistics and expenses of moving these art cars around the country to various events, one of which is Burning Man.

interviews juplaya“Wait a minute – did he just say various events?” - yup. That’s right, although this might be hard to believe for some Burgins, Burning Man did not invent art cars, and is not the only place you can see them. Like mega-art car Robot Heart, Fish Tank has operations on both coasts. And between the two vehicles, Angler Fish and Fighting Fish, they have been to:

- Electric Daisy Carnival (Las Vegas)

- Free Form Festival (New Jersey)

- Art Basel (Miami)

- Houston Art Car Parade

- Hot August Nights (Reno)

- Halloween Parade (New York)

- BUKU (New Orleans)

Some people at these events recognize the Fish Tank from Burning Man. But the vast majority have no idea what Burning Man is, even in the art car world. I would challenge you to name any other Art Car you’ve seen at Burning Man, that has been to more events outside the Playa than the Fish Tanks. It’s not easy to get to these things from Point A to Point B, it’s expensive, it’s not profitable. $3/mile minimum. Without patronage it would not happen. The more art cars go to events away from Burning Man, the more people want to go to Burning Man to see all the art cars.

Wherever Fish Tank goes, it draws a crowd. This is in Reno, most of these kids knew about Burning Man but almost none had been. They didn’t realize there was so much stuff like this there:

fish tank vogueIn fact, people love the Fish Tank so much, that when Vogue magazine wanted to do a story about Burning Man, out of all the 500+ art cars available, they wanted to feature the Fish Tank. Which of course the friendly and accomodating owners of Fish Tank helped them out with. “Sure, we’ll stay here and not do anything else until your photographers are finished. Sure, I’ll move from my seat so I’m not blocking your shot. Sure, I’ll get off my own art car so that you can take it over and pose on it”. It’s a party, it’s a city, we’re gifting, whatever we can do to help out Black Rock City, we do.

In the past, Fish Tank has been asked to provide a “taxi service” for everyone from BMOrg to DPW to Alex Grey, helping people get across the Playa. It has transported the sick and wounded to the Medical Center, on many occasions. With the added bonus that the owner is a highly skilled surgeon, who I’ve seen provide plenty of free medical assistance at the party. If you’re a doctor, you swear to the Hippocratic Oath, which says if you see someone who needs your help, you help them. You don’t swear to the oath that says “if someone is sick in front of me, I will only let  the official Burning Man medical team help them”. It doesn’t work like that. Someone’s injured, you help them immediately, you radio for assistance, someone comes out on a quad bike, it’s often easier for the art car to take them over to the Medical Center than the quad bike. Or, someone passes out on the art car, you check their breathing and heartbeat, you take them to the medical center. You maybe even stay there with them for a bit to make sure they’re OK. This type of help doesn’t just get provided on the odd occasion by Fish Tank. It’s part of what Fish Tank is all about – leading by example, and representing a higher standard of civil behavior towards one another. Helping, caring, sharing, giving. Keep it nice and keep it happy, don’t rock the boat, don’t make waves, don’t piss people off. Calm, mellow, happy. Just create smiles – miles and miles of smiles.

Every year, the Fish Tank does an “art tour” of the Playa for mobility challenged or other special needs Burners. BMOrg themselves don’t put on anything like this to make the Burn easier for these people. Without Fish Tank doing this, they’d get nothing. They’d be lucky if they got approved to get a Segway or a golf cart.

So what does Fish Tank get, in return for both everything they’ve given at Burning Man, and for promoting the art cars of Burning Man to literally millions of people around the country? Without ever directly promoting Burning Man, without even using the words Burning Man – they don’t need to, they’re bigger than Burning Man. Burning Man is just one of the ponds that these Fish Tanks go to swim in. It’s the one with the most rules and restrictions, but they go out of their way to obey and respect them.

What do they get?

Well, they certainly didn’t get any money from Vogue. The $150,000 for the photo shoot went straight into the coffers of BMOrg (minus, we hope, the 3% cut the BLM takes of any money anyone makes on the Playa).

bmir containerAnd, they didn’t get much support from Burning Man’s on site operations crew, the Department of Public Works. Last year Fish Tank couldn’t trade an entire keg of beer for the right to use their on-Playa fuel station. Only “special” art cars that had been given the secret handshake could do that. Later we found out that a keg is a miniscule, insignificant quantity of beer compared to the amount that camps like Distrikt were gifting them. But should they really have to beg? Fish Tank brought hundreds of gallons of extra fuel, and churned through a lot of it when they helped out the handicapped, and emergency situations with injured Burners. Who decides what’s fair, and what’s just plain mean? Shouldn’t Fish Tank at least get a gas top-up after that ride? It’s not like they’re trying to steal gas for free, they’d be happy to pay.

Nope, basically all they get is one big slap in the face. A “fuck you very much”. From DPW, from the BMOrg, from the Haters and the Enforcers and the Bullies.

Let’s start with the letter:

From: Nathan Aaron Heller 
To: “info@fishtankllc.com“ 
Sent: Tuesday, June 18, 2013 8:59 PM
Subject: Use of Images Obtained at Burning Man

Greetings to you at Fishtank LLC,

My name is Nathan Heller, and I am from Burning Man’s Intellectual Property Team.

I hope this email finds you very well.

sword girlsIt appears you have been to the Burning Man event, and therefore you may know we take two principles very seriously: Decommodification and Gifting. We do not allow commercial use of images obtained at the Burning Man event without our prior permission. 

It was recently brought to our attention that your website is using images obtained at the Burning Man event. 

We really appreciate your efforts in reaching out to and informing the broader Burning Man community about your amazing art cars and your services, but we must ask that you please make the following changes at your soonest convenience:

We see images obtained at the Burning Man event are included on these pages of your website:

http://www.fishtankllc.com/events.html

http://www.fishtankllc.com/mobile-art.html

We also see a video with footage obtained at the Burning Man event is included on this page of your website:

http://www.fishtankllc.com/press.html

Perhaps you are unaware, non-personal use of images and video obtained at the Burning Man event is prohibited without prior written permission from the Burning Man Organization. We define “non-personal” as beyond friends and family. Guided by protecting the principles of Decommodification and Gifting, we also prohibit third party commercial use of images and video obtained at the event without our prior written permission, and we cannot permit these uses. This information is found in the Terms and Conditions for entry into Burning Man, on the back of the Burning Man ticket, in the Survival Guide mailed to all participants, and on our website. You can read the Terms and Conditions here:

http://tickets2.burningman.com/info.php?i=2386

We really appreciate your art and year-round outreach to the broader community, but we must ask that you please remove all uses of images and video obtained at the Burning Man event from your website, and please notify me once you have made the changes.

Please let me know if you have any questions, and I look forward to hearing from you at your soonest convenience.

You can read more on Burning Man’s approach to intellectual property here:

http://www.burningman.com/press/trademarks.html

Best Regards,

Nathan

___________

Nathan Heller
Burning Man Intellectual Property Team
nathan@burningman.com

neverwashaul“Brought to our attention” – ie some burnier-than-thou thought that snitching makes the world a better place. “Dear Burning Man. I would like to bring to your attention, that this art car says it is going to be at Burning Man. AND, they have a 12-second YouTube video at their site that appears to be from Burning Man. Yours truly, Anonymous”. ALERT ALERT! MAYDAY! Call in the SWAT team!

What’s the issue? Well, Fishtank, LLC has had money contributed to it by a number of people over the years. They formed an LLC to better keep track of the various contributions, which are in the tens of thousands from multiple people. It needs annual maintenance and the logistical expense of moving an art car like this around the country is quite high. They can keep finding more backers to gift money in, or the existing owners have to keep pouring money into it. It’s kind of like a boat, in this regard. Once you get it, you have to keep spending money on it whether you use it or not, and the more you use it, the more money you need to spend on it.

In the world of boats, most familiar to the people involved with FishTank, a standard model for this is Chartering. Which the Fish Tank does not do. We know of other Art Cars which are available for rent at certain events, such as the Lady Bugs from Brooklyn. But that doesn’t work, the FishTank is for fun, the owners want to be with it when it’s at all these events. The people who might want to rent it for Burning Man, are probably already on it and putting money into its expenses and upgrades.

What about selling tickets? That is completely against the open nature and design of the Fish Tank.  And against the Burner principles of Radical Inclusion and Decommodification. What about something like Tiki Island did – for a certain level of Kickstarter funding, you get seats for 2 people on an evening cruise. It’s possible, but just another form of ticket selling – and borderline a commercial use of the vehicle on the Playa.

So you’re left with fundraiser events and Kickstarter. And you can’t use any photos of the art car at Burning Man in any of them. No matter who took them. If there’s video of your art car on YouTube that someone else took, you can’t embed that in your site. Maybe, you can’t even link to it. People just have to take your word for it that the Art Car has been to TTITD.

Fish Tank wanted to be a bit different. If a corporate wants to use it for a big event or a photo shoot off Playa, they can book the whole thing to be at the event. It’s not like renting a car – this is a mobile art installation that has to be shipped cross-country, driven correctly, and maintained in a state of operation. If you’ve got the money, you can rent the Fish Tank, they’ll get it to you and drive you around. The ultimate limo.

But it’s not like they can do 3 of these events a week. Given the logistics, at best they would probably only get a few events per year. Which would pay for themselves and promote the Fish Tank further, but would also cause wear and tear on the vehicles and probably not leave them with enough profit to cover the storage cost and profit-forbidden Burning Man sharing.

fish tank girlWhich left them with one other idea. They wanted to sell their own line of merchandise. This would be something they could do at any event they went to (except Burning Man). Often, after the parade is over, the Fish Tank stops, but people still mill around. Why not sell them a T-Shirt, or some quick-dry swim trunks?

None of these t-shirts mention Burning Man. None of these t-shirts have photos taken at Burning Man. They don’t even have a photo of the Fish Tank. So, how is it that Burning Man is being exploited by Fish Tank? How is Fish Tank hurting Burning Man, and what is the economic impact of that hurt? Anyone can go to YouTube and type “burning man fish tank” and see a hundred videos…but put a single one of those videos on your page, all of a sudden you’re attacking Gifting and Commodification, you’re exploiting Burning Man for your greedy personal commercial gain. YouTube, who sells ads while we’re watching videos, would seem to be the one who is actually doing this, actually making the money.

What did the Fish Tank do that was so bad in the eyes of Burning Man that they wanted to send their legal department on the offensive?

Well, let’s take a look. I will use screenshots because they may well change their web site to comply with Burning Man.

Picture

PictureSCHEDULED APPEARANCES

July 20-22,  Reno Art Car Fest ~ 
Friday evening = Party at Harrod’s Mutant Rides exhibit at the Auto Museum.
Saturday = exhibiting at the Nevada Museum of Art and a party that night at the Art Museum with DJ Spooky.
Sunday some of the cars will drive into the mountains to a great campsite for swimming and partying and for those that want to stay, camping.
 

August 26- Sept 2, Burning Man ~ Returns Home for a week on the Playa during the annual Burning Man festival where over 50,000 people are invited to ride the Fish! Black Rock City, NV
Bad, huh? They used the words Burning Man. They even said the dates that the party takes place, and that they would be there. I can see Larry’s millions melting away before my very eyes. Oh, the anti-Decommodification! To say the name of the event, and when it takes place! Outrageous! And then to offer free rides to people? How dare they!
But wait a minute. Didn’t Burning Man just say they’re being reasonable about how you use the words Burning Man?
2. Use of the words “Burning Man” or “Black Rock City”
Now, a word about words.  You may use the term “Burning Man” or “Black Rock City” as part of descriptive text, but do not use these words as the central adjective (or only adjective).   Burning Man does not want people confused about who is sponsoring or producing the event.  See the examples below.
 
Totally OK:
 
“A Fundraiser for Camp Forgotten Monsters at Burning Man.” Or
“A Fundraiser for the John Frum Institute Art Project at Burning Man,”
 
Not OK:
 
Burning Man Fundraiser for Camp Forgotten Monsters.” or
“Burning Man Fundraiser for the John Frum Institute Art Project.”
 
Nuanced, but different. Two Fundraisers doing art events.
Reasonable enough, right? But irrelevant. Fishtank is not using the words Burning Man to promote a fundraiser, or an event that could be mistaken for some kind of association with Burning Man. It is using the words Burning Man to promote Burning Man! It is clearly saying that they will be at two upcoming festivals, one in Reno, and one Burning Man. They don’t claim to own Burning Man. No-one could possibly be confused about what this page says. The use of the words Burning Man is in the context of describing Burning Man. And, PS, they’re offering to gift rides for free to every single person who goes to that party. What’s in it for them? How is Fish Tank making money from this?
There’s got to be more to it than that. Well, not really. Let’s go to the next violations Nathan has pointed out:
fish tank edcLook familiar? Maybe, because you’re seen the Angler Fish Fish Tank at Burning Man. And you’ve seen Rob Buchholtz’s sculpture Wish, the high tech flower trees at  Burning Man. But this photo was taken at Electric Daisy Carnival in Las Vegas. If an art piece was displayed at Burning Man once, does Burning Man deserve to get money any time that art piece is used away from Burning Man? Does Burning Man own any rights to photographs of things taken outside of Burning Man, if they were once at Burning Man?
Absolutely not. I would hope, not even for Honorarium Grant recipients – although I have to say, if it turned out that in order to get the grant you had to sign an even more onerous contract transferring the ownership of your art to Burning Man, it would not surprise me.
If you look at the photo above, it’s pretty easy to tell it’s not Burning Man. What are all those people doing wearing normal clothes? What are all the market stall tents in the background? You would think that in the circumstances (those being, not actually looking at the photo you are saying is a problem) BMOrg would open with the benefit of the doubt – “hey, we were wondering, are these photos from Burning Man, or something else”? But no, we don’t get reasonable doubt here. We don’t get innocent until proven guilty. We get “assume we’re in the right and you’re in the wrong because we’re BMOrg”.
Seriously. The guy didn’t even look at the photo. Look at it yourself and it’s clear.
Now, if these people were being disrespectful to Burning Man’s ownership policies, there would be photos all over this site of Fish Tank at Burning Man. There are none. Why is that? Surely that is because they are complying, not violating. But BMOrg doesn’t give them credit for this. It’s all or nothing – we’ll punish you for the 1%, not thank you for the 99%. No exceptions – except for the exceptions. Like, the Temple builder David Best. Nothing against David, I appreciate his art. But he was selling dinner with him at Burning Man for $1000 a pop. He certainly uses the words Burning Man to promote his career as a commercial artist, it would be hard for any major Burning Man artist not to. They should be able to.
Look at this a different way. What makes you think this photo is anything to do with Burning Man? It’s the art car, right?
4th of JuplayaWe wrote about taking the Fish Tank to the Playa last July in this article: Shhhh…don’t mention Juplaya. I didn’t just write the article, I wrote the check to the logistics guys and bought the fuel. That stuff ain’t cheap…but it sure is fun. Guess what: if you go to the Black Rock Desert at other times of the year than Burning Man, it also can get dusty. And if you bring an Art Car with you , it might look like Burning Man. Especially if it’s a famous art car associated with Burning Man from Vogue magazine. But that doesn’t mean Burning Man owns it. Their permit for the commercial rights to the Playa is only for a small period of the year, anyone can show up at any time the rest of the year with art installations, art cars, theme camps, and take all the photos they want of it. They don’t even have to give BLM a cut, if it’s not an organized event.
So, what else? Well, this next one Fishtankllc is not disputing. Sure, they can take it down from their site – in fact I just checked, they already have. They can’t take it down from YouTube, it’s not theirs. The video belongs to whoever posted it, according to YouTube (part of Google). But is this really hurting Burning  Man?
Burning Man is going to make at least $25 million at the gate this year. This 12 second video – which really is illustrating the capacity of this art car to transport multiple people at any type of event – says nothing about Burning Man, doesn’t link the Fish Tank to Burning Man, and is clearly not confusing to anyone interested in the trademark “BURNING MAN” for Arts Festivals featuring some music. FishtankLLC are not throwing any such events.
Fish Tank took the link to this video down, but it is still there. On YouTube. Along with thousands of others. And, guess what? YOUTUBE IS MAKING MONEY OFF THEM. Here’s the most popular video, at 4.3 million views since last year someone is cashing in big time on all the hoop-la:
What is the problem Burning Man? Why is it OK for Google (which owns YouTube) to make tons of money out of Burning Man videos, and not OK for Fish Tank to link to 12 seconds of video hosted at that site, that doesn’t contain advertising of any sort, and really does not say anything or confuse anyone about Burning Man? They’re not showing the Man, they’re not showing any significant art work, they’re showing the Art Car they made and paid to take to your party and drive your guests around in.
Is it because you like to pick on the weak, but are afraid to pick on the real violators of your policies because that might be a tougher fight?
The more they force themselves out of the fund-raising process of the tribes, the more they will make themselves irrelevant to Burner culture. Embrace and extend, or resist and #fail.
I’m sad to say, I suspect there is some link between my past contributions to the expenses of this particular art car, their generosity in inviting me to off-Playa events with them that I covered on this blog, my recent post critical of the BMOrg’s IP policies…and this out of the blue attack from BMOrg accusing them of not understanding Gifting or Decommodification. Outrageous and unjustified charges, all Fish Tank can do is comply, there is no Ombudsman, no process of arbitration, no appeal. What’s fair, and what’s just, that never comes into the equation. It’s unfair and unjust for BMOrg to attack Fish Tank for using photos that have nothing to do with Burning Man. It’s unfair and unjust that Vogue does a photo shoot at Burning Man and features the vehicle, and Burning Man gets paid $150,000 by Vogue for photo shoots on the Playa, while the Fish Tank can’t even get a gas refill after driving handicapped kids around all day. But the greatest injustice of all, is that after everything Fish Tank has ever done for Burning Man, all it takes to incur the wrath of the BMOrg and being immediately accused of “being ignorant of and violating 2 of the sacred 10 principles” by the paid IP enforcer goons of the BMOrg…is linking to a 12 second YouTube video and providing the name and dates of the party.
If you don’t draw the line at this, then there is no line any more. Justice is over, tyranny has begun, we all mean nothing and must obey at all costs. “No spectators! You must participate so that we can monetize your radical self-expression! Content is king, the more unique the content you create for us at your expense and gift to our commercial organization to license it, the more we will be king! Do not use videos of Burning Man, unless you’re Google, then please make all the money you can from them so you can buy us!”

Filed under: Art Cars, Dark Path - Complaints Department Tagged: 2010, 2012, 2013, art cars, bmorg, city, commerce, complaints, fashion, festival, future, kickstarter, Party, press, rules, scandal, stories

Ayawhats Up?

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The latest craze amongst the kiddies seems to be smoking Ayahuasca, a shamanic plant derived from DMT. Neo-counter-culture luminaries like Daniel Pinchbeck advocate it, it’s supposed to be a life changing experience. It’s the new form of eco-tourism.

It is the female version of the plant, the male version “Ibogaine” has an 84% efficacy in curing addiction of any type – even heroin. That makes it the #1 solution in the world for curing drug addiction, out of any treatment known to humanity. At least, according to the doctor who spoke about it at the Envision festival this year. It works even though it is banned in the US and some other countries – maybe it is banned because it does work? Do they really want us cured of addiction and mental illness, or hooked on even more pills with even more side-effects as “treatment”?

Ayahuasca is apparently a more feminine, sensual, healing trip, more psychotherapic soothing than in your face battling against your demons.

Sounds like a wonder plant, huh? Well, don’t blame the plant, don’t blame Mother Nature: human nature has taken over, some hucksters, charlatans and criminals got involved, and now people are dying. From Men’s Journal:

ayahuasa centerKyle Nolan spent the summer of 2011 talking up a documentary called ‘Stepping Into the Fire,’ about the mind-expanding potential of ayahuasca. The film tells the story of a hard-driving derivatives trader and ex-Marine named Roberto Velez, who, in his words, turned his back on the “greed, power, and vice” of Wall Street after taking ayahuasca with a Peruvian shaman. The film is a slick promotion for the hallucinogenic tea that’s widely embraced as a spirit cure, and for the Shimbre Shamanic Center, the ayahuasca lodge Velez built for his guru, a potbellied medicine man called Master Mancoluto. The film’s message is that we Westerners have lost our way and that the ayahuasca brew (which is illegal in the United States because it contains the psychedelic compound DMT) can set us straight.

Last August, 18-year-old Nolan left his California home and boarded a plane to the Amazon for a 10-day, $1,200 stay at Shimbre in Peru’s Amazon basin with Mancoluto – who is pitched in Shimbre’s promotional materials as a man to help ayahuasca recruits “open their minds to deeper realities, develop their intuitive capabilities, and unlock untapped potential.” But when Nolan – who was neither “flaky” nor “unreliable,” says his father, Sean – didn’t show up on his return flight home, his mother, Ingeborg Oswald, and his triplet sister, Marion, went to Peru to find him. Initially, Mancoluto, whose real name is José Pineda Vargas, told them Kyle had packed his bags and walked off without a word. The shaman even joined Oswald on television pleading for help in finding her son, but the police in Peru remained suspicious. Under pressure, Mancoluto admitted that Nolan had died after an ayahuasca session and that his body had been buried at the edge of the property. The official cause of death has not yet been determined.

Pilgrims like Nolan are flocking to the Amazon in search of ayahuasca, either to expand their spiritual horizons or to cure alcoholism, depression, and even cancer, but what many of them find is a nightmare. Still, the airport in Iquitos is buzzing with ayahuasca tourism. Vans from shamanic lodges pick up psychedelic pilgrims from around the world, while taxi drivers peddle access to Indian medicine men. “It reminds me of how they sell cocaine and marijuana in Amsterdam,” one local said. “Here, it’s shamans and ayahuasca.”

Read more: http://www.mensjournal.com/magazine/the-dark-side-of-ayahuasca-20130215#ixzz2YUqz87t8

ayahuasca deamon wildskilI’ve never tried Ayahuasca, so I can’t advise you one way or the other. But I recommend not trying to buy coke from a stranger in Amsterdam. You’d be better to go to the supermarket and get yourself a large box of laundry powder and shove that up your nose. So I’ve been told…

How good is this drug? So good that 18 year old kids will pay $1200 (plus the cost to travel to the other side of the world) to go do it. Now that’s exotic. I struggle to get my friends in Laguna Beach to go to Newport Beach.

Ayahuasca is turning into a new craze, and the charlatans are coming out. Be careful out there, kiddies!

Deaths like Nolan’s are uncommon, but reports of molestation, rape, and negligence at the hands of predatory and inept shamans are not. In the past few years alone, a young German woman was allegedly raped and beaten by two men who had administered ayahuasca to her, two French citizens died while staying at ayahuasca lodges, and stories persist about unwanted sexual advances and people losing their marbles after being given overly potent doses. The age of ayahuasca as purely a medicinal, consciousness-raising pursuit seems like a quaint and distant past.

…One unofficial stat floating around Iquitos says the number of arriving pilgrims has grown fivefold in two years. Roger Rumrrill, a journalist who has written 25 books on the Amazon region, including several on shamanism, told me there’s “a corresponding boom in charlatans – in fake shamans, who are targeting foreigners.”

Few experts blame the concoction itself. Alan Shoemaker, who organizes an annual shamanism conference in Iquitos, says, “Ayahuasca is one of the sacred power plants and is completely nonaddictive, has been used for literally thousands of years for healing and divination purposes . . . and dying from overdose is virtually impossible.”

peru hascaStill, no one monitors the medicine men, their claims, or their credentials. No one is making sure they screen patients for, say, heart problems, although ayahuasca is known to boost pulse rates and blood pressure. (When French citizen Celine René Margarite Briset died from a heart attack after taking ayahuasca in the Amazonian city of Yurimaguas in 2011, it was reported she had a preexisting heart condition.) And though many prospective ayahuasca-takers – people likely to have been prescribed antidepressants – struggle with addiction and depression, few shamans know or care to ask about antidepressants like Prozac, which can be deadly when mixed with ayahuasca. Reports suggested that a clash of meds killed 39-year-old Frenchman Fabrice Champion, who died a few months after Briset in an Iquitos-based lodge called Espiritu de Anaconda (which had already experienced one death and has since changed its name to Anaconda Cosmica). No one has been charged in either case.

Nor is anyone monitoring the growing number of lodges offering to train foreigners to make and serve the potentially deadly brew. Rumrrill scoffs at the idea. “People study for years to become a shaman,” he said. “You can’t become one in a few weeks….It’s a public health threat.” Disciples of ayahuasca insist that a shaman’s job is to control the movements of evil spirits in and out of the passengers, which in layman’s terms means keeping people from losing their shit. An Argentine tourist at the same lodge where Briset died reportedly stabbed himself in the chest after drinking too much of the tea. I met a passenger whose face was covered in thick scabs I assumed were symptoms of an illness for which he was being treated. It turns out he’d scraped the skin off himself during an understatedly “rough night with the medicine.” Because of ayahuasca’s power to plow through the psyche, many lodges screen patients for bipolar disorders or schizophrenia. But one local tour guide told me about a seeker who failed to disclose that he was schizophrenic. He drank ayahuasca and was later arrested – naked and crazed – in a public plaza. Critics worry that apprentice programs are churning out ayahuasqueros who are incapable of handling such cases.

Common are stories of female tourists who, under ayahuasca’s stupor, have faced sexual predators posing as healers. A nurse from Seattle says she booked a stay at a lodge run by a gringo shaman two hours outside Iquitos. When she slipped into ayahuasca’s trademark “state of hyper-suggestibility,” things got weird. “He placed his hands on my breast and groin and was talking a lot of shit to me,” she recalls. “I couldn’t talk. I was very weak.” She said she couldn’t confront the shaman. During the next session, he became verbally abusive. Fearing he might hurt her, she snuck off to the river, a tributary of the Amazon, late that night and swam away. She was lucky. In 2010, a 23-year-old German woman traveled to a tiny village called Barrio Florida for three nights of ayahuasca ceremonies. She ended up raped and brutally beaten by a “shaman” and his accomplice, who were both arrested. Last November, a Slovakian woman filed charges against a shaman, claiming she’d been raped during a ceremony at a lodge in Peru.

For another perspective, here’s what the banned TED talks have to say on it (hint: if you want to increase demand for something, ban it). Apparently, no-one’s doing psychedelics for fun…

It fixes weed? No way. It helps you realize that getting stoned 16 hours a day is over-use? By taking you to Hell, and the judgement hall of Osiris? No way! Sounds like an amazing breakthrough message from the gods. Otherwise, how would you be able to figure it out?

Angel trumpets is another matter. Leave that shit alone. Deadly fucking nightshade, that’s some Borgias shit. I tried it once, so I’m no expert. The benefits did not outweigh the risks – I felt the same way about salvia divinorum, which people have lost their minds from. Be very, very careful with most of these plants – what is the point of poisoning yourself? There really is no point, no matter how good you think the high is going to be. Make sure you know your half wasted pseudo shaman better than a taxi driver, before you entrust the care of your soul to them…or better still, take the time to find an authentic one. It will be pretty easy to tell, seek the blessed energy you feel radiating from a real person.

Even more troubling than ayahuasca is toé, a “witchcraft plant” that’s a member of the nightshade family. Also called Brugmansia, or angel’s trumpet, toé is known for its hallucinogenic powers. Skilled shamans use it in tiny amounts, but around Iquitos, people say irresponsible shamans dose foreigners with it to give them the Disneyland light shows they’ve come to expect. But there are downsides, to say the least. “Toé,” warns one reputable Iquitos lodge, “is potentially very dangerous, and excessive use can cause permanent mental impairment. Deaths are not uncommon from miscalculated dosages.” I heard horror stories. One ayahuasca tourist said, “Toé is a heavy, dark plant that’s associated with witchcraft for a reason: You can’t say no. Toé makes you go crazy. Some master shamans use it in small quantities, but it takes years to work with the plants. There’s nothing good to come out of it.”

Another visitor, an engineer from Washington, D.C., blames toé for his recent ayahuasca misadventure. He learned about ayahuasca on the internet and booked a multinight stay at one of the region’s most popular lodges. By the second night, he felt something was amiss. “When the shaman passed me the cup that night, he said, ‘We’re going to put you back together.’ I knew something was wrong. It was unbelievably strong.” The man says it hit him like a wave. “All around me, people started moaning. Then the yells and screaming started. Soon, I realized that medics were coming in and out of the hut, attending to people, trying to calm them down.” He angrily told me he was sure, based on hearing the bad trips of others who’d been given the substance, they had given him toé. “Ayahuasca,” he says, “should come with a warning label.”

Kyle’s father, Sean, suspects toé may have played a part in his son’s death, but he says he’s still raising the money he needs to get a California coroner to release the autopsy report. Mancoluto couldn’t be reached for comment, but his former benefactor, the securities trader Roberto Velez, now regrets his involvement with Mancoluto. “The man was evil and dangerous,” he says, “and the whole world needs to know so that no one ever seeks him again.” Some of Mancoluto’s former patients believe his brews included toé and have taken to the internet, claiming his practices were haphazard. (He allegedly sat in a tower overseeing his patients telepathically as they staggered through the forest.) One blog reports seeing a client “wandering out of the jungle, onto the road, talking to people who weren’t there, waving down cars, smoking imaginary cigarettes, and his eyes actually changed color, all of which indicated a high quantity of Brugmansia in Mancoluto’s brew.”

Shoemaker says that even though the majority of ayahuasca trips are positive and safe, things have gotten out of hand. “Misdosing with toé doesn’t make you a witch,” he says. “It makes you a criminal.” Velez, whose inspirational ayahuasca story was the focus of the film that sparked Kyle Nolan’s interest, is no longer an advocate. “It’s of life-and-death importance,” he warns, “that people don’t get involved with shamans they don’t know. I don’t know if anyone should trust a stranger with their soul.”


Filed under: Alternatives to Burning Man Tagged: 2013, alternatives, commerce, complaints, drugs, press, scandal, stories
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